论《白鲸》中白鲸的象征意义论文(修改后)
On Symbolism of the White Whale in Moby
Dick
Zhao Cuiting
赵萃婷
Acknowledgements
I would like to take this chance to express my sincere gratitude to my supervisor, Shu Jingwei, who is the lecturer in the Foreign Languages and Literature Department for her kindly assistance and valuable suggestions during the process of my thesis writing. His willingness to give his time so generously has been very much appreciated.
My gratitude also extends to all the teachers who taught me during my undergraduate years for their kind encouragement and patient instructions.
Last but not the least; I would like to offer my particular thanks to my friends and family, for their encouragement and support for the completion of this thesis.
First and foremost, I appreciate my country who gives me a comfortable learning atmosphere. Second, I would like to show my deepest gratitude to my supervisor, Shu Jingwei, who has walked me through all the stages of the writing of this thesis. Without his illuminating instruction and patience, this thesis could not have reached its present form. I am also greatly indebted to all my teachers who have helped me to develop the fundamental and essential academic competence. My sincere appreciation also goes to all my classmates, who are my proud of my life. Last but not least, I want to thank all my friends, especially my three lovely roommates, for their encouragement and support.
The white whale likes a symbol of the labyrinth. From the people, macro features, small stationary objects almost always have multiple layers of symbolism. This paper begins with a brief introduction to the life of Melville and his writing style and content of the white whale, pave the way for the in-depth analysis of the context. The second part, the writer focus on symbolism from a general angle and narrow angle analysis, and proposed a theory of symbolism, revealing the function of symbolism in literature. The next three parts the writer has an in-depth analysis of the symbolism of the white whale: Beluga incarnation of evil, all-powerful all-knowing God and not to resist nature. Finally, the article has once stressed the importance of the application of symbolism
Contents
Abstract (English) (i)
Abstract (Chinese) ............................................................................... i i Introduction .. (1)
A. Introduction to Herman Melville (1819-1891) (3)
1. His great success as a writer can be attributed to many factors. (3)
2. Nathaniel Hawthorne exerts a profound influence on him. (3)
3. His writing is consciously literary. (4)
4. His style is highly symbolic and metaphorical. (4)
B. Introduction to Moby Dick (5)
1. Symbolism makes Moby Dick a great success (5)
2. Herman Melville was the celebrated author of several big 19th-century novels
about the sea. (5)
Ⅱ.Extended meaning of Moby Dick (6)
A. Symbolism (6)
1. Symbol (6)
2. Symbolism (6)
3. Functions of Symbolism (7)
B. Symbolism of Evil (7)
1. Transcendentalism and Anti-transcendentalism (7)
2. The Nature of Evil (7)
3. Symbols of Evil (8)
II. Symbolism of God (8)
A. View of God in Anti- transcendentalism (8)
B. The Symbol of God (9)
III. Symbolism of Nature (9)
A. View of Nature (9)
B. symbol of nature (9)
Conclusion (10)
Bibliography (11)
Abstract
Herman Melville has been considered as one of the greatest writers in American literature of the19th century. The success of this masterpiece is largely attributed to its adoption of symbolism. In light of this, it is both penetrating and comprehensive to study symbolism and to explore the symbolic elements in Moby Dick so as to bring about a deeper understanding of the author's penetration into humanity and liberalism.
At the beginning of the thesis, a brief introduction to the author, Herman Melville and Moby Dick is presented so as to pave the way for further exploration. In the following part, the focus is put on the analysis of symbolism in both broad sense and narrow sense. It begins with the analysis of symbol, which is an important means of symbolism. Furthermore, theories concerning symbolism are put forward, and in the end, the functions of symbolism in literature are displayed to full. The next three parts bring the thesis to highlight by probing into the symbolism of Moby Dick, the white whale, who stands for evil, God and nature from different perspectives. The thesis ends with reiterating the significance of symbolism adopted in Moby Dick.
The white whale likes a symbol of the labyrinth. From the people, macro features, small stationary objects almost always have multiple layers of symbolism. This paper begins with a brief introduction to the life of Melville and his writing style and content of the white whale, pave the way for the in-depth analysis of the context. The second part, the writer focus on symbolism from a general angle and narrow angle analysis, and proposed a theory of symbolism, revealing the function of symbolism in literature. The next three parts the writer has a in-depth analysis of the symbolism of the white whale: Beluga incarnation of evil, all-powerful all-knowing God and not to resist nature. Finally, the article has once stressed the importance of the application of symbolism
Key words: Moby Dick symbolism evil God nature
摘要
《白鲸》作者赫尔曼·尔维麦尔被公认为19世纪美国最伟大的作家之一，《白鲸》这部杰作的成功在很大程度上归功于象征主义手法的应用。鉴于此，笔者认为剖析《白鲸》中的象征主义元素，意义深远，有助于我们更加深入的解读麦尔维尔对于人性和自由主义的理解。《白鲸》真的给了我很多的启示，你对待他人怎样，他人就会对待你怎样。你不去招惹别人，别人更不会冒犯你的。对待什么事物，可以不要过分的认真，当然我是指一些无意义的认真，也许就是那些你所认为的执着会害了你自己。
《白鲸》是一部融戏剧、冒险、哲理、研究于一体的鸿篇巨制。依托美国资本主义上升时期工业发达、物质进步的时代背景,作者将艺术视角伸向了艰辛险阻、财源丰厚的捕鲸业,以沉郁瑰奇的笔触讲述了亚哈船长指挥下的“裴廓德号”捕鲸船远航追杀白鲸最后与之同归于尽的海洋历险故事。在与现实生活的相互映照中,作者寓事于理,寄托深意,或讲历史,谈宗教,或赞自然,论哲学,闲聊中透射深刻哲理,平叙中揭示人生真谛,不但为航海、鲸鱼、捕鲸业的科学研究提供了丰富的材料,而且展现了作家对人类文明和命运的独特反思。难怪这部表面看似杂乱无章、结构松散的皇皇巨著被冠以各种形式的名字:游记、航海故事、寓言、捕鲸传说、有关鲸鱼与捕鲸业的百科全书、美国史诗、莎士比亚式的悲剧、抒情散文长诗、塞万提斯式的浪漫体小说……它就像一座深邃神奇的艺术迷宫,呈现出异彩纷繁的多维性、开放性和衍生性,具有开掘不尽的恒久艺术价值。
《白鲸》像一座象征主义的迷宫。这里大到典型人物、宏观景物,小到静止的物体几乎都具有多层次的象征意义。本文首先简要介绍了麦尔维尔的生平和他的创作风格以及《白鲸》的相关内容，为下文的深入分析铺平道路。第二部分，笔者着重从广义角度和狭义角度分析了象征主义，并提出了象征主义的相关理论，揭示象征主义在文学创作方面的作用。接下来三部分笔者深入剖析白鲸的象征意义：白鲸邪恶的化身、全能全知的上帝及不可反抗的自然。最后，本文再次强调了象征主义手法的应用的重要性。
关键词：白鲸象征主义邪恶上帝自然
On Symbolism of the White Whale in Moby Dick Introduction
I am the narrator, announces his intent to ship aboard a whaling vessel. He has made several voyages as a sailor but none as a whaler. He travels to New Bedford, Massachusetts, where he stays in a whalers’ inn. Since the inn is rather full, he has to share a bed with a harpooner f rom the South Pacific named Queequeg. At first repulsed by Queequeg’s strange habits and shocking appearance (Queequeg is covered with tattoos), Ishmael eventually comes to appreciate the man’s generosity and kind spirit, and the two decide to seek work on a whaling vessel together. They take a ferry to Nantucket, the traditional capital of the whaling industry. There they secure berths on the Pequod, a savage-looking ship adorned with the bones and teeth of sperm whales. Peleg and Bildad, the Pequod’s Quak er owners, drive a hard bargain in terms of salary. They also mention the ship’s mysterious captain, Ahab, who is still recovering from losing his leg in an encounter with a sperm whale on his last voyage.
The Pequod leaves Nantucket on a cold Christmas Day with a crew made up of men from many different countries and races. Soon the ship is in warmer waters, and Ahab makes his first appearance on deck, balancing gingerly on his false leg, which is made from a sperm whale’s jaw. He announces his desire to pu rsue and kill Moby Dick, the legendary great white whale who took his leg, because he sees this whale as the embodiment of evil. Ahab nails a gold doubloon to the mast and declares that it will be the prize for the first man to sight the whale. As the Pequod sails toward the southern tip of Africa, whales are sighted and unsuccessfully hunted. During the hunt, a group of men, none of whom anyone on the ship’s crew has seen before on the voyage, emerges from the hold. The men’s leader is an exotic-looking ma n named Fedallah. These men constitute Ahab’s private harpoon crew, smuggled aboard in defiance of Bildad and Peleg. Ahab hopes that their skills and Fedallah’s prophetic abilities will help him in his hunt for Moby Dick.
The Pequod rounds Africa and enters the Indian Ocean. A few whales are successfully caught and processed for their oil. From time to time, the ship encounters other whaling vessels. Ahab always demands information about Moby Dick from their captains. One of the ships, the Jeroboam, carries Gabriel, a crazed prophet who predicts doom for anyone who threatens Moby Dick. His predictions seem to carry some weight, as those aboard his ship who have hunted the whale have met disaster. While trying to drain the oil from the head of a captured sper m whale, Tashtego, one of the Pequod’s harpooners, falls into the whale’s voluminous head, which then rips free of the ship and begins to sink. Queequeg saves Tashtego by diving into the ocean and cutting into the slowly sinking head.
During another whale hunt, Pip, the Pequod’s black cabin boy, jumps from a whaleboat and is left behind in the middle of the ocean. He goes insane as the result of the experience and becomes a crazy but prophetic jester for the ship. Soon after, the Pequod meets the Samuel Enderby, whaling ship whose skipper, Captain Boomer, has lost an arm in an encounter with Moby Dick. The two captains discuss the whale; Boomer, happy simply to have survived his encounter, cannot understand Ahab’s lust for vengeance. Not long after, Queequeg falls ill and has the ship’s carpenter make him a coffin in anticipation of his death. He recovers, however, and the coffin eventually becomes the Pequod’s replacement life buoy.
Ahab orders a harpoon forged in the expectation that he will soon encounter Moby Dick. He baptizes the harpoon with the blood of the Pequod’s three harpooners. The Pequod kills several more whales. Issuing a prophecy about Ahab’s death, Fedallah declares that Ahab will first see two hearses, the second of which will be made only from American wood, and that he will be killed by hemp rope. Ahab interprets these words to mean that he will not die at sea, where there are no hearses and no hangings. A typhoon hits the Pequod, illuminating it with electrical fire. Ahab takes this occurrence as a sign of imminent confrontation and success, but Starbuck, the ship’s first mate, takes it as a bad omen and considers killing Ahab to end the mad quest. After the storm ends, one of the sailors falls from the ship’s masthead and drowns—a grim foreshadowing of what lies ahead.
Ahab’s fervent desire to find and destroy Moby Dick continues to intensify, and the
mad Pip is now his constant companion. The Pequod approaches the equator, where Ahab expects to find the great whale. The ship encounters two more whaling ships, the Rachel and the Delight, both of which have recently had fatal encounters with the whale. Ahab finally sights Moby Dick. The harpoon boats are launched, and Moby Dick attacks Ahab’s harpoon boat, destroying it. The next day, Moby Dick is sighted again, and the boats are lowered once more. The whale is harpooned, but Moby Dick again attacks Ahab’s boat. Fedallah, trapped in the harpoon line, is dragged overboard to his death. Starbuck must maneuver the Pequod between Ahab and the angry whale.
A. Introduction to Herman Melville (1819-1891)字体对吗
Born in New York in 1819, Herman Melville is famous for his great work--- Moby Dick, which earns him an everlasting reputation.
1. His great success as a writer can be attributed to many factors.
To begin with, its success has something to do with his rich life experiences, which provide him with endless literary conceits. He was born to a prosperous family engaged in import of foreign goods. However, family business failed at the end of the 1820s despite his great efforts to revive it. Running out of fortune on land, Melville stared his first sea voyage at nineteen, as a merchant sailor on a ship bound for Liverpool, England. Later, he committed to a whaling voyage of indefinite destination and scale on Acushnet, from which he draws lots of inspiration to his works, such as a series of novels about adventures and his philosophy of life. It is those novels that pave the way for the greatest work Moby Dick.
2. Nathaniel Hawthorne exerts a profound influence on him.
Having admired Hawthorne's psychological depth for long, Melville dedicates Moby Dick to Hawthorne, sinc e in his eyes,Hawthorne belongs to a new, distinctively American literature.
3. His writing is consciously literary.
His rich rhythmical prose and poetic power show his high craftsmanship. He made many references to former authors in their works, the Bible and Shakespeare in particular. In Moby Dick, for example, there are many allusions to classical myths. Therefore, Moby Dick is regarded as the first American prose epic, a Shakespearean tragedy of man fighting against overwhelming odds in an indifferent and even hostile world. The literary quality of Melville’s style makes him extremely difficult to understand. On the one hand, much of the talk in the novel is sailor talk; on the other hand, he wrote in an old style. Some of his language is
old-fashioned manifesting Elizabethan influence. He did so purposely to raise the importance of the subject that he was discussing. And there is a threefold quality in his writing: the style of fact, the style of oratory celebrating the fact, and the style of meditation. Melville was influenced by popular American oratory, known as the Lyceum movement in the 1830s, 1840s, and 1850s. Melville himself gave such public lectures sometimes. Therefore, he wrote as if he were giving a public speech.
4. His style is highly symbolic and metaphorical.
In this respect he was like Nathaniel Hawthorne. Moby Dick is a tragic epic, a romance of moral inquiry about the nature of good and evil, and about the power of will to defy fate. It is a naturalistic story of whale-hunting, yet metaphorical and symbolic. The ship on the ocean is a symbol of the whole world with people of every land sailing across the waters of life in quest of its mystery. The voyage is a metaphor for search and discovery. The ship is one of the American soul. The ship is also a microcosm of American society. It contains representatives of most social and ethnic groups, and their various reactions to the chase. Moby Dick itself represents the mystery of the universe. This hook has many non-narrative chapters, and this is how Melville changed an adventure story into a philosophical novel. Many chapters in the hook have nothing to do with" the search for the whale; rather, these chapters give factual background information about what goes on aboard the ship on a routine day. It contains all of life. He used the technique of multiple views to achieve the effect of ambiguity.
B. Introduction to Moby Dick
Moby-Dick is a symbolic work, but also very interesting, because it also to the natural history and other problems. Other topics include delusions, religion, idealism and pragmatism, revenge, racial discrimination, hierarchy, and politics
Moby-Dick by Herman Melville, published in 1851, is regarded as the embodiment of American Romanticism, for it is "not only a very big book; it is also a peculiarly full and rich one, and from the very opening it conveys a sense of abundance, of high creative power, that exhilarates and enlarges the imagination."(Richard Chase P39) In a large sense, Moby Dick has secured Melville's place in American literary history.
1. Symbolism makes Moby Dick a great success
The story depicts the adventures of the wandering sailor Ishmael and his voyage on the whaleship Pequod,which is in the charge of Captain Ahab. Ishmael soon learns that Ahab intends to take revenge on Moby Dick, a white whale of tremendous size and ferocity. With the development of the plot, Ahab's fervent desire to find and destroy Moby Dick has been intensified, which prompts him and the crew to a tragic end.
What makes Moby Dick a great success is more than its plot. In Moby-Dick, Melville employs stylized language, symbolism, and metaphor to pore into numerous complex themes, including history, philosophy, religion, in addition to relationship between human and nature. Through Ishmael’s jou rney, it presents a panorama of the society in 19th century.
2. Herman Melville was the celebrated author of several big 19th-century ovels about the sea.
Moby-Dick (1851), the story of the fanatical Captain Ahab and his hunt for the great white whale of the title, is now considered one of the classics of American literature. Melville's other novels include Typee (1846), Omoo (1847), and Billy Budd (published posthumously in 1924). Melville published little after 1860 and it wasn't until the 1900s that he gained his reputation as one of early America's great authors.
Captain Ahab hates Moby Dick--“the white devil”--because he lost a leg to the white whale in a fight. Now Ahab, the captain of a whaling ship, can only think of one thing. He has
to find Moby Dick and kill him.
Many of the other sailors on the ship don't know about their captain's plan. Ishmael is a young sailor and this is his first whaling job. He and his new friend, Queequeg, sail with Captain Ahab on this exciting-and dangerous--trip. Also on the ship are Starbuck, Srubb, and other whalers from different countries. He is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis
Ⅱ.Extended meaning of Moby Dick
A. Symbolism
Arthur Symons (2004) said: "No Symbolism, no literature". Symbolism in literature came into being in the latter half of 19th century and lasted to the early 20th century. It is the forerunner of twentieth-century modernism, a period when symbols and evocative suggestion take place of direct statement.
1. Symbol
It is essential to probe into symbol before dealing with symbolism, since symbol is an indispensable medium of symbolism. Only by symbol can symbolism achieve its goal of being musical, suggestive and mysterious.
Combined with both literal and evoked meanings, symbol realizes the goal of expressing abstract meaning by using a specific and objective image, which enables the writer and the reader to seek the implied idea in a specific context.
2. Symbolism
"Symbolism can be defined as the art of expressing ideas and emotions by not describing them directly, nor by defining them through overt comparisons with concrete images, but by suggesting what these ideas and emotions are, by recreating them in the mind of the reader through the use of unexplained symbols.” (Chadwick, 1971)
3. Functions of Symbolism
It is Paul Valery in French, Rainer Maria Rilke in German, and W. B. Yeats in English that carried the tradition into the 20th century, and hardly any mater of modernism was unaffected by it. American literature of the early 20th century undoubtedly has been profoundly influenced by Symbolism. It is its great function that makes it has such an effect on literature.
B. Symbolism of Evil
1. Transcendentalism and Anti-transcendentalism
Transcendentalism is an idealist philosophical tendency in and around Boston in the mid-19th century. Growing out of Christian Unitarianism in the 1830s and influenced by German and British romanticism. Transcendent alism affirmed Kant’s principle of intuitive knowledge not derived from the senses, while rejecting organized religion for an extremely individualistic celebration of the divinity in each human being.
The leading Transcendentalist Ralph Waldo Emerson issu ed the movement’s manifesto in his essay Nature (1836), which presents natural phenomena as symbols of higher spiritual truths. The nonconformist individualism of the Transcendentalists is expressed in Emerson’s essay Self-Reliance (1841) and in Henry Davi d Thoreau’s Walden (1854)--a kind of autobiographical sermon against modern materialism. The Transcendentalists’ manner of interpreting nature in symbolic terms had a profound influence on American literature of this period, notably in the works of Nathaniel Hawthorne, Herman Melville, and Walt Whitman. (Chris Baldick P228)
2. The Nature of Evil
According to the Transcendentalists, Man is more than the word good can describe; instead, man is divine because they are blessed with Divine Intellect awarded by God. Hence, in their eyes, evil does not exist, let alone development.
From the perspectives of psychology and philosophy, evil can be defined in different ways. In psychological terms, evil is a deviation from the ego. An evil ego holds the view that
terror is the most effective force to dominate others; hence, he has a strong desire to dominate other egos by making terror. On the other hand, the dominated ones are subject to such a fear that they can hardly take effective action to defend them. Under such circumstance, an evil person can do anything to them as they wish. By such means, there emerges a vicious circle. In religious or spiritual terms, evil is an aberration of the soul. Since the soul is created in the image of God, therefore, it is peaceful, loving, happy and eternal in nature. On the contrary, evil is hostile and cold-hearted in nature, furthermore, it brings disasters and sufferings to human beings.
3. Symbols of Evil
To Captain Ahab, attacked on the previous whaling voyage by Moby Dick, the whale symbolizes all evil in the universe. Therefore, he takes a personal fight against the whale. In the process of destroying the whale, Ahab is destroying his own fears and evils that he is confronted with in the world. And in a large sense, the ship Pequot is the vehicle of evils. In the beginning, the savage-looking ship is nothing but a tool of traditional whaling industry. The development of the plots has close connection with the ship, when Ahab makes his first appearance on deck, balancing gingerly on his false leg, which forebodes something awful. As the Pequot sails toward the southern tip of Africa, whales are in sight but unsuccessfully hunted. On the third day, the boats are once again sent after Moby Dick, who once again attacks them. By then, the evils are displayed to full: Fed Allah’s corpse is lashed to the whale by the harpoon line; the Pequot is sunk; Ahab is caught in a harpoon line and hurled out of his harpoon boat to his death; all of the remaining whaleboats and crew are trapped and struggling in the vortex created by the sinking Pequot.
II. Symbolism of God
A. View of God in Anti- transcendentalism
For Jewish, Christian, and Muslim, God is an eternally existent being that exists beyond space and time. Since God is the creator of the universe, he is almighty, unexplainable and unknowable.
Unlike Transcendentalism, which takes God as the Over soul, the soul of the Universe, God is regarded as a destructive force, unknown to human beings and can not be defied in every possible means and on every possible occasion. Furthermore, God inflicts pains and suffering on human beings, and it is impossible to find a way out even trying to avoid him as much as possible.
B. The Symbol of God
Ishmael is the narrator of the novel Moby-Dick. It is through his eyes and experiences that the panorama of the full story of the ship Pequod, and the fight between Captain Ahab and the white whale presents itself in front of readers. At the beginning of the novel, the whole story revolves around him; however, with the development of plot, he recedes into the background as a commentator.
III. Symbolism of Nature
A. View of Nature
Nature, in the eyes of Anti-transcendentalist, is a symbol of everything unexplainable. For them, Nature is vast and incomprehensible, reflecting the struggle between good and evil; Nature, created and possessed by God, can not be understood by human beings.
In Hawthorne's The Minister's Black Veil (1836), Anti-transcendental idea about nature is well illustrated throughout the story. The literature builds the idea of humanity and nature in totally different perspectives, which reflects the principle ideas of Anti-transcendentalism movements.
B. symbol of nature
Since the religious beliefs has exerted great influence on the novelist, Moby Dick is unavoidably has the makings of pessimism. To some extent, Moby Dick, chased and hunted by Ahab, is not the actual whale but a symbolic one, but a whale that stands for the ultimate mystery of the universe, the mystery of nature. He, immortal, omnipotent and almighty, can
be found almost everywhere. Moby Dick with her supernatural and mythical power represents the hostile world of nature.
Conclusion
Based on a systematical analysis of the use of symbolism in Moby Dick, we can see that Moby Dick is rich in symbolism which functions on several levels and a variety of ways. One of the most important qualities of Melville’s symbolism is the way it is fully integrated into the plot, so that the symbols seems naturally to grow out of the action rather than existing as mere abstractions.
The white whale stands for many concepts: first, she stands for evil, since she is the source of all sufferings in Ahab’s eyes, and t he white whale is the incarnation of evil, unconquered, and tends to develop flourishingly and bring sufferings and disasters to human beings eventually. Second, the white whale symbolizes God, all-powerful and unexplainable. Third, the white whale stands for nature from different perspectives, since both nature and the white whale share similarities.
By adopting symbolism, Melville reveals his view of relationship between nature and human beings: either fall as a victim to nature and ending in tragedy or live in harmony with nature by not disturbing nature.
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袁宪军.钱坤强.英语小说导读[M].北京:北京大学出版社，2004
《白鲸》的论文
Abstract Moby-Dick is regarded as the masterpiece of Herman Melville. It contains plenty of symbolism. Understanding the symbolic meanings of the characters and subjects in the novel is important. This paper analyses the symbolic meanings of different individuals in order to make a better understanding of the novel. Moby Dick represents God owing to his godlike characters and his awfully severe beauty. Ahab symbolizes the league human with evil. In the whaling trip, we can see his bravery and patience, as well as his madness and stubbornness. The third symbolic element is the idea of the “counterpane” that is woven throughout the story as a symbol of the world’s multiculturalism. Melville develops the symbol proving that the world is indeed a counterpane of diverse cultures, races, and environment, in which we are always connected by our humanity. Key words:symbolism; Moby Dick; Arab; counterpane 摘要 《白鲸》被看作是赫尔曼·麦尔维尔的杰作。它包含了大量的象征主义。在这部小说中，理解人物事物的象征意义是非常重要的。为了更好的理解这部小说，这篇论文将分析不同个体的象征意义。其中的白鲸被描写成无处不在，无所不能的万能的上帝。埃哈布船长为复仇远涉重洋捕捉白鲸，最后自己，同伴与白鲸同归于尽的事迹，既表现了人类的勇敢与忍耐，也反映了他们的偏执与疯狂。另一个贯穿全文的象征就是“床单”，它象征世界不同文化的混合与交织，世界就像一块由多种布拼凑而成的床单，由不同的文化、种族、背景交织而成，人们在一起相互依靠，相互依存，小说中来自不同国家的船员就是最生动形象的体现。 关键词：象征主义；白鲸；埃哈布; 床单
《白鲸记》主要人物解读
摘要：麦尔维尔以其丰富的想象力和创造力赋予小说《白鲸》中的莫比·迪克多重象征寓意。白鲸丰富的象征意义赋予小说永恒的艺术张力和无穷魅力。 关键词：白鲸;矛盾化身;艺术张力 阐释学认为,文本意义总是相对的,理解是生产性的。不同时代的阐释者对一部作品意义的理解,总是根据理解者自己的需要做出对文本的新解释,正所谓“诗无达诂”。事实上,作品中的人物对作品的某个事物的理解也是触景动怀,别有激发,各不相同。以此出发,梅尔维尔《白鲸》中富有传奇色彩的白鲸莫比·迪克在不同人物独特视角的诠释中赋予其多重的象征寓意,各随所得,见仁见智。 一、对小说的叙述者伊希米尔来说,白鲸既代表高洁安宁,也代表恐怖死亡,它是宇宙间一切对立矛盾的结合。它象征宇宙的浩阔与奥秘、上帝的无边神力、人类的命运与前途,它给伊希米尔的重要启迪不是简单的摧毁,而是努力完善认识、不懈地追求真理的神秘力量。首先,伊希米尔描述了白鲸莫比·迪克在人们的心中引起的善与美的遐想“,在它那巨大而温和的头部的上方弥漫着由于它难以言全的沉思默想而产生一片重重的雾气;而那片雾气,正如有时候你所看到的那样,又被彩虹照耀得光辉四射,仿佛上天已在它的思想上盖上了他那朱红印似的。”这种庄严与华贵几乎可与上帝的形象相媲美。特别是,它雪白的前额和山一样的脊背更增添了它的神秘莫测。让人觉得它是一种神化之物,是神圣不可侵犯的。这也是众多捕鲸者把白鲸看成是上帝的象征,极力劝阻亚哈不要去捕杀它的原因。其次,伊希米尔认为,白鲸是自然的代表,令人捉摸不定。它是神奇的大自然的产物,它代表着自然界的神秘和力量。只要人类不去打扰它,自然是安静、和平的、友善而美丽的。面对大自然,梅尔维尔通过伊希米尔表达了对白鲸自然美的赞美“,白鲸!……白鲸!……这美得出奇的乳白色庞然大物……在地平线上光彩夺目的太阳照耀下,它像清晨蔚蓝的海面上一块富有生命的乳色玻璃闪闪发光,熠熠生辉”。再次,白色对伊希梅尔而言,象征宇宙的不确定、空虚、无限,对于作者那似有似无的颜色既代表美丽纯洁,又代表死亡与灵魂。从一开始,伊希米尔就承认白鲸的白色“比什么东西都更让我害怕……不管它们是愉快可敬的,或者崇高的,反正在这种颜色最深层的意中总是潜藏着一种捉摸不透的东西,比让人恐惧的血之红色更让人的灵魂为之惊恐。”白色是大鲸、雪山、海洋、熊和信天翁以及亡灵裹尸布的颜色。可是伊希米尔又告诉读者白色就是明显的没有颜色,它什么也不表示,又象征着一切事物,是各种颜色的凝结物和综合体。因此,白色在这里与其说是象征着上帝、魔鬼或死亡,还不如说代表着让人发抖的虚空。在这里,伊希米尔尽管感受到了巨大的恐惧,却不知道它到底源于何处,这就是白色的威力。它的存在,其实本无所谓善恶,但是人无法清楚地理解它所体现的宇宙奥秘而使其显得神秘莫测。人类和白鲸抗争,无异于和命运抗争。所以,在伊希米尔看来,白鲸真正的可怕在于它的白色,在于它身上的那一缕耀眼的白色以及它所象征的无形的力量。它就是女妖“塞妊”的美妙歌声,引诱水手走向死亡。在全体船员中,只有伊希米尔幸存,因为只有他对白鲸的看法不断地发生变化。最初,他认为,白鲸是恶的化身,与其他人一起要发誓杀死莫比·迪克,但随着认识的深化,他觉得人还不如鲸,尽管人类爱他的伙伴,然而人类毕竟是唯利是图的趋利动物。这种趋利癖好常与人的仁爱之心格格不入。他对人类的进一步认识,即他的成长和他对白鲸的逐渐了解使他相信白鲸是神的化身,是一种神性和灵性的动物,它可以体察到某种恐惧,然而却能与之共处的。他这种对白鲸、对自然的理解使他明白了人与自然的关系,同时也使他获得了精神和灵魂的重生。二、伊希米尔把白鲸看作是大自然的化身,而在船长亚哈眼里,白鲸是邪恶的化身“:一切最使人狂怒和痛苦的事情,一切足以搅起事物的沉渣的东西,一切附有恶念的真理,一切使人焦头烂额的东西,一切在人类生活中和思想上对鬼怪神魔的不可理喻的信奉,一切的邪恶等等,都是摩比·迪克这一有形的化身”。它是亚哈心中邪恶与恐怖、难以征服而又必须予以摧毁的仇敌。白鲸不仅是肉体上的大敌,也是“万般邪恶的偏执的化身”的精神宿敌。白鲸莫比·迪克有着“雪山一样的背峰”,它天生使人畏惧,它突击的时候,一再表现那种无以伦比的充满机
《白鲸》中亚哈精神探寻的象征意义
在小说《白鲸》中, 作者梅尔维尔描述了亚哈船长带领“裴廓德号”全体船员疯狂追逐白鲸的场面,整部小说叙述了亚哈追杀白鲸的疯狂心理和不杀白鲸, 誓不罢休的坚定决心。笔者从象征主义的视角出发来分析说明亚哈船长对白鲸的追杀行为不仅是一种精神的追求与探寻, 而且, 作者对这种精神探寻赋予了多重象征意义。 一、终极真理的探寻 对亚哈船长精神探寻的阐释与对白鲸的象征意义理解是密不可分的, 白鲸象征着退近亚哈的一堵墙, 这堵墙压得他近乎窒息, 他在墙内苦苦挣扎,企图冲破它, 但却不能, 他看到了这堵靖的强大, 感觉到它的力大无穷, 深不可测, 有时他也想, 即使冲破了这堵挡在他面前的培, 发现的只是空白一片。这不正说明了亚哈在寻找问题的答案, 探索宇宙的真理吗而这墙就像知识的面纱一样挡在他的面前, 使他永远看不到墙的另一面, 找不到问题的答案, 但他仍在苦苦追求, 努力探索, 亚哈岂不知, 这堵墙就是终极真理的象征, 而对它的探寻就像亚哈所感觉到的那堵冲不破的培一样, 是不可能的。那是因为人的能力受其知识局限性的限制。而且, 这种盲目的探索肯定会招来失致, 甚至是人类自身的毁灭。因此, 亚哈在探寻终极真理的过程中也感到了宇宙的神秘和它所给人类带来的威胁。 二、寻找自我的过程 亚哈精神探寻的第二个象征意义解读墓于亚哈和白鲸关系的理解。在整部小说中梅尔维尔在亚哈和白鲸之间创造了一种很徽妙的关系。他的腿是亚哈在海上第一次与白鲸相遇时被白鲸咬去的, 那次事故不仅给亚哈带来了肉体的痛苦, 更使他的精神受到了极大的创伤。后来他让工匠为他打造了一条鲸骨假腿。装上鲸骨假腿的同时, 也就表明了亚哈要找到白鲸的决心。从肉体上来看, 白鲸成了亚哈的一部分, 而亚哈也成了白鲸的一部分, 因为白鲸带走了亚哈的一条腿, 并把它消化在体内。从这层意义讲, 两者是密不可分的。进一步分析亚哈的心理, 我们会发现, 亚哈冥冥之中感到白鲸对他有一股强大的吸力, 这种吸力催促着他必须找到白鲸, 找到他丢失的魂魄, 原来的自我。找到白强烈的欲望令他心烦意乱。坐卧不宁, 在“ 裴廓德号”上,亚哈要么就呆在他认为是自己的“ 墓穴” 中, 好似一具僵尸, 要么就出现在甲板上, 来回踱步, 就像一个幽灵, 亚哈脑海中唯一的目的就是不惜一切地找到白鲸, 这种追寻白鲸的欲望使他不顾一切, 迷失了生活的方向, 成为了一个偏执狂, 复仇变成了他重新找回自我的唯一手段, 因此, 惟有重新找回丢失的灵魂才能挽救亚哈精神的空虚与迷茫。 三、裹读和叛逆的表现 从宗教意义上来看, 白鲸不可理解的沉寂和神秘的生活习惯, 可以被理解为象征了不可知的上帝。在小说中以实玛利多次提到白鲸, 但是无论怎样描述都不能说清白鲸的具体特征和习性, 梅尔维尔自己也承认, 尽管花了很大功夫也不能真正了解白鲸, 它好似一个迷宫。白鲸在太平洋里到处游动,正如无处不在的上帝。但水手们和亚哈始终看不到白鲸的真正面目。迩百列认为白鲸就是上帝, 他曾多次预言, 捕杀白鲸的下场就是死亡, 他的预言也感染到船上的船员, 使他们对自己的行为产生了怀茄和动摇的想法。但亚哈不接受任何别的法则, 不服从任何意志, 只是按照自己的意志行事, 他是一个反对上帝的撒旦式的人物, 他是从不忏悔的约拿。他说, “ 自己是火神的儿子, ”他鄙视上帝, 崇拜火, 像波斯徒一样迷恋太阳。当亚哈的捕鲸枪被打造好后, 他说他是奉魔鬼之命, 而不是上帝之命来为它洗礼。亚哈的行为自始至终表现了对上帝的蔑视和憎恨。因此, 亚哈追逐白鲸的行为就象征着对上帝的裹读和叛逆。为此, 他也受到了上帝的惩罚,付出了生命的代价。 四、西方文明和社会规约的挑战 在梅尔维尔的时代, 美国的文明发展到一个两难的境地。一方面, 随着科学技术的进步, 人们的物质生活水平日益提高, 越来越多的人们在不断地追求着物质财富, 贪欲和索取充斥着人们的头脑。在享受着物质快乐的同时, 另一方面, 美国人也出现了精神空虚和心理压抑。许多人丧失了生活的意义感和目的感。他们开始寻求精神的满足, 人们把目光投向了海洋,
外国文学名著简介：白鲸
外国文学名著简介：白鲸 美国著名作家梅尔维尔的长篇小说《白鲸》创作于1851年，小说描写一位捕鲸船长在在海上捕鱼时，不慎被白鲸咬掉了一条腿，他发誓要找到白鲸。船长航行了几乎整个世界，历尽千辛万苦，终于找到了白鲸。于是，船长命令船员们靠近白鲸叉死它，船员明知九死一生但不得不服从船长的命令，他们叉中了白鲸，受伤的白鲸凶狠地冲向他们的鱼船，鱼船被撞得粉碎，船上的人除一人死里逃生外，都与白鲸同归于尽了。 小说中称霸海洋的白鲸被写成一种强大可怕的、对人怀有敌意又难以制服的怪物。它是人类难以摆脱并深受其害的人间罪恶的象征。小说描写了捕鲸的艰难和捕鲸工人的智慧和勇敢，很有现实意义，有浓重的象征意味和神秘色彩。小说扑朔迷离、欲辩难言的意境在20世纪30年代引起欧美文学界强烈反响，成为浪漫主义的杰作。 梅尔维尔是美国浪漫主义小说家和诗人。青年时代当过水手，在长达四年的海上生活中，品尝了捕鲸船上的艰难与困苦。在南太平洋航行期间，他在一个海岛上的土著泰比人中间生活了一段时间。他初创作的小说《泰比》和《奥穆》都是以他的经历见闻为基础，描写异国风土人情的作品。作者把未开化的、未被近代文明玷污的人们的纯朴生活同资本
主义的文明相互对照，对资本主义制度进行了深刻的揭露。梅尔维尔是美国浪漫主义后期的代表人之一。作品带有一种神秘和悲观的色彩。代表作品长篇小说《白鲸》所表现的神秘和悲观的浪漫主义色彩引起当时欧美文学界很大的反响，并因此被尊为美国第一流的浪漫主义作家。 本片根据美国著名作家梅尔维尔的巨著《白鲸》改编拍摄。片中主人公亚哈由美国著名影星格里高利·派克饰演。 捕鲸船船长亚哈被一条叫莫比·迪克抹香鲸咬断一条腿。为了复仇，他利诱威逼船员们不顾一切地去追捕白鲸，既不顾船员们的生命安危，也不顾陆续出现的凶险以及袄教徒的不祥预言，他们像发疯似的在大海上与白鲸周旋恶斗，最后终于击中白鲸，他的捕鲸船也被狂怒的白鲸掀翻，船员们葬身海底，亚哈本人被缠结的捕鲸绳绞死，只有水手以实玛利一人死里逃生，成为悲壮故事的叙述者。
论《白鲸》中的象征主义
[摘要] 《白鲸》是美国作家赫尔曼·麦尔维尔的代表作, 被认为是世界上最有象征意义的小说之一。本文将对小说中的象征主义进行探索性的分析。象征主义在小说中无所不在: 裴考德号全体船员的最终灭亡, 象征着人类在社会、自然及至宇宙的命运; 这艘船的名字本身就象征着灭亡; 而它的船长亚哈伯是人类本质中邪恶的一面的象征; 这次航海本身象征着对人类生活最终真理的追求; 白鲸既象征着那庞大的资本主义生产方式又象征着自然, 而它的白色象征着纯洁和无辜 《白鲸》是美国作家赫尔曼·麦尔维尔的代表作。它作为一部在发表时反响平平而在半个多世纪以后才越来越受到人们广泛重视的“奇书”,其内容之丰富、寓意之深邃、意象之奇谲, 确为美国文学上不可多得的一部作品。自20 世纪20 年代以来, 人们从不同的角度对这部作品进行了分析, 尤其对他的象征主义进行饶有兴趣的探索, 可谓百家争鸣, 在本文中, 我也将对此进行探索性的分析。 一、裴考德号全体船员悲惨命运的象征意义 《白鲸》描写的是一艘名叫裴考德号的捕鲸船在船长亚哈伯的带领下追击白鲸的故事。从表面上看, 全书的焦点似乎集中在船长亚哈伯和白鲸莫比·迪克之间不共戴天的仇恨上。但实际上, 它不仅仅是一部离奇曲折、充满异国风光与浪漫情调的历险小说。贯穿作品始终的是对人类命运的深沉的忧患,处处闪耀着象征主义的光芒。小说中裴考德号全体船员向白鲸一步步的逼近以及他们的最终灭亡, 象征着人类在社会、自然及至宇宙的命运。这一命运带有浓厚的神秘色彩和悲剧意绪, 而作者正是通过象征主义来表达他对人类命运的忧患意识。 1. 裴考德号的象征意义 显然, 裴考德号及全体船员的悲惨下场是从一开始就已注定了的。首先, 这艘船的名字本身就象征着灭亡。裴考德是美国印第安人一个种族的名字, 在美国被白人殖民者占领以后, 许多本土的印第安人部落和种族在和白人殖民者的冲突中被消灭了。裴考德就是一个已经被白人消灭了的种族。赫尔曼·麦尔维尔用这个名字来命名捕鲸船, 象征着它必定灭亡的悲惨下场。其次, 因为全书的叙述者伊史玛利是这艘遇难船上的惟一生还者, 他的叙述只是将业已酿成的灾难复述一遍而已。正如伊史玛利所说的, 船员们做着一切努力, 千辛万苦的穿过那无垠的大海, 只是为了奔赴他们的死期。他们天涯海角的跟踪、追逐, 只是在搜索那条最终会毁灭他们的东西。作者安排惟一的幸存者来讲述这个故事, 预示了裴考德号及全体船员的悲惨下场。 2. 裴考德号船长亚哈伯的象征意义 其实, 裴考德号船长亚哈伯曾经有过许多次调头的机会,但每次都被他毅然拒绝了。书中写到该船先后与“信天翁号”、“处女号”、“玫瑰蕊号”、“拉吉号”等好几艘船在海面上相遇。这几次相遇都起到对裴考德号的警告和劝戒作用。船长亚哈伯一次又一次被告知, 莫比·迪克具有超自然的力量, 谁要与它抗争必死无疑。然而, 这些忠告都未被采纳。直到最后一天的决战来临之前。船员斯达巴克最后一次劝船长及早停手时,他还是执意的表示, 一切都无法更改了, 因为这一切都是既定不移的天意。亚哈伯是人类本质中邪恶的一面的象征, 他对白鲸的仇恨象征着人类对自然的敌视, 而他以及船员们对白鲸疯狂的追逐, 象征着人类意识中疯狂的失控状态。当人的意识处于这种失控状态时, 就会被邪恶的一面完全控制, 从而招受自我毁灭, 也毁灭他人。亚哈伯正是处于这样的状态, 所以他才不顾一切的寻找白鲸, 并且不惜在桅杆上挂起一枚金币以奖励首先发现白鲸的水手, 而水手们在金钱的刺激下, 也变得疯狂了。在亚哈伯的带领下, 他们不顾一切的冲向安静的海洋搜索被他们视为敌人的白鲸, 在打破了海洋的宁静和白鲸的和平以后, 和白鲸一起葬身于海底。亚哈伯以及全体船员的这种疯狂的邪恶为他们带来了最终的毁灭。 二、这次航海本身的象征意义 这次航海本身象征着一种追寻和发现, 是对人类生活最终真理的追求。故事的叙述者伊史玛
试论白鲸的多层象征意义
试论白鲸的多层象征意义 摘要：赫尔曼·麦尔维尔的《白鲸》是世界文学长廊中的一颗璀璨明星，无数文学家，评论家写文章解读该作品，他们的切入点各不相同，而象征手法是其中重要一项，对于作品的理解起着十分重要的作用。本文剖析了作品中的人物亚哈，白鲸莫比·迪克，及航船裴廓德号及海洋的象征意义，和主题的象征意义，从而更加深刻的理解这一名著。 关键词：白鲸；象征意义； 《白鲸》是美国作家麦尔维尔发表于1851年的一部小说，在当时，没有引起人们的重视，甚至可以说受到了出奇的冷落。但是，到了20世纪30年代，人们才惊奇地发现，这是一部文学史上少有的杰作，它的深刻与伟大可以和任何一部名著相媲美。其实，《白鲸》的故事很简单：就是一条鲸鱼和一个船长的故事。莫比、迪克是一条凶猛无比的白鲸，它横行海上多年，曾使无数捕鲸船和水手命丧大海，成了许多航海者心中恐惧的妖魔；亚哈是一艘船的船长，在一次与白鲸的遭遇中，他被咬掉一条腿，为了复仇，他网罗了一群冒险者，开始在茫茫大海中搜捕白鲸行动。经过多年苦苦寻找，终于，找到了白鲸，经过六天六夜的激烈搏斗，虽然命中白鲸，可是，亚哈本人及其他水手、捕鲸船也都粉身碎骨，同归于尽。《白鲸》的确代表了梅尔维尔的艺术顶峰。《白鲸》是一部独具魅力的作品，小说的风格奇异多变，主题多解，最主要的是作者成功地运用了19世纪美国小说最多用的象征手法。 一、白鲸奠比·迪克的象征意义 莫比·迪克是一条带有传奇色彩的白色巨鲸，小说就以这条巨鲸的名字命名。“异教徒水手”把它收稿当成海怪，疯子迦百列把它当成镇教神的化身，亚哈把它当作自己的仇敌，以实玛利则认为它代表着残酷的空虚和宇宙的浩阔。自鲸莫比·迪克天生使人畏惧，它常常在大海里翻腾，施展出可怕的暴力，它曾使无数的捕鲸者藏身大海。它无处不在，并且会在同一时间里出现在不同的地方。人们的铁叉对它毫无伤害，它身上插遍了铁枪头，却还能安然无恙地游来游去。“白鲸”在这里成了一种超然的对人怀有敌意而又难以征服的神秘力量，进而它又被人们理解为世间一切“恶”的化身，凡是一切最使人狂怒和痛苦的事情，一切足以搅起事务的残渣的东西，一切附有恶念的真理，一切使人焦头烂额的东西，一切有关生命思想的额神秘而又不可思议的鬼神邪说，一切的邪恶等等，都是莫比·迪克的明显化身。若从社会政治的角度去理解和阐释白鲸的象征意义，这白鲸在一定程度上可以说是象征着那庞大的资本主义生产过程中与生产者相对立的那种力量。正如批评家安妮特·鲁宾斯坦所指出的那样：“由于要在船上提取并储存油脂，捕鲸船实际上就成为一座流动的工厂。它是一种将现代企业与极权的君主制相结合的组织形式；”白鲸这个尚不被理解而又威力无穷的怪物，实际上是作者对资本主义强大的生产力既感到不可理解又感到恐惧不安的心理的真实反映。也表现出他对处在这一变动时代的人类命运的忧患意识以及他们处境的深切同情。白鲸同时又是上帝神力的象征，“在它那硕大柔和的头顶，由于它那无法言传的沉思默想而挂着一顶雾气重重的华盖，而这种雾气??你有时看得到又被??彩虹耀得光辉灿烂，仿佛上天已经批准了它的思想似的。”白鲸还是大自然的化身。这样，小说的象征意义在于表明：人类如果一无止境地疯狂掠夺大自然，必将被大自然所埋葬。白鲸的象征意义究竟是什么?这就像白鲸身上那“雪白的异常的前额，”“金字塔似的白色背峰”一样叫人难以琢磨，它既代表着高洁安宁，又代表着恐怖邪恶，或者它干脆就是矛盾冲突的化身。 二、船长亚哈的象征意义 亚哈船长是白鲸的对立面，他又象征着什么呢?首先，亚哈为了报私仇，一意孤行，无视船东们的利益，置船员们的生死于不顾，并且，他充分利用自己作为船长的职权，对水手们进行威逼利诱，最后使所有船员(一人除外)都葬身海底。这时，亚哈成了比白鲸还要邪恶的魔王。但是同时，亚哈又是一个敢于反抗神明，反对习俗常规，坚毅无畏，百折不回，英勇善战，经验丰富的船长。他跟可怕的大海斗争了四十年，他遭受过一次又一次的挫折，但是他永远不会被击败。这也正如海明威的《老人与海》中圣地亚戈所说的：人不是为失败而生的，一个男子汉可以被消灭，不能被打败。作品中亚哈自己也印证了这句话：“我要走遍合恩角??走遍挪威的旋涡流，走遍地狱的火坑去追击到它后，这才散手。”表面上，亚哈追击的是白鲸，但更深层次上，它要打败的是一种邪恶的化身。此时亚哈成了人类挑战自然，战胜自的代表。另外，亚哈还代表着资本主义大生产方式，代表着那些不顾一切掠夺大自然的狂徒。所以，亚哈的象征意义和白鲸一样，不是唯一的或者绝对的，其性格是多重的，矛盾的，其象征意义也是复杂的，难以把握的。在它身上，善与恶并存，美与丑共在。它既是害人者，也是受害者，它对大自然的反叛必然招致灭亡，而社会从一开始就已使亚哈成了精神上，肉体上的受害者和畸形人。他自杀性的自我表现和反叛社会的疯狂行为，原本是社会对他彻底孤立的必然结果。亚哈的悲剧具有及其深刻而又恢弘的意义。 三、航船裴阔德号和海洋的象征意义 在《白鲸》中，裴阔德号航船是来自陆地的力量，海洋则代表着自然，他们之间的对立比较也具有明显的象征意义：航船裴阔德代表的陆地是有限的，但是相对海洋来说它是安逸舒适的；而海洋是元边无际，变幻莫测的，它象征着凶险。同时水是生命之源，因此海洋在这里也代表着深奥难测
谈白鲸中的象征主义
安徽农业大学 毕业论文（设计） 论文题目谈《白鲸》中象征主义运用 姓名学号 学院专业 指导教师职称 中国·合肥 二零壹壹年五月
On The Use of Symbolism in Moby Dick Thesis submitted to the faculty of School of Foreign Languages, Anhui Agricultural University in partial fulfillment of The requirements for the degree of Bachelor of Arts By: Supervisor: School of Foreign Languages, AAU May 2011
Acknowledgements I have eternal gratitude to Ma Wen, my thesis supervisor, for her/his inestimable help and valuable instruction, and to Professor Xu Y oujiang for his insightful lectures, which inspire me to compose this dissertation. I also thank those who help me in course of the writing and whose names I can’t list here one by one. Finally, I would also like to acknowledge the continuing support and kindness from my parents. Without their love, I could never have gone this far.
《白鲸》中的象征意义探寻
《白鲸》中的象征意义探寻 摘要：《白鲸》是梅尔维尔根据自己在捕鲸船上的经历而著，但同时又交织着作者对人生问题的搜索。而蕴含在这部小说各个层面的象征，有力地深化了这一主题，本文试图从各个角度来剖析其意蕴。如：结构象征，事物象征，身份象征以及语言层面的诸多象征意象。 关键词：白鲸；象征；身份 《白鲸》是19 世纪美国首屈一指的文学家赫尔曼·梅尔维尔的巨著，《白鲸》又名《莫比·迪克》，在他所有航海历险的书中，《白鲸》达到高峰。小说讲的是船长亚哈捕鲸鱼40 年， 一次出海时被一条水手们称“莫比·迪克”的白鲸咬碎了一条腿，亚哈决心报仇。在亚哈眼中，白鲸不仅是他的死敌，也是宇宙间一种不可名状的恶的化身，他的复仇情绪发展到近似偏执狂的地步。他既不听别人的劝阻，也不相信各种“不祥之兆”，以为凭着个人的意志和力量可以杀死白鲸。最后他虽用鱼叉击中白鲸，但船被白鲸撞破，亚哈被鱼叉上的绳子缠住，拖入海中。全船的人落海淹死，只剩下伊斯梅尔一人生还，来讲述他们的悲惨故事。 一、象征与象征主义 象征的符号有些是约定成俗的或大众化的，但是也有一些是作家“自我的”或是“个人的”。作者往往善于使用“个人化”的象征，读者在对作品进行体味时，才体会到作者所用象征符号的深意，在《红字》中，我们都知道戴在海斯特胸前的那个鲜红的“A”字，在请教徒眼中，它意味着“通奸”，当然这个字母“A”有其另外的意义，如“能干”或“天使”。这时候“A”字变成了海斯特德行的象征。象征符号能够使读者超越语言的表层，触及它的深层意蕴，这也是象征的最大特点。梅尔维尔的《白鲸》中，运用了大量的“个人化”象征，例如伴随故事始终的“裴阔德号”与“白鲸”，以及故事情节的场景，“海洋”这些象征相互作用，构成了一个庞大而又复杂的象征体系，同时也揭示了主人公“亚哈船长”在自然抗争的同时，也注定他要失败的这一主题。 象征主义包含双重含义：一是19 世纪晚期起源于法国的象征主义文学思潮；二是指文学创作中的象征主义表现手法。法国象征主义诗人马拉美说过“象征就是由种种暗示构成的一点一点地把对象暗示出来，用以表明一种心灵状态”。《白鲸》从人物到事物等各层面都运用了象征主义表现手法。 二、结构象征 从《白鲸》的结构布局来看，处处紧密相关联，小说开始以白鲸咬去亚哈船长的一条腿，导致了他的复仇心里，体现了亚哈的勇敢，顽强和临危不惧的精神。最后还是失败，与白鲸“融为一体”。 三、人物亚哈船长的象征意义 亚哈为了报私仇，一意孤行，无视船员的安危，而且他利用船长之职，对水手们进行威逼利诱，最后使船员们葬身海底，亚哈此时成了邪恶的象征，但是同时亚哈又是一个敢于抗争，坚毅顽强，英勇的英雄。亚哈追击白鲸，从深层次上看，它要打败的是一种邪恶的代表，那么此时亚哈船长成了战胜自然的代表。这部小说被认为是反映美国精神的史诗，体现了美国进行的民族精神，亚哈象征着这种精神代表，他的精神则成为人类精神的体现。因此，亚哈的象征意义具有
《白鲸》读书笔记
读懂一种唯我论 ————《白鲸》读书笔记 11中文2班吴意晟 《白鲸》主人公名叫以实玛利，曾跟商船出过海。他和在南塔开特结识的好友魁魁格到即将出航的捕鲸船“裴廓德号”报名。在航海过程中他知道了“莫比?迪克”——一只凶猛而狡诈的白鲸，在大海上一再使许多捕鲸者失肢断臂，船破人亡，是捕鲸者心目中的一种妖魔。“裴廓德号”船长亚哈，在一次猎击中给莫比迪克咬掉了一条腿，因此，他满怀复仇之念，一心想追捕这条白鲸，竟至失去理性，变成一个独断专行的偏热症狂。捕鲸船“裴廓德”号船长亚哈一心要捕杀咬掉自己一条腿的凶残聪明的白鲸莫比?迪克，在航行几乎全世界，经历辗转，终于与莫比?迪克遭遇的故事。经过三天追踪，最后用鱼叉击中白鲸，但船被白鲸撞破，亚哈被鱼叉上的绳子缠住，带人海中。全海落海，只有水手以实玛利（《圣经》中人名，意为被遗弃的人）一人得救。 亚哈船长是一个具有多重性格的矛盾体。他违犯了基督教关于“傲慢”的戒律,一切以“自我”为中心,背弃捕鲸获取鲸油的使命,执迷不悟于一己私仇,全然置船员的安危于不顾,在这个意义上,他就是一个不折不扣的暴君和邪恶魔王的象征。然而,就其敢于搏击邪恶、挑战命运、反抗神明而言,他又是人类反抗英雄的象征。另一方面,他又是一个坚毅执著探索宇宙奥秘的勇士,尽管具有顽强无畏和骁勇善战的勇气和能力,但终因无视大自然的内在规律,而徒劳地成为与宇宙力量抗争的牺牲品。可见,在亚哈身上同样体现了善恶并存、美丑相共、既是害人者又是受害者的多重意义,这一形象所蕴含的象征意义与白鲸一样也是复杂深邃、难以把握的。读者很难从中找到绝对的、唯一正确的结论,小说的意义并不是证明所有这些不同的结论都可能正确,而是要求读者根据自己的经历和思考做出评判,正如评论家 C. K.希勒加斯(C.k.Hillegass) 所言:“《白鲸》的意思不在书中,而在读者身上。”复仇是世界文学的一个古老母题。《白鲸》正是以复仇主题贯穿故事始末的。从事捕鲸业四十余年的船长亚哈不幸在出海时被白鲸莫比?迪克咬掉一条腿。此后,他对白鲸就充满了刻骨的仇恨,复仇的欲望吞噬着他的每一个细胞,他出航乃至整个余生的唯一目标就是誓死捕杀莫比?迪克。满腹仇恨使他成为最孤独自闭的人。为了报复白鲸,他听不进理智的劝告,完全被自己的“我”所吞没,他不再为妻子和孩子着想,不再和船员们交流,极端的自我中心主义使他几乎完全丧失了理性和人性,为报一己私仇不惜伤害他人。他始终固执地认为,自己的意志就是唯一的法则,世界为他而存在,世人为他而牺牲。“我所敢做的,我就有决心做;而我有决心做的,我就要做!他们当我发疯了……可是,我是恶魔,我是疯上加疯!……我现在预言,我一定要肢解那肢解我的家伙。”复仇的抉择一旦作出,满载祸殃的命运之船便开动了,一场由狂妄和偏执领航的复仇战斗就在这泯灭了理智的黑暗航行中开始了,最终把“裴廓德号”引向了毁灭的航程。在这个意义上,亚哈的悲剧主要源于由复仇导致的极端自我膨胀,他的灵魂因过于独立而难以得救,因而成为唯我论的牺牲品。 《白鲸》像一座象征主义的迷宫。这里大到典型人物、宏观景物,小到静止的物体几乎都具有多层次的象征意义。作者正是通过多重奇谲的象征事
白鲸,开题报告
篇一：moby dick 白鲸开题报告 毕业论文开题报告 篇二：本库论文开题报告(二) 外国语学院2011届本科毕业论文 开题报告书 中文题目：论麦尔维尔《白鲸》中的象征意义 英文题目：on the symbolic meaning in melville’s moby dick 学生姓名：李世明学号：0751144110 班级：0322级本（2）班 指导教师：刘国栋职称：讲师 2011年11月 论麦尔维尔《白鲸》中的象征意义 1 引言 2 文献综述 3《白鲸》中主题的象征意义 3.1 复仇主题的象征意义 3.2 人与自然主题的象征意义 4《白鲸》两大线索的象征意义 4.1埃哈伯与莫比.迪克线索 4.1.1 埃哈伯的象征意义 4.1.2 莫比.迪克的象征意义 4.1.3 白色的象征意义 4.2伊西梅尔与捕鲸活动线索 4.2.1 伊西梅尔的象征意义 4.2.2 捕鲸活动的象征意义 4.2.3 皮阔得号的象征意义 4.2.4 大海的象征意义 5 结论 on the symbolic meaning in melville’s moby dick ⅰ introduction ⅱ literature review ⅲ the symbolic meaning of the themes 3.1 the symbolic meaning of revenge 3.2 the symbolic meaning of human and nature ⅳ the symbolic meaning of two main clues 4.1 ahab and moby dick 4.1.1 the symbolic meaning of ahab 4.1.2 the symbolic meaning of moby dick 4.1.3 the symbolic meaning of white 4.2 ishmael and the hunting 4.2.1 the symbolic meaning of ishmael 4.2.2 the symbolic meaning of the hunting 4.2.3 the symbolic meaning of pequod 4.2.4 the symbolic meaning of the sea
论《白鲸》中的象征意义
本科 毕业论文（设计） 题 目: On The Symbolic Meanings in Moby Dick 论《白鲸》中的象征意义 姓 名: 姚小梅 学 院: 外 国 语 学 院 专 业: 英语专业（师范类） 班 级: 英语2010级1班 学 号: 1552100126 指导教师: 刘 云 职称: 讲 师 2014 年 6 月 17日 安徽科技学院教务处制
On The Symbolic Meanings in Moby Dick By Yao Xiaomei Supervised by Liu Yun In partial fulfillment of the requirement For the B.A. degree School of Foreign Languages Anhui Science and Technology University June 2014
Abstract Herman Melville (1819-1891) is one of the distinguished writers of America in the 1900s. It can say that Moby Dick is his representative work. And this work is generally regarded as one of the most symbolic novels in the world literature. However, literary circles has not attached importance to Moby Dick when it was published in 1851.It was not until the early twentieth century that this shining star has yielded unusually brilliant results and has won hundreds of thousands of writers and critics favor. The hitting-points of their research are different. While the symbolism is striking among them, and symbolism plays an important role in the understanding to readers. Herman Melville takes advantage of a good deal of symbolism in Moby Dick. To some extent, symbolism is exerted by the author incisively and vividly. It is said that symbolism derived from the symbolic movement of French in the late nineteen century. And it has already become an important writing technique to novels. It is noticed that Herman Melville has presented vividly the profound meanings of Moby Dick to readers through symbolism, which promotes the comprehension of readers and they can acknowledge American society, culture, religion beliefs of the 19th century and the development of symbolism to American literature. In Herman Melville’s writing, there are two big clues that appeal to people, namely protagonist Ahab and Moby Dick. It is designed that they are two opposing camps: Human and Nature. In the novel, bigoted and selfish Ahab pledges his life to catch Moby Dick for the sake of his hatred of losing a leg. And finally all people (except Ishmael) died as a result of Ahab’s revenge. Their fates in a certain degree reflect the final fates between human and nature. In the article, Melville uses symbolism adeptly. Consequently we can get each element’s symbolic meanings with color and life. In this paper the author will try to analyze different symbolic images, such as people, important clues and significant events so that show the symbolism of Moby Dick to people. I hope that my analysis would enrich people’s understand to this work’s themes. What’s more important is that I hope people could really comprehend the relation between human and nature. Do not act like Ahab, his only purpose for life is to break the power of nature. It is not advisable to loss at both sides. Of course we can’t be conceited or underestimate our capabilities toward nature. Harmonious coexistence is the best choice for both sides.
美国文学作品《白鲸》的象征意义
白鲸的象征意义 1. 小说以白色的鲸鱼命名，白色本身就有给人以琢磨不清，它有着“雪山一样的背峰”，“它突击的时候，表现那种无以伦比的充满机智的阴险”。它无处不在，并且会在同一时间出现不同的地方，“连魔鬼本人也领悟不了它的真相”。它是不朽的，人们的铁叉对它毫无伤害，它身上插遍了铁枪头，却还能安然无恙地游来游去。“白鲸”在这里成了一种超然的对人怀有敌意而又难以征服的神秘力量，进而它又被人们理解为世间一切“邪恶”的化身。 2. 白鲸出没诡异、难以捕捉，也象征了不可知的上帝，“在它那硕大柔和的头顶，由于它那无法言传的沉思默想而挂着一顶雾气重重的华盖，而这种雾气…你有时看得到又被…彩虹耀得光辉灿烂，仿佛上天已经批准了它的思想似的。”白鲸作为一种神秘莫测的力量对抗着人类的认知，体现出人往往只看到表面肤浅的东西，看不到背后的实质。 3. 白鲸还是大自然的化身。其象征意义在于：人类如果一无止境地疯狂掠夺大自然，必将被大自然所埋葬。 4. 从社会角度来看，白鲸象征着庞大的资本主义生产过程中与生产者对立的力量，捕鲸对于船员而言是资本主义社会残酷的劳动剥削。 白鲸的象征是具有多重性。 人物亚哈船长的象征意义 1. 亚哈为了报私仇，一意孤行，无视船员的安危，而且他利用船长之职，对水手们进行威逼利诱，最后使船员们葬身海底，亚哈此时成了邪恶的象征。 2. 亚哈又是一个敢于抗争，坚毅顽强，英勇的英雄。亚哈追击白鲸，从深层次上看，它要打败的是一种邪恶的代表，那么此时亚哈船长成了战胜自然的代表。这部小说被认为是反映美国精神的史诗，体现了美国进行的民族精神，亚哈象征着这种精神代表。 3. 从社会角度看，亚哈还代表着资本主义大生产方式，代表着那些不顾一切掠夺大自然的狂徒。 因此，亚哈的象征意义也具有多重性。 亚哈追击白鲸的象征意义 1. 如果白鲸是自然的象征，而船长则是黑暗的资本主义代表，此时亚哈追逐白鲸是人类与自然抗争的过程，这种结局必然遭到自然的谴责。 2. 把白鲸当作是邪恶的代表，亚哈则是英雄的化身，他追击白鲸过程，正是人类勇敢、智慧、顽强精神的体现。 3. 把白鲸视为上帝的代表，那么船长追击白鲸则是象征对上帝的亵渎和叛逆。因此，他受到了上帝的惩罚。 捕鲸船的象征意义 1. 浩瀚海洋里的“裴阔德号”代表的陆地是有限的，相对于凶险的海洋来说它是安逸舒适的。船与海代表着人类所必须面对的生活，象征着必须要面对人生途中的凶险，人们才能获得对生活的充分理解。 2. 小说写于美国西部淘金热时期，一叶方舟驶入大海，象征扩张的精神与执着探索自然界奥秘的美国精神。 3.又由于“裴阔德”取自被灭绝的印第安部落之名，因而它还可以象征邪恶人类世界必遭毁灭的命运。
论《白鲸》中象征意义的三种体现
Achnowledgements My special thanks go to Zhou Xue for her consent to be my supervisor, which is a great encouragement to me, for her insightful advice and above all careful scrutiny of both the outline and the draft in materializing the present thesis. I also wish to express my heartfelt gratitude to teacher Ma Y an whose lectures enhance my interest in American literature as well as widened my academic view, to Mr. Li Wenjun and Miss Zhang Yuanyuan, whose valuable suggestions, warm encouragement and great patience in the critical reading of my thesis. I owe a particular debt of gratitude to my beloved family for their loving considerations and great confidence in me all through these years. I also would like to express my heartfelt thanks to all the respectable professors and friends that have taught and helped me in the course of my under graduate study.