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铁皮鼓双语读后感_读后感_模板

铁皮鼓双语读后感_读后感_模板
铁皮鼓双语读后感_读后感_模板

铁皮鼓双语读后感_读后感_模板

Die blechtrommel

——Buchbesprechung

读《铁皮鼓》有感

新村路站侯沁元

Günter Grass ist ein bedeutender deustcher Schriftsteller und Repr?sentant der Nachkriegsliteratur. Er nimmt der modernen Literatur einen wichtigen Plazein. Das Erscheinen Roman die blechtrommel 1959 in Berlin machte Grass über Nacht weltberühmt. Auch mit diesem Roman erhielt er 1999 den Literaturnobelpreis und wured derletzte Nobelpreistr?ger des 20.Jahrhunderts.Man hat nach dem Zweiten Welitkrieg einfachgelebt, ohne nachzuden, was passiert war. Grass macht es sich zur Aufgabe, alles aufzurütteln, was man vergisst und verneint. In diesem Roman die blechtrommel deckt Grass durch denkomplizierten Charakter Oscars das Finsternis und die Grausamkeit der Geschichte auf und sorgtum die Attitüde der Menschen zur Geschichte.

君特·格拉斯是联邦德国重要的作家,也是德国战后文学主要代表人物,在当代世界文学史也占有一定的地位。《铁皮鼓》于1959年在柏林出版,它的问世使得格拉斯一夜成名。格拉斯于1999年也因铁皮鼓这篇长篇小说获得诺贝尔文学奖,成为20世纪最后一位诺贝尔奖获得者。二战结束后,很多人都平淡的生活着,好像一切都没有发生那样。格拉斯肩负起现代历史的艰巨任务:唤醒人们所否认、所遗忘的一切。他在《铁皮鼓》中以奥斯卡的复杂人物个性来揭露德国历史的黑暗和残暴以及表现出对近代以来人们对历史的担忧。

Mit dem Wort”V or-Urteil” bezeichnen wir alle Urteile, die wir schon haben, bevor wir denken und urteilen.

所谓”成见”是指我们在进行思考和判断之前已经具有的”先人之见”.

V orurteile sind oberfl?chliche und unsichere Urteile.V orteile haben wir alle.wir brauchen sie,um uns in der Welt zu orient-tieren.Das Leben iet so kurz, dass wir nicht in allen Dingen nachder endgültigen Wahrheit fragen k?nnen.Bei der Arbeit und im Umgang mit Menschen müssen wir schnell handeln;wir müssen dauernd entscheiden,was richtig oder falsch,gut oder b?se iet. Wirk?nnen dabei nicht alles im Einzelnen nachprüfen,und deshalb verlassen wir auf unsichere Uurteile.

它是些不可深入和不可靠的判断。我们大家都有。我们就凭着这些成见决定我们在社会上的行动方向。生活是那么的短促,以致我们无法对一切事物都追根究底地追究真相。在工作和与人的交往中,我们不得不行动迅速;我们不断的去区别什么是真确的什么是错误的,善良的罪恶的。这时候,我们无法逐一加以核实只能听凭一些没有把握的判断。

Das darf aber keine Entschuldigung für faule oder gewissenlose Menschen sein.Natürlich haben wir die Pflicht,uns zu in-formieren,so gut es geht,auch wenn das schwierig ist und wenn V orurteile bequemer sind.

但是这绝不能作为懒散或者不负责任的人卸责的籍口。我们有责任把事情尽一切可能地搞清楚,即使有困难,即使听凭成见会省事很多。

Die gef?hrlichsten V orurteile sind die “sozialen V orurteile”,denn die richten sich diekt gegen Menschen.

最危险的成见是”社会性的成见”因为这些成见是直接对人的。

Wie entstehen soziale V orurteile?

Zun?chst halt man Eigenschaften und Ziele der eigenen Gruppe(der eigenen Gesellschaftsschicht,Nation Rasse usw. )fürdie besten ,ja für die einzig und richtigen.

它是怎样产生的呢?

是把自己集团的(自己社会阶层的,自己民族的,自己种族的等等)性质或者意图看成最好的,甚至是唯一善良的和正确的。

Dann erkl?rt man die Eigenschaften und Ziele”der anderen” für b?se, falsch, verd?chtig,minderwerug Solche V orurtele finden wir zwischen Menschen mit Weiβer,gelber,schwarzer und roter Hautfarbe,zwischen Arbeitern,Beamten und Künstlern;es gibt V orurteile gegen Intellek tuelle und Analphabeten,gegen Arme und Reiche.

因此就把”其他”集团的性质和意图看做的恶意的,错误的,可疑的,卑劣的。这种成见我们可以再白色黄色黑色以及红色皮肤的人种之间看到,可以在工人农民公职人员和艺术家之间看到,对知识分子和文盲,对穷人和富人也可以。

Der Kampf gegen V orurteile ist schwer,fast aussichtslos,denndie Ursache für unsere V orurteile liegt haupts?chlich in unserer Be-quemlichkeit,Denkfaulheit,Halbbildung.Damit wissen wir,aufwelchem Wege wir am shesten etwas bessern k?nnen:durch Erziehung.Hier ist eine groβe Aufgabe für Eltern und Lehrer.Die Erziehung Zu verantwortungsbewuβten Denken und Handeln ist wohl die beste M?glichkeit,gegen V orurteile anzugehhen.

克服它是不容易的,几乎可以说是没有指望的,因为我们的成见主要来源我们的好恶,懒于思考,一知半解。可是我们知道用什么方法能够最有效的对成见做出一点纠正,那就是教育。这是父母,教师的一个重要任务。教育人们认真负责思考和行动,这才是克服它的最好办法。

(完)

《弟子规》读后感400字

《弟子规》的礼仪规范是做人的根本。就像大树,只有根扎得牢,树才会长得茂盛。做人,只有将最基本的道德建立起来,一个拥有谦虚恭敬仁慈博爱的心的人,才会在今后的生活、工作中立于不败之地。自己的意愿任意胡为,那他不会被别人接受,他的人生不会快乐。我在学习了弟子规后,就觉得自己有责任和义务在正确理解古老中华文化的基础上将这块文化瑰宝传承下去。真心希望我们每位教育工作者能够认识到这一点,从我们班级教育的一点一滴做起,帮助每一位学生树立起正确的人生观。

生活在中国大地上的每一个人都随时受到传统文化的影响。毕竟,文化是一个连续的传递过程。就好比一位语文老师讲的“无论世家子弟还是山野村夫,无论略识文字还是一字不识,他的一言一行、一举一动无不显现儒家文化的教养”。这句话,我的感受越来越深。一种思想理念在中华大地上延续了几千年,这里的人民哪里还可能不会受到影响呢?虽然传统文化在近代屡遭浩劫,她还是在中国大地上有很强的生命力。传统文化将是我们的立人之本,它将使我们的社会更加繁荣、富强。

篇一:罗密欧与朱丽叶读后感

“清晨带来了凄凉的和解,太阳也惨淡的在云中躲闪。大家先回去发几声感慨,该恕的该怨的再听审判。古往今来多少离合悲欢,谁曾见这样的哀怨辛酸!”这莎士比亚的经典剧目《罗密欧与朱丽叶》中,人们发现这对相爱的恋人死在了凯普莱脱佳的墓地里,一名主持大局的亲王发出的最后的感慨。合上书的我,一种莫名的悲伤和愤怒相互纠缠着从心底油然而生。我不禁想:这到底是一个怎样的世界,什么样的人心啊?

命运开了一个天大的玩笑,让一对注定相爱的恋人却分别出生在一对仇人的家里。长大以后的它们一见钟情,可未满14岁的朱丽叶在建到罗密欧后仅说出了这样一段话:“恨灰中燃起了爱火融融,要是不该相识,何必相逢!昨天的仇敌,今日的情人,这场恋爱怕是要种下祸根。”这难道是一个年仅13岁的少女该说的话吗?我想那不是,从小被家人不断灌输着“蒙太玖家的人是我们世代的仇敌”如此可怕的想法,就不难理解本应十分单纯的少女心会变得如此忧郁和无奈。此时仇恨所带来的极大的恐惧已经远远超过了她与罗密欧的爱情……仇恨?仇恨!对了,就是仇恨!是仇恨使他们悲惨凄凉的殒灭,是仇恨使得两家原本善良的家仆们开始互相残杀,这该死的仇恨,甚至连无辜的小城人民也不肯放过:在他们圣洁的双手和心灵上播种下了仇恨的种子,挥洒下了一个又一个无辜者的鲜血!这是一股强烈的邪恶力量,足以控制人的心智和理智。这该死的仇恨!

男主人公罗密欧在书中可谓是“一大堆鹅卵石中闪着光的蓝宝石”。罗密欧出身于封建大家庭,却没有继承封建传统和思想,而是顺应时代的发展,脱离了封建家庭,成为一个坚定的人文主义者;他真诚、勇敢,有文化,有能力,有一颗博爱的心;他追求一种自由、自主、美好爱情生活,哪怕是“错爱”了仇人的女儿也毫不退缩;他没有门户之见,爱上了朱丽叶,就把凯普莱脱的家人当作自己的亲人,一心期望化解宿愿;他对爱情忠贞不渝,为了爱情和爱人,他甘愿被放逐他乡,甚至不惜牺牲自己的生命;他注重友情,在朋友被杀,他的爱情面临“风险”的时候,他奋不顾身的为朋友报仇,却使自己的爱情遭遇了一场不小的劫难,显示了他高尚的品格。正是在家庭矛盾、爱情磨难和朋友青衣等一系列故事情节中,他那人文主义者的精神和气质才得以充分的展示。而女主人公朱丽叶只是一个未满14岁的贵族小姐,可她勇敢、坚强、智慧,冲破了大家族的重重束搏,大胆地爱上了罗密欧,这种但是在当时庸俗的上层社会的小姐们中是十分难得的。

可就是这一切的一切,在那种封建保守的社会环境中是绝不容原谅的,才促使他们的生命一步步走向毁灭。可见封建的思想和传统,不仅仅会控制人的内心,在某种时候它更会成为一把杀人的利器啊!

真是不知道该如何理解这个结局。如果它是个悲剧,可男女主角虽然死了,可他们的爱情却成为了永恒,并且因为他们的死亡化解了凯普莱脱何蒙太玖两家多年的恩怨;可如果这个完美的结局,但为了化解宿愿而牺牲一对恋人的生命,这又是否值得?但无论它是有缺憾的还是完美的,它早在400多年前就成为了传世的经典之作,人们在乎的不是它的结局如何,而是书中的男女主角追求理想、爱情、自由的精神深深地打动了每一位读者,这才是这部书的魅力所在!就让这份魅力,这份美好,永远地传递下去,永远……

篇二:罗密欧与朱丽叶读后感

《罗密欧与朱丽叶》这部戏剧,被人们称为西方版的“梁山伯与祝英台”,但是这一次我是真正深入这部经典戏剧,走近莎士比亚。

莎士比亚运用了丰富多彩的语言,美妙的音韵,复杂的人物关系刻画了一位位栩栩如生的人物形象,为我们导演了一个凄美的悲剧故事。

“故事发生在维洛那名城,有两家门第相当的巨族,累世的宿怨激起了新争,鲜血把市

民的白手污渎。”开场诗这第一句已经挑明了故事的前因。仇恨使许多人失去生命。罗密欧与朱丽叶不顾两家之间的仇恨,私下结婚。提伯尔特与迈丘西奥的争斗,由于罗密欧的争斗,两人先后去世。罗密欧被放逐后,朱丽叶在嫁给巴里斯前夜服毒假死,而罗密欧却不知情,与巴里斯争斗后,杀死巴里斯,自己服毒自杀,朱丽叶醒来也拔剑自杀。罗密欧的母亲在他被放逐后也去世了。

两人相恋,一直希望能够长相厮守,可是由于家族的仇恨才酿成了这种无法挽回的悲剧,直到众人纷纷的离逝,直到最后一刻,仇恨才化解。为什么两家人不互相宽容,互相谅解一些呢?仇恨使凯普莱特和蒙太古两家人长期生活在互相交恶,而命运的决定是罗密欧与朱丽叶相恋,一同离去。

如果双方能够宽容一点,那么结局或许就不会如此了。“恨灰中燃起了爱火融融!要是不该相识,何必相逢!昨天的仇敌,今日的情人,这场恋爱怕要种下祸根。”这是朱丽叶在舞会上的一句台词,她放弃了仇恨,义无反顾地选择了纯洁的爱,宽容使她爱上了罗密欧,而罗密欧也是如此。

凯普莱特曾在舞会上对罗密欧宽容过,可以使短暂的他说过觉得罗密欧人不错,只是是蒙太古家的人。可见,这一点点的宽容终还是不能释放仇恨。

富兰克林曾说过:“人与人之间的相互关系中对人生的幸福最重要的莫过于真实,诚意和体谅。”提伯尔特和迈丘西奥如果能够相互理解,相互宽容,那么他们就不可能纷纷命丧黄泉。

莎士比亚运用了精妙的艺术表现手法给我们揭示了人性的这一丑恶——仇恨使人丧失了理智,丢失了许多人的性命。我想我们应该学会“退一步,海阔天空”,用一颗宽容的心去待人。

古往今来,许多为人因宽容而走向成功。鲍叔牙荐管仲,齐桓公不计前嫌重用管仲,成就了霸业。奥巴马上任担任总统,荐前竞选人希拉里为国务卿……在现实生活中,我们同学之间也要学会宽容,这样才能友好相处,共同进步。平时,时常见到同学之间因为一点小事而争吵,最终伤了感情。

仇恨不会使人快乐。《罗密欧与朱丽叶》这部伟大的戏剧呈现给我的不仅是凄美悲伤恋歌与各种精湛的艺术手法,还让我了解到宽容是那么重要。或许宽广的心胸才能开拓更多的可行之路,而斤斤计较,心怀仇恨只能终日饱受煎熬,似一道厚重的墙挡在前进的路上。

篇三:罗密欧与朱丽叶读后感

在现在的电视剧中,我们经常听到“孩子是无辜的”说法,可往往故事的最后,孩子的命运却是最悲惨的。为了家族的利益,罗密欧与朱丽叶彷徨着,在走投无路时,选择了解脱。爱驱使着他们向死亡迈进,情催促阗他们抛开家庭走到一起,仇却注定了他们命运的相斥,痛苦的背后藏着多少无奈啊。罗密欧与朱丽叶的故事不仅仅是一出戏,它一定也是当时现实生活的写照,太多太多的身不由己,数不胜数的无可奈何,这都是爱情带给人们刻骨铭心的记忆。

爱情是未成年孩子家长最忌讳的东西,爱情是青年男女们最想拥有的东西,爱情是年迈的老人望着老来伴时所感激的东西。它扮演着许许多多的角色,它可以是悲剧的导演也可以是喜剧的策划人;它可以是毒药也可以是蜜糖,没人能摸得透它。一旦跳进爱情的陷阱就如同离弦的箭再也收不回来,只是固执地朝着自己的目标飞去,不去理会距离,笔直地穿过空气,最后落地。落地后有两种可能:一种是完好无损地到达了目标,另一种便是因为某些原因,折断了羽翼……

很明显的,罗密欧与朱丽叶的爱情之箭被折得粉碎,()破坏者的力量强大得如同可以劈开松柏的雷电。不要以为坚定的爱情就能长久,一旦它有损于第三者的利益,那么这段情必将受到被迫拆散的危险。不管他们是否无辜,不管他们怎样反抗,这个故事的背景就已为他们的结局作了铺垫。他们悲惨吗?也许是的,因为他们没能相守到老,而是红颜英年早逝,也许不是,因为他们寻到了最后属于自己的另一半。

一个美好故事的结局,通常都以喜剧告终,读者看了固然高兴,可看过以后过几天就会被遗忘。一个故事如果以悲剧结尾,那它一定会在读者心里留下点什么,或是遗憾,或是可惜,让读者反复咀嚼,思考。人都是追求完美的。与此同时,人们也赞颂残缺之美,这似乎很矛盾,但又不似乎不矛盾。

《罗密欧与朱丽叶》是出悲剧,如同我上面所写的,它在我心里留下了什么,我也说不清楚,也许是遗憾吧……悲伤逆流成河读后感泰戈尔诗集读后感爱情·仇恨·自由——读《罗密欧与朱丽叶》有感巨龙腾飞,中国圆梦

—读《走复兴路,圆中国梦》有感

闽侯县实验小学六年级(7)班林家怡

周末,我怀着激动的心情读了《走复兴路,圆中国梦》这本书,看完后心潮澎湃。中国从辛亥革命到今天的辉煌,期间走过的漫漫路程,就像一幕幕电影浮现在我的脑海……

是呀!每一个人都有梦想,每一个民族都有梦想。中华民族的梦想是什么?实现中华民族的伟大复兴。这就是中华民族的最伟大梦想,这个梦想就是中国梦。中国梦,凝聚了几代中国人的夙愿,是每一个中华儿女的共同期盼。

回望历史长河,无数先辈名垂青史,他们用自己的赤诚肝胆捍卫自己不屈的民族。让我们一起翻开历史的每一页,去感受那一串串光辉的名字:

从以死拒降、铮铮铁骨的苏武,到威震敌胆,还我山河的民族英雄岳飞,再到人生“自古谁无死,留取丹心照汗青”的文天祥。从为建设民族主义中国而抗争的孙中山,到开创社会主义新时代的一代伟人毛泽东,直到唤醒东方巨龙腾飞的邓小平,每个名字都闪烁着耀眼的光芒。

历史从未停留过它匆匆的脚步,转瞬之间,中国的改革开放已经三十年了。我们取得了一系列举世瞩目的成就:经济持续稳定增长,五星红旗飘扬在世界各地——奥运赛场,联合

国总部,以及那洁白的圣域——南极。在科技领域,我们也有了飞速发展。巨型计算机的研制成功、宇宙飞船的载人航行……从此中华儿女的脊梁挺得更直了。

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