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文艺复兴时期英国文学概述

文艺复兴时期英国文学概述
文艺复兴时期英国文学概述

文艺复兴时期英国文学概述

文艺复兴时期文学 (15 世纪后期-17 世纪初) 相对于欧洲其他国家来说,英国的文艺复兴起始较晚,通常认为是在15 世纪末。文艺复兴时期形成的思想体系被称为人文主义,它主张以人为本,反对中世纪以神为中心的世界观,

提倡积极进取、享受现世欢乐的生活理想。托马斯?莫尔( Thomas More, 1478-1535 )是

英国最主要的早期人文主义者,他的《乌托邦》( Utopia )批评了当时的英国和欧洲社会,设计了一个社会平等、财产公有、人们和谐相处的理想国。Utopia 现已成为空想主义的代

名词,但乌托邦是作者对当时社会状况进行严肃思考的结果。《乌托邦》开创了英国哲理幻想小说传统的先河,这一传统从培根的《新大西岛》 ( The NewAtlantis )、斯威夫特的《格列佛游记》(Gulliver's Travels )、勃特勒的《埃瑞璜》( Erewhon) —直延续到20世纪的科幻小说。文艺复兴时期诗歌创作繁荣,埃德蒙?斯宾塞 (EdmundSpenser, 1552-1599 )

的长诗《仙后》(The Faerie Queene)歌颂女王,宣扬人文主义思想。他创造的”斯宾塞诗体"每节诗有九行,韵律复杂,具有柔和动听、萦绕耳际的音乐性。弗兰西斯?培根(Francis Bacon,1561-1626 )是这一时期最重要的散文家,他对文学的主要贡献是《论说文集》

( Essays ),共58 篇。这些文章题材广泛,内容涉及哲学、宗教、政治制度以及婚姻、爱情、友谊、园艺、读书等,文笔典雅,略带古风而又明白畅达。英国戏剧起源于中世纪教堂的宗教仪式,取材于圣经故事的神秘剧和奇迹剧在14、15世纪英国舞台上占有主导地位,

随后出现了以抽象概念作为剧中人物的道德剧。到了16 世纪末,戏剧进入全盛时期。克里斯托弗?马洛(Christopher Marlowe , 1564-1593 )冲破旧的戏剧形式的束缚,创作了一种新戏剧。《帖木儿大帝》 ( Tamburlaine )、《浮士德博士的悲剧》 ( The Tragical History of the Life and Death of Dr. Faustus )、《马耳他岛的犹太人》( The Jew of Malta )

等剧作反映了文艺复兴时期那种永无止境的探索精神和极端的个人主义精神。马洛将戏剧情

节集中于一个主要角色的做法、他对人物性格的分析以及他的素体诗戏剧对白,对英国戏剧的发展做出了不可磨灭的贡献。

英国文艺复兴时期最杰出的作家是威廉?莎士比亚( William Shakespeare ,

1 564- 1 6 1 6 ) ,他的全部作品包括两首长诗,154首十四行诗和38部(一说39 部)戏剧。莎士比亚的主要剧作有喜剧《仲夏夜之梦》( A Midsummer Night's Dream )、《威尼斯商人》( The Merchant of Venice ),悲剧《罗密欧与朱丽叶》( Romeo and Juliet )、《哈

姆莱特》(Hamlet)、《奥赛罗》(Othello )、《李尔王》(King Lear)、《麦克白》(Macbeth), 历史剧《亨利四世》( Henry IV ),传奇剧《暴风雨》( The Tempest )等。莎士比亚塑造了性格鲜明的人物形象,展现了封建制度和资本主义制度交替时期波澜壮阔的历史画面,宣扬了人文主义和个性解放。他的剧作思想内容深刻,艺术表现手法精湛,历经几个世纪,长演不衰。莎士比亚是语言大师,他娴熟地运用英语,将英语的丰富表现力推向极致。与莎士

比亚同时或稍后还有一批剧作家在进行创作,本?琼森( Ben Johnson , 1572-1637 )是其

中最主要的作家,莎士比亚曾在他的喜剧《人人高兴》( Every Man in His Humor )中扮演

角色。琼森的讽刺喜剧《狐狸》( Volpone )、《练金术士》( The Alchemist )揭露了当时社会人们追逐金钱的风气,喜剧性很强。

英国文学期末考试题目(英语专业必备)

.. ;.. 一.中古英语时期 Beowulf is the oldest poem in the English language, and the most important specimen (范例、典范)of Anglo-Saxon literature, and also the oldest surviving epic in the English language. The romance is a popular literary form in the medieval period(中世纪). It uses verse or prose to sing knightly a dventures or other heroic deeds. Geoffrey Chaucer, one of the greatest English poets, whose masterpiece, The Canterbury Tales(《坎特伯雷故事集》),was one of the most important influences on the development of English literature. Chaucer is considered as the father of English poetry and the founder of English realism. 二.文艺复兴Renaissance Renaissance r efers to the period between the 14th and mid-17th centuries. It marks a transition(过渡) from the medieval to the modern world. It started in Italy with the flowering of painting, sculpture(雕塑)and literature, and then spread to the rest of Europe. Humanism is the essence of Renaissance -----Man is the measure of all things. This was England’s Golden Age in literature. Queen Elizabeth r eigned over the country in this period. The real mainstream of the English Renaissance i s the Elizabethan drama. The most famous dramatists in the Renaissance E ngland are Christopher Marlowe and W illiam Shakespeare. The greatest of the pioneers of English drama was Christopher Marlowe. Francis Bacon was the best known essayist of this period. “Of Studies” is the most popular of Bacon’s 58 essays. Thomas More ——Utopia Edmund Spenser——The Faerie Queene 相关练习 1. Which is the oldest poem in the English language? A. Utopia B. Faerie Queene C. Beowulf D. Hamlet 2. _____ is the father of English poetry. A. Edmund Spenser B. William Shakespeare C. Francis Bacon D. Geoffrey Chaucer 3. ____ is not a playwright during the Renaissance period on England. A. William Shakespeare B. Geoffrey Chaucer C. Christopher Marlowe D. Ben Johnson 三.莎士比亚William Shakespeare “All t he world 's a stage, a nd all the men and women merely p layers.”——William Shakespeare William Shakespeare is considered the greatest playwright in the world and the finest poet who has written in the English language. Shakespeare understood people more than any other writers. He could create characters that have

自考英美文学选读 第一章 文艺复兴时期(英国)(课文翻译)

英美文学选读翻译(英语专业自考) 第一部分:英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。

英国文学--古英语-文艺复兴

英国文学(1) -----古英语—文艺复兴 Chapter I An Introduction to Old and Medieval English Literature & The Renaissance Period I. 古英语(文学)Old English—Anglo-Saxon, language spoken by the Angles, Saxons and Jutes 449 (the Anglo-Saxon Invasion) -1066 (the Norman Conquest) Beowulf-- the national epic of the Anglo-Saxons (最高成就) Anglo-Saxon Chronicle II. 中世纪英语(文学) Medieval (Middle) English—With the three languages intermingling, Old English developed into Middle English 1066 - middle 14th century

1. Romance—the most prevailing kind of literature in feudal England (封建英国最流行的文学形式,取材 于贵族,为 贵族而作)2. 民间流行文学—Piers the Plowman by William Langland (written version) the Ballads (oral form)(英国民间文学最重要的一个分支) 3. 乔叟Geoffrey Chaucer ----the father of English poetry (wisdom, humor, humanity) The Canterbury Tales---the first time to use ―heroic couplet‖英雄双韵体诗4. 文学术语----Alliteration;Epic;

第三章 文艺复兴时期文学

第三章文艺复兴时期文学一、单项选择题 1.欧洲资产阶级文学的真正开端是()。 A.浪漫主义文学B.人文主义文学 C.古典主义文学D.启蒙运动文学 2.人文主义思想的核心是()。 A.基督教精神B.理性主义 C.对“人”的肯定D.平等、博爱思想 3.人文主义文学的基本主题是()。 A.歌颂现世生活B.讲究理性、学习知识 C.追求爱情幸福D.反封建反教会 4.意大利的人文主义文学先驱是()。 A.彼特拉克B.但丁 C.薄伽丘D.拉伯雷 5.法国近代第一位抒情诗人是()。 A.拉伯雷B.斯宾塞 C.蒙田D.龙沙 6.蒙田的《随笔集》是法国近代第一部()。 A.短篇小说集B.抒情诗集 C.散文集D.文学评论集 7.被称为西班牙“民族戏剧之父”的是()。 A.斯宾塞B.维伽 C.马洛D.本·琼生 8.薄伽丘在其《十日谈》等作品中宣扬的是()。 A.大自然的奇迹B.幸福在人间 C.人权高于一切D.科学、理性 9.被称为“英国诗歌之父”的是()。 A.托马斯·莫尔B.斯宾塞 C.乔叟D.莎士比亚 10.标志文艺复兴时期英国非戏剧文学高峰的是()。 A.《仙后》B.《乌托邦》 C.《坎特伯雷故事集》D.《随笔集》 11.塞万提斯的“在监狱里诞生的孩子”指的是()。 A.《伽拉苔亚》B.《奴曼西亚》 C.《惩恶扬善故事集》D.《堂·吉诃德》 12.维伽的《羊泉村》直接描写的是()。 A.男女间的爱情B.农民对领主的反抗 C.婚姻和家庭问题D.对开明君主的歌颂 13.文艺复兴时期欧洲文学的主题是()。 A.封建文学B.教会文学 C.民间文学D.人文主义文学 14.文艺复兴运动的发源地是()。 A.英国B.西班牙 C.意大利D.法国

文艺复兴时期的英国文学简介

第二讲英国“文艺复兴”文学 2.1 文艺复兴 “文艺复兴”作为一场席卷欧洲的文化运动标志着欧洲从中世纪走向现代的转折。始于14世纪的意大利,以美术、雕塑、文学艺术等的繁荣为标志,经由中欧、法国,最后传到不列颠。“复兴”在这里指对欧洲古典即古希腊古罗马时期的艺术的重新挖掘和张扬,是指欧洲的文艺经过漫长中世纪基督教神学一统天下的黑暗时代后又重新恢复了古典时代的辉煌。在英国,“文艺复兴”运动主要表现为都铎王朝时期文学的繁荣。代表人物莎士比亚。 欧洲文艺复兴运动的历史背景包括政治、经济、宗教、科技、文化等诸多方面,这些因素互相推动,它们根植于中世纪,却又共同从成了一种与中世纪决裂的历史局面。 首先是对古希腊古罗马文化的重新发现。 地理和科学的新发现。哥伦布达伽马 16世纪德意志神学家马丁路德发起宗教改革 文艺复兴主要体现在2个方面:人文主义的张扬;基督教神学的改革。 2.2 英国文艺复兴 根据文坛和文学创作所呈现出的不同特点,英国文艺复兴可以分为3个主要阶段: 第一,15世纪末---16世纪前半叶,复兴初期,研究古希腊罗马哲学,印刷术传入英国推动了人文主义文化的传播。 代表:托马斯莫尔《乌托邦》 第二,伊丽莎白时代,英国文艺复兴的鼎盛时代。 代表:莎士比亚的戏剧和斯宾塞的诗歌 第三,从莎士比亚去世到17世纪中期。英国文艺复兴的晚期,运动逐渐走向低落。 代表:哲学家及散文家弗兰西斯培根 文艺复兴时期英国文学的主要特征是诗歌和戏剧成为英国文坛的主流。 2.3代表作家及作品 2.3.1 托马斯莫尔(Thomas More) 出生于中产阶级家庭,其父为皇家法官。希望其成为律师 1504,26岁成为下院议员。反对亨利七世,退出政坛。 15.9,亨利八世即位,恢复政治生涯,次年被委派位伦敦助理行政官,官至财政部长,下议院议长和帝国大法官。 因反对亨利八世与教会对抗被斩首。

文艺复兴时期英国文学概述

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文艺复兴时期英国文学

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I.Multiple Choice Old and Medieval Period 1. ____ Beowulf ___, a typical example of Old English poetry, is regarded as the national epic of the Anglo-Saxons. A. The Canterbury Tales B. Exodus C. D. The Legend of Good Women 3. The work that presented, for the first time in English literature, a comprehensive realistic picture of the medieval English society and created a whole gallery of vivid characters from all walks of life is most likely __ B.Geoffrey Chaucer’s The Canterbury Tales____________. A.William Langland’ s Piers Plowman C.John Gower’s Confession Amantis D.Sir Gawain and the Green Knight 2.Among the great Middle English poets, Geoffrey Chaucer is known for his production of ___. A.Piers Plowman B.Sir Gawain and the Green Knight C.Confessio Amantis D.The Canterbury Tales 1. ____ A. B. George Gordon Byron C. Edmund Spenser D. Robert Browning 1.Romance,which uses narrative verse or prose to tell stories of B.

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