Araby赏析
今天我来向大家介绍一片文章Araby，这是Dubliners 中的一篇文章。
首先这是我对这篇文章的概述：I had a crush on my friend’s sister. Her name, words, gesture were haunted by me whenever and wherever. I promised her I would bring something for her when I came back from Araby. After I saw the scenes in Araby and left the bazaar with nothing, I felt anguished and angry.
这篇文章当中有很多的环境描写，比如说开篇第一段: North Richmond Street , being blind, was a quiet street except at the hour when the Christmas Brother’s School set the boys free. An uninhabited house of two storeys stood at the blind end, detached from its neighbours
in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.这段文字描述了一个非常寂静、潮湿、黑暗的环境，开篇就定下了一个悲伤的感情基调。最后…The upper part of the hall was now completely dark.Gazing up into the darkness…同样，以凄凉、黑暗的环境渲染了作者内心的痛苦。作者非常会描写场景，I heard the rain impinge upon the earth, the fine incessant needles of water playing in the sodden beds.作者用这句话，将细雨比作针尖，将大地比作潮湿的床。联系文章后面，以及主人公现在的情形，我们就可以知道，这景色当中也蕴含着主人公激动、兴奋的感情。此外，The space of sky above us was the color of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns.这句话在描写景物时，运用了色彩、光影使得景色十分形象。
文中有两个主要角色，一个是主人公，另一个是主人公喜欢的姑娘。
在第四段当中，用了一系列的动作描写，写出了情窦初开的少年喜欢上女孩子的羞涩，想要接近她，但是又怕让她知道自己的爱慕之情。女孩的身影让他魂牵梦绕，所以主人公夜不能寐，上课也没有心思，就像《诗经》中描写的那样：求之不得，寤寐思服，优哉游哉，辗转反侧。
再看最后，Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.这句话用了心理描写，作者看到现实中的Araby，与自己想象当中的美好的Araby截然不同，然后为自己这种不切实际的行动感到伤心痛苦。
女主人公，在主人公眼中是一个非常纯洁的形象，她的一颦一簇在他看来是那么的完美无瑕。Her dress swung as she moved her body and the soft rope her hair tossed from side to side. 还有The light from the lamp opposite our door caught the white curve of her neck, lit up her hair
that rested there and, falling, lit up the hand upon the railing. 但是对于她来说，她并不知道主人公喜欢她，所以在和他交谈的时候，她的语气都比较客气，比如She could not go, she said, because therewould be a retreat that week in her convent.“It’s well for you,” she said.
整篇文章，主要围绕着两个主题来讲。分别是主人公的变化与幻想和现实。主人公想象当中的爱情应该是纯洁无暇，但是当他在Araby里面看到一个女人和两个绅士在那里调情，这和他想象中的爱情是迥然不同的。主人公明白了，原来爱情并没有他想象中那么圣洁，所以从一个无知的少年变为了一个梦想破灭的青年人。
在这篇文章中用了暗喻的手法。
在文章开篇描写了阴暗的街道，这就暗指写作时黑暗、死气沉沉的社会背景。
文章当中有一句I imagined that I bore my chalice safely through a throng of foes.他把自己比作一个骑士，把他喜欢的女孩比作圣杯，这就凸显出来女孩在他心中神圣纯洁的地位。同时，圣杯也指主人公对美好爱情的向往。
贯穿文章的Araby，暗指主人公的梦想。这是一个富有东方色彩的词语，在作者心中这是实现自己喜欢女孩愿望的地方。然而美好的事物在现实当中却是静默的，这与梦想之间形成了巨大的反差。
语义分析
语义分析 1.语义分析？ 机器机和人不一样的地方是人可以直接理解词的意思，文章的意思，机器机不能理解。 人看到苹果这两个字就知道指的是那个圆圆的，挺好吃的东西，搜索引擎却不能从感性上理解。但搜索引擎可以掌握词之间的关系，这就牵扯到语义分析。 可参考：https://www.wendangku.net/doc/358396305.html,/dispbbs.asp?boardID=2&ID=74541 2.为什么要使用语义分析？ 我国中文自然语言处理普遍采用西基于拉丁语系的“关键词”技术，以此来分析理解中文。然而，中文本身的特点决定它与西语之间巨大的区别，所以从汉语信息处理的需要看，当前急迫需要突破的是语义问题。 可参考： https://www.wendangku.net/doc/358396305.html,/dicksong2008/blog/item/88fb751e9ac9501a4134 17f4.html 2.1中文与西语不同决定我们无法采用西语的架构体系来处理中文，具体区别在于： 西语词间有间隔，汉语词间无间隔。众所周知，英文是以词为单位的，词和词之间是靠空格隔开，而中文是以字为单位，句子中所有的字连起来才能描述一个意思。 例如，英文句子I am a student，用中文则为：“我是一个学生”。计算机可以很简单通过空格知道student是一个单词，但是不能很容易明白“学”、“生”两个字合起来才表示一个词。把中文的汉字序列切分成有意义的词，就是中文分词，有些人也称为切词。 “我是一个学生”，分词的结果是：“我是一个学生”。中文分词就成了计算机处理的难题。 汉语形态不发达，句尾没有形态标记。英语动词、名词很清楚，加上词尾可以是副词；西语有时态，过去式、现在式等等非常清楚，中文则依靠词语或者依靠自己的判断来确定时态。 同音字多增加了机器识别的难度。 汉语语义灵活，由于形态不发达，所以语序无规律。在一次学术会议上，一位著名的人工智能专家说：“按…主－谓－宾?或…名－动－名?这一规则，计算机可显出…牛吃草?，也可显出…草吃牛?。从语法格式上看，…草吃牛?也不错，但这句话是说不通的。 人依靠自己的经验可以判断，机器如何来判断呢？
英语美文欣赏带翻译
Friends or 'Enemies?' When I was younger, my Dad used to tell me: "Boys don't want to be your friend." He then left the rest to my imagination. At the time, I didn't agree. I thought: I can crack a good joke, I know how to shoot a hoop, and I'm a cheerful person (but not in an annoying way). What kind of boy wouldn't want to be around that kind of girl? Turns out, my Dad was right. Not to be all "Samantha Brick" about it, but in my experience, single, heterosexual men aren't actively looking for an exclusively platonic relationship with a woman they find sexually attractive. This of course is not a revolutionary concept. In fact, it seems pretty natural to me. Now, I will be the first to say that it is really and truly the most wonderful thing in the world if the attraction is mutual. But the Powers That Be seem to like to play these complicated little mating games with humans where the guy we want to re-enact scenes from 9? Weeks with sees our attractiveness level as akin to that of a discarded dishcloth, and the most physical we could see ourselves being with the guy who actually likes us is a game of ping pong over an especially long table. All of which means that someone usually ends up getting rejected. I'm sure I'm not alone when I say I have struggled with the scenario where I am not interested in a man romantically, but I want to keep him as a friend because he is funny and I enjoy his company, or he has shown himself to be that rare specimen known as "a nice, genuine person, " or he simply doesn't mention his therapist in every other sentence. Rather than string him along and give him hope, I feel compelled to somehow communicate to him sooner rather than later that we'll just be staying friends, nothing more. Otherwise, I think I am being unfair to him. Why should he waste his romantic stamina on me when there are loads of other single women out there who might fall instantly in love with him? The thing is, it can sometimes be tricky to reject a man and keep him as a friend. If the operation is not executed carefully, you may end up creating a "menemy." It requires a certain amount of skill to be able to turn down a man's sexual advances or romantic gestures and then get him to agree to meet you for blueberry pancakes the following weekend and chat about the latest Woody Allen film. Some men aren't satisfied with just that. I'm not clear why. What's so bad about friendship? Everyone needs buddies. But I've seen men react poorly or simply fall off the face of the earth. I get it -- their feelings are hurt. None of us likes getting rejected. But in my experience, some men find it especially soul-crushing. I am only bringing all of this up because I recently had to go through this scenario again. I had spent some time cultivating a friendship with a man who, in my defense, I thought was gay. So I didn't see the harm in him buying me the occasional falafel, or accepting an invitation to see a film with him. Isn't that what friends are for? But a mutual friend shed light on his sexual orientation (straight) and suggested that his intentions -- and attentions -- weren't platonic. He had never "made the moves" but now it was all crystal clear -- that explains the way he had looked at me that time the tahini sauce dribbled down my chin! Since he had clearly been too timid to express his feelings, I thought I would be clever this time and subtly mention the dates I had been going on, focusing on the one guy I was kind of keen on, so that he would know that I was "unavailable" for heavy petting and those sorts of activities, but that I was available for things like roller skating, falafel-eating and shooting the breeze. Doesn't that sound nice? That way, he would known not to try to lean in for a kiss, and I wouldn't have to pull the Stevie Wonder dance and dodge him went he went for it. It was like pre-rejection, yet I was sparing his feelings because he didn't even have to put himself out there! I really thought I was being brilliant. It backfired, of course. Said man ended up sending me an email rant accusing me of being insensitive by talking about other men when he had "feelings for me." As if I am psychic, by the way, just because I am a woman! How was I supposed to know that? I think in his mind we were dating. In my mind, he was my new gay BFF. In the end, I got mad at him for getting mad at me, and now the friendship has ended. And I have created yet another "menemy." Look, I have also tried the direct thing: "I really like you, but only as a friend, " but you can only do that when the guy has made his intentions clear, and in my experience, they either cope okay (though rarely do I feel much enthusiasm for friendship after that), or they really don't cope well. I also tried the thing where you make them think they are rejecting you, but it gets quite confusing and only works if the guy isn't very sharp, and why would I -- or you -- be hanging out with someone not that sharp in the first place? As we all remember, Billy Crystal's character says men and women can't be friends in When Harry Met Sally because the sex stuff gets in the way. I do have single, male, heterosexual friends with whom I have an easy, non-romantic rapport, but I honestly don't know if they would walk away if I was sprawled naked on a bed calling out to them. I may not be everybody's cup of tea, but sometimes, I wonder if they wonder. And they may wonder if I wonder. If so, I hope they'll keep it to
英语美文赏析 带翻译
(Reports on Britain Under the Bombs) Night after night, in the hot summer and early fall of 1940, a deep, steady voice came over the Atlantic Ocean from England to America, telling of England's battle for survival under the waves of German bombers. This strong and steady voice, an American voice with a slight accent of North Carolina, belonged to Edward R. Murrow, head of the European staff of the Columbia Broadcasting System. "This is London," said Murrow, while the bombs fell and flames spread on the streets of the city. His voice had a tone of sorrow for the suffering of that ancient city, and a tone of confidence, too -- a feeling of belief that London would be there, no matter what it had to endure. It could not be destroyed. The heavy raids began in the middle of August, and Nazi bombs started to fall along England's Channel Coast. The German bombers cast dark shadows over the white cliffs of Dover, and England's Home Guard prepared to fight on the beaches, on the cliffs, and in the hills, until the last Englishman died or the invaders were driven off. Air Marshal Goering's bomber pilots were sure of their ultimate triumph over England. Hitler and Goering believed that when London became a burned city like Warsaw and Rotterdam, England would surrender. But the English were more fortunate than the Poles in Warsaw and the Dutch in Rotterdam. They had the English Channel as a barrier against the Nazi ground forces, and they had the Royal Air Force(RAF) to battle the Nazis in the sky. The hardships of London really started in the first week of September, when Hitler was at last convinced that the English did not intend to give in. On September 7, 1940, nearly four hundred German bombers hammered the city with bombs in broad daylight. Marshal Goering boasted, "This is the historic hour when our air force for the first time delivered its bombs right into the enemy's heart." Fires burned, houses fell, gas pipes burst, and dark smoke rose from the streets. Men, women, and children felt the effect of the bombs. Radar sirens wailed, ambulances rushed from one place of agony to another, and fire fighters faced the flames hour after hour.
翻译 中英对译 英文散文赏析
原文 巷 柯灵译者-张培基 巷，是城市建筑艺术中一篇飘逸恬静的散文，一幅古雅冲淡的图画①。这种巷，常在江南的小城市中，有如古代的少女，躲在僻静的深闺，轻易不肯抛头露面②。你要在这种城市里住久了,和它真正成了莫逆，你才有机会看见她③，接触到她优娴贞静的风度。 人耐心静静走去，要老半天才走完。它又这么曲折, 什么时候，你向巷中踅去，都如宁静的黄昏，可以清晰地听到自己的 斑斑驳驳的苔痕，墙上挂着一串串苍翠欲滴 的藤萝，简直像古朴的屏风。春来 小巷的动人处就是它无比的悠闲。无论是谁， 你的心情就会如巷尾不波的古井，那是一种和平的静穆，而不是阴森和肃杀⑩。它闹中取静，别有天地，仍是人间。它可能是一条现代的乌衣巷(11)，家家有自 己的一本哀乐帐， 使人忘忧。 译文 The Lane Ke Ling The lane, in terms of the art of urban architecture, is like a piece of prose of gentle gracefulness or a painting of classic elegance and simplicity①.
a small the lane, a maiden of ancient times hidden away in a secluded boudoir, is reluctant to make its appearance long time.③ The does not taste of the countryside at all. It is long and deep, so it will take you a long while to walk patiently and quietly through it from end to end. It is also so winding that it seems ⑤when you look far ahead, but if you keep walking until you take a turning, you’ll find it again lying endless and still more quiet. There is nothing but stillness there⑥. At any hour of day, you can even distinctly hear in the , which, moss-covered and hung with clusters of fresh green wisteria, look almost like screens of primitive simplicity. Inside the walls are residents’ gardens with In spring, beautiful peach and apricot blossoms atop the walls, ⑧waving their red sleeves, will sway hospitably to beckon the pedestrians. The charm of the lane lies in its absolute serenity. No matter who you are, if you in the lane for a while⑨, your mind will become as unruffled as the ancient well at the end of the lane. There you will a kind of peaceful calmness rather than gloomy sternness⑩. There reigns peace and quiet in the midst of noisy bustle. It is a world of its own on earth. It may be a modern (11)where each family, secluded behind closed doors, has its own covered-up story of （12）The all-pervading and all-purifying atmosphere of water-like placidness makes one forget all cares and worries.
现代汉语语法分析报告地五种方法
北语之声论坛专业精华转贴 现代汉语语法的五种分析方法是语法学基础里很重要的一个内容,老师上课也会讲到,我在这里把最简略的内容写在下面，希望能对本科生的专业课学习有所帮助 详细阐释中心词分析法、层次分析、变换分析法、语义特征分析法和语义指向分析的具体内涵： 一. 中心词分析法： 分析要点： 1．分析的对象是单句； 2．认为句子又六大成分组成——主语、谓语（或述语）、宾语、补足语、形容词附加语（即定语）和副词性附加语（即状语和补语）。 这六种成分分为三个级别：主语、谓语（或述语）是主要成分，宾语、补足语是连 带成分，形容词附加语和副词性附加语是附加成分； 3．作为句子成分的只能是词； 4．分析时，先找出全句的中心词作为主语和谓语，让其他成分分别依附于它们； 5．分析步骤是，先分清句子的主要成分，再决定有无连带成分，最后指出附加成分。 标记： 一般用║来分隔主语部分和谓语部分，用══标注主语，用——标注谓语，用~~~~~~标注宾语，用（）标注定语，用[ ]标注状语，用< >标注补语。 作用： 因其清晰明了得显示了句子的主干，可以一下子把握住一个句子的脉络，适合于中小学语文教学，对于推动汉语教学语法的发展作出了很大贡献。 还可以分化一些歧义句式。比如：我们五个人一组。 （1）我们║五个人一组。 （2）我们五个人║一组。 总结：中心词分析法可以分化一些由于某些词或词组在句子中可以做不同的句子成分而造成的歧义关系。 局限性： 1．在一个层面上分析句子，层次性不强； 2．对于一些否定句和带有修饰成分的句子，往往难以划分； 如：我们不走。≠我们走。
封建思想必须清除。≠思想清除。 3. 一些由于句子的层次关系不同而造成的歧义句子无法分析； 如：照片放大了一点儿。咬死了猎人的狗。 二. 层次分析： 含义： 在分析一个句子或句法结构时，将句法构造的层次性考虑进来，并按其构造层次逐层进行分析，在分析时，指出每一层面的直接组成成分，这种分析就叫层次分析。 朱德熙先生认为，层次分析不能简单地将其看作是一种分析方法，而是应当看做一种分析原则，是必须遵守的。（可以说说为什么） 层次分析实际包含两部分内容：一是切分，一是定性。切分，是解决一个结构的直接组成成分到底是哪些；而定性，是解决切分所得的直接组成成分之间在句法上是什么关系。 基本精神： 1．承认句子或句法结构在构造上有层次性，并在句法分析上严格按照内部的构造层次 进行分析； 2．进行分析时，要明确说出每一个构造层面的直接组成成分； 3．分析时只管直接成分之间的语法结构关系，不管间接成分之间的语法结构关系或句 法结构中实词与实词之间的语义结构关系； 优越性： 1．注意到了句子构造的层次性； 如: 他刚来我们便宜他了 ││__│││___│ │___││_____│ 他刚来我们便宜他了 __ _______ ____ ___________ ___ ___ ____ _____
英文美文翻译赏析
英文美文五篇 第一篇 Youth Youth is not a time of life;it is a state of mind;it is not a matter of rosy cheeks,red lip s and supple knees;it is a matter of the will,a quality of the imagination,a vigor of th e emotions;it is the freshness of the deep springs of life. Youth means a temperamental predominance of courage over timidity,of the appetite for adventure over the love of ease.This often exists in a man of60more than a boy o f20.Nobody grows old merely by a number of years.We grow old by deserting our i deals. Years may wrinkle the skin,but to give up enthusiasm wrinkles the soul.Worry,fear, self-distrust bows the heart and turns the spirit back to dust. Whether60or16,there is in every human being’s heart the lure of wonders,the unfail ing appetite for what’s next and the joy of the game of living.In the center of your hea rt and my heart,there is a wireless station;so long as it receives messages of beauty,h ope,courage and power from man and from the infinite,so long as you are young. When your aerials are down,and your spirit is covered with snows of cynicism and th e ice of pessimism,then you’ve grown old,even at20;but as long as your aerials are up,to catch waves of optimism,there’s hope you may die young at80. 译文： 青春 青春不是年华，而是心境；青春不是桃面、丹唇、柔膝，而是深沉的意志，恢宏的想象，炙热的恋情；青春是生命的深泉在涌流。 青春气贯长虹，勇锐盖过怯弱，进取压倒苟安。如此锐气，二十后生而有之，六旬男子则更多见。年岁有加，并非垂老，理想丢弃，方堕暮年。 岁月悠悠，衰微只及肌肤；热忱抛却，颓废必致灵魂。忧烦，惶恐，丧失自信，定使心灵扭曲，意气如灰。 无论年届花甲，拟或二八芳龄，心中皆有生命之欢乐，奇迹之诱惑，孩童般天真
中文语义依存分析评测大纲
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英文诗歌赏析翻译
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