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年考研外语阅读理解第一篇全文翻译

年考研外语阅读理解第一篇全文翻译
年考研外语阅读理解第一篇全文翻译

2013年考研外语阅读理解第一篇全文翻译

注释:本文为书评,即对于某本畅销书的内容的评价,书评是考研外语中常见的一类文章,几乎每年都有,不过指望能得出什么固定模式是不可能的,因为你无法预测到底哪本书或者哪类书能上榜,更无法断定写这个评论的会是谁。该书为伊丽莎白席琳所著《时尚》,批评美国人(其实不光是美国,稍微有点钱的都这个德行)疯狂购买时尚服装,全然不管这些衣服到底能穿几次,更遑论环保和可持续发展。说实话,翻译本文时,我总想起一句很经典的话,女人总是对着装满衣服的柜子抱怨没衣服穿。

In the 2006film version of The Devil Wears Prada, Miranda Priestly, played by MerylStreep, scold her unattractive assistant for imagining that high fashion doesn’t affect her. Priestly explains howthe deep blue color of the assistant’s sweater descended over the years from fashion shows to departmentstores and to the bargain bin in which the poor girl doubtless found her garment.

在2006年上映的“穿普拉达的女王(直译,不过我更欣赏另外一个译名,时尚女魔)”中,由梅丽尔斯特里普(人名不必译出)出演的米兰达普利斯特里臭骂她那个倒霉助手的原因就一个,不解风情(unattractive 一词我移到了这里,不然放在前面前后叠句,削弱语言效果),居然不懂时尚。普利斯特里宣称,这蠢丫头的衣服竟然是深蓝色的,这种款式

(sweater,美式俚语中指紧身上衣)早就扔到箱子底了(from fashion shows to department stores and to thebargain bin,直译为从时装展销到百货商店到地摊,即一落千丈之意)。

This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion”. In the last decades or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends morequickly and anticipate demand more precisely. Quckier turnrounds mean lesswasted inventory, more frequent releases, and more profit. Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertisethat——and to renewtheir wardrobe every few weeks. By offering on-trend items at dirt-cheapprices, Cline argues, these brands have hijacked fashion cycles, shaking all industry long accustomed to a seasonal pace.

时装行业有自己的规矩(top-down,组织严密的),既不能太老套(outof date,固定搭配,过时),也不能像伊丽莎白席琳在历时三年完成的《时尚》一书中所指责(indictment,判决,但书中的观点显然不是法律)

的,搞什么快速时尚,那纯粹是赌这个世界疯不疯(odds,机会,多用于赌博)。尤其是近十年,科技的进步使得Zara、H&M、Uniqlo等世界各大时装厂商能够更快更准确地对市场需求做出反馈,这也就意味着更快捷的设计(原意为更少浪费的发明,或者说更节俭,但浪费有两种情况,一是物资,一是时间,结合上文的快速,这里指时间),更多次的展示(release有展出之意),更丰厚的利润。那些吓人的(补句,译注)服装品牌使得脑袋发热的追新族们把服装变成了商标的附属品,换言之,顶多洗两次就扔,无论时装厂商怎么说。这等于几星期就要重填一次衣柜。席琳坚称,时装厂商们就靠着玩弄这些只配白菜价的时尚潮流(dirt-cheap,非常廉价),把所有相关产业全都绑在了他们的车上(意译,直译为使所有产业服从于一种周期性变化)。

The victims of this revolution, of course, are not limited to designers. For H&M tooffer a $ 5.95 knit miniskirt in all its 2300-plus stores around the world, it must rely on low-wage, overseas labor, order in volumes that strain naturalresources, and use massive amount of harmful chemicals.

这么做(revolution有革命之意,也是国内英语教材通用的意思,但这里显然不是革命,联系上文周期性变化就能知道,此处指它的另外一个意思,旋转,即频繁更新),折腾的不光是服装设计师。以H&M为例,

他们在全球有2300多家分店,若想同时推出一款售价为5.95美元的超短裙(还能挣到钱,补句),只能从海外劳工的工资上下手,而且,生产过程中会产生大量有害化学物质,频繁更新还会造成自然资源的浪费。

“Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma. Mass-produced clothing,like fast food, fills a hunger and need, yet is non-durable, and wasteful,”Cline argues, Americans, shefinds, buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away, this excess leads to waste.

席琳认为,快速时尚其实就是迈克尔·波伦(美国专栏作家,他认为由于人口大量增加,工业化农业运作与人自身需求的满足产生了矛盾,译注)《杂食动物的困境》一书中所提问题在服装界的镜像,就和快餐一样,纯属用来填饱肚子的,既不好吃也不好看(此句的快速时尚稍难理解,它指的是快速时尚的另外一层含义,由于频繁更新而导致的浪费)。她算了算,美国人一年购置服装多达二百亿件,相当于每人六十四件,不管这些衣服后来用处如何,光这样大规模生产本身就是浪费。

Towards the end of Overdressed, Cline introducedher ideal, a Brooklyn woman named SKB, who, since 2008 has make all of her ownclothes——and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example, can’t be knocked off.

在书末,席琳介绍了一个人,家住布鲁克林(纽约一个区,可能人们最熟悉的是布鲁克林大桥,译注)的SKB(此处可能有误,因为美国人姓名可以用简写,但作为礼节,简写后面必然有点号,而且姓氏应该指出,估计是出题时遗漏或者枪版之误,译注),这位女士自2008年就一直自己缝衣裁布,而且做的不错。不过席琳也承认,博蒙特(Beaumont,即上句所说的SKB)的手艺花了几十年才学会,以她做例子,难以服众(knock off固定搭配,去除,这个词组有个很少见的意思,成交,本文用的这个)。

Though several fast-fashion companies have made efforts to curb their impact on laborand the environment——including H&M, with its green Conscious Collection Line——Cline believes lasting-change canonly be effected by the customer. She exhibits the idealism common to manyadvocates of sustainability, be it in food or in energy. Vanity is a constant;people will only start shopping more sustainably

when they can’t afford to it.

几大时装厂商,都在设法减轻劳工和环境的压力,H&M甚至发起了“自觉环保”行动(Conscious Collection是H&M设计的一个时装系列,更多采用比如棉布等天然材料,以利于环保,译注),不过席琳认为除非消费者们改变观念,否则还是白费力气(effect可用作动词,指达到目的)。席琳的理念从可持续发展的角度是对的,但有些理想化。毕竟虚荣心人皆有之。说句笑话(补句),当人们买不起的时候,去商店的次数自然而然就会减少。

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1.提问方式: 1)直接提问(Main idea型) ?The text intends to express the idea that. . . ?We can draw a conclusion from the text that. . . ?What is the passage mainly about? ?The passage is mainly. ?From the passage we learn that. . . ?The passage is mainly about. . . ?he key point of the passage is that. . . ?This passage mainly deals with. . . ?The main point the author makes in the passage is. ?What does this passage mainly discuss? ?The general/ main/ central idea of the passage is. ?The passage is primarily concerned with. . . 2)给文章定标题 The best title for the text may be. . . Which of the following would be the best title for the passage?' A best title for the passage could be. A best title for the passage might be. This passage can be entitled. . . 3)提问写作目的( Purpose型) ?The article is written to explain. ?The purpose of the passage is. ?This passage is intended to… 2.解题技巧: 1) ①.重点读文章的首段开头部分,如果文章中有这样的主旨句, 那么再看四个选择项,如其中一项所含的信息同主旨句中的信息相似,该项即为正确答案 ②.重点读各段的开头和结尾,四个选项中能涵盖文章各段内容的一项, 就是正确答案

考研英语阅读理解全文翻译.doc

年考研英语阅读理解全文翻译.doc

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Text1 Habits are a funny thing. We reach for them mindlessly, setting our brains on auto-pilot and relaxing into the u nconscious comfort of familiar routine. “Not choice, but habit rules the unreflecting herd,” William Wordsworth said in the 19th century. In the ever-changing 21st century, even the word “habit” carries a negative connotation. So it seems antithetical to talk about habits in the same context as creativity and innovation. 习惯是件有趣的事情。我们无意识间养成了一些习惯,我们的大脑是自动运转的,轻松进入熟知套路所带来的不自觉舒适状态。“这并非选择,而是习惯控制了那些没有思想的人”,这是威廉?华兹华斯(William Wordsworth)19世纪时说的话。在现在这个日新月异的21世纪,甚至习惯这个词本身也带有负面涵义。因此,在创造和革新的背景下来谈论习惯,似乎显得有点矛盾。 But brain researchers have discovered that when we consciously develop new habits, we create parallel synaptic paths, and even entirely new brain cells, that can jump our trains of thought onto new, innovative tracks. But don’t bother trying to kill off old habits; once those ruts of procedure are worn into the hippocampus, they’re there to stay. Instead, the new habits we deliberately ingrain into ourselves create parallel pathways that can bypass those old roads. 但大脑研究人员发现,当我们有意识地培养新的习惯的时候,我们创建了平行路径,甚至是全新的脑细胞,可以让我们的思路跳转到新的创新轨道上来。但是,不必费心试图摈弃各种旧习惯;一旦这些程序惯例融进大脑,它们就会留在那里。相反,我们刻意培养的新习惯会创建平行路径能避开原来那些老路。 “The first thing needed for innovation is a fascination with wonder,” says Dawna Markova, author of “The Open Mind” and an executive change consultant for Professional Th inking Partners. “But we are taught instead to ‘decide,’ just as our president calls himself ‘the Decider.’ ” She adds, however, that “to decide is to kill off all possibilities but one. A good innovational thinker is always exploring the many other possib ilities.”

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全国3卷英语高考 A Welcome to Holker Ha ll & Gardens Visitor Information ____ By Car: Follow brown signs an A590 from JB6, M6.Approximale travel times: Windermere-20 minutes, Kendal-25 minutes, Lancaster-45 minutes, Manchester-I hour 30 minutes. By Rail: The nearest stati on is Cark-in-Cartmel with trains to Carnforth, Lancaster Preston for connections to major cities & airports. Opening Times Sunday-Friday (closed on Saturday)11:00 am-4:00pm,30 March-2nd November. Admission Charges Hall & Gardens Gardens Adults: £12.00 £8.00 Groups £9 £5.5 Producers: Market 13th April Join us to taste a variety of fresh local food and drinks. Meet the producers and get some excellent recipe ideas. Holker Garden Festival 30th May The event celebrate its 22nd anniversary with a great show of the very best of gardening, making it one of the most popular events in gardening. National Garden Day 28th August Holker once again opens is gardens in aid of the disadvantaged. For just a small donation you can take a tour with our garden guide. Winter Market 8th November

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Text 1 ①Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. ①It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. ②Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. ③To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. ① We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. ②In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. ③Theirs was a serious business. and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. ④These men believed in journalism as a calling, and were proud to be published in the daily press. ⑤So few authors have brains enough or literary gift enough to keep their own end up in ournalism,Newman wrote, "that I am tempted to define "journalism" as "a term of contempt applied by writers who are not read to writers who are". ①Unfortunately, these critics are virtually forgotten. ②Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. ③During his lifetime, though, he was also one of England's foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. ④He was knighted in 1967, the first music critic to be so honored. ⑤Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. ①Is there any chance that Cardus's criticism will enjoy a revival? ②The prospect seems remote.③Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly uphostered Vicwardian prose in which he specialized. ④Moreover,the amateur tradition in music criticism has been in headlong retreat. 全文翻译: 在过去的25 年英语报纸所发生的变化中,影响最深远的可能就是它们对艺术方面的报道在范围上毫无疑问的缩小了,而且这些报道的严肃程度也绝对降低了。 对于年龄低于40岁的普通读者来讲,让他们想象一下当年可以在许多大城市报纸上读到精品的文艺评论简直几乎是天方夜谭。然而,在20世纪出版的最重要的文艺评论集中,人们读到的大部分评论文章都是从报纸上收集而来。现在,如果读到这些集子,人们肯定会惊诧,当年这般渊博深奥的内容竟然被认为适合发表在大众日报中。

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