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奥斯卡经典影片《最后一站》完整版英文剧本(word format)

奥斯卡经典影片《最后一站》完整版英文剧本(word format)
奥斯卡经典影片《最后一站》完整版英文剧本(word format)

THE LAST STATION

Based on the Novel by

Jan Parini

Screenplay by

Michael Hoffman

All happy families are the same. Each unhappy family is unhappy in its own way.

Leo Tolstoy- Anna Karenina

1 EXT. COUNTRYSIDE. DAY. 1

High angle of the steam train travelling through a wide

river valley. The stack belching smoke against the Russian

sky.

2 INT. SECOND CLASS CARRIAGE. COUNTRY SIDE. DAY. 2 Leo Tolstoy (80), sits writing on his lapboard. He is quite

simply the greatest living writer in the world. His

devotion to pacifism, his rejection of the trappings of

Orthodoxy in favor of a simple Christian lifestyle convince

many to regard him as a living saint. With him are his much younger wife, the COUNTESS SOFYA, favorite daughter SASHA, and his personal physician DUSHAN MAKOVITSKY. Sasha and Dushan write in their diaries. Sofya looks from one to the

next a little impatient. The train begins to slow.

SOFYA

Why are we slowing down?

No one responds. Slower. Slower.

SOFYA

We?re stopping. Why are we

stopping?

SASHA

I don?t know, mother. No idea.

Tolstoy look up from his work, asks a passing conductor. SOFYA

Excuse me, why has the train

stopped?

CONDUCTOR

It?s the crowd, ma?m, the people.

They?re blocking the track.

In the distance we can here voices.

VOICES (O.S.)

Long live Tolstoy! Long live the

old warrior!

SOFYA

But if they block the track, the

train can?t go...YOU HAVE TO MAKE

THEM MOVE.

The conductor shrugs, walks away. She goes to the window to investigate. A crowd of a hundred peasants, students surround the engine, block the track. They carry a huge

cloth banner honoring Tolstoy. We can hear voices chanting “Tolstoy. Tolstoy. Tolstoy”, voices crying “You are the truth.” “You are the hope of the Russian people.”

SOFYA

Oh, they won?t move. We are

gonna die here. Leo, Leo, go and

say something to them. It?s the

only way we are gonna get out of

here.

The chanting grows in intensity. Tolstoy gets to his feet, walks to the window, shows himself to the crowd. A great shout goes up. Tolstoy lifts his hand for silence.

Gradually, it comes.

TOLSTOY

I have seen your banner. And I′ve

heard what you say. You think I′m

the hope of Russia, do you? Well,

that′s not true. You are the hope

of Russia. The hope of all the

world. You say, you want a new

way to live? Well, you are not

gonna find it making a fuss over

me. So, I suggest that you get on

with your work and let a poor old

men get on with his.

The cries begin. “Clear the tracks. Let them pass. Let them go.” Tolstoy closes the door and waves to the crowd as the train pulls away.

3 EXT. COUNTRYSIDE. DAY. 3

On the chanting crowd now as the train pulls away. We

focus on a handsome young man, a little stiff maybe, a

little intellectual. This is VALENTIN FEDOROVITCH BULGAKOV. He can?t contain his enthusiasm. Over the noise of the train.

VALENTIN

Do you know who that is? That is

the greatest man in the world.

The train pulls away into the distance.

TITLE OVER BLACK: SPRING 1910

4 EXT. YASNAYA POLYANA. DAWN. 4

The ancestral home of the Tolstoy family in the first

budding of spring.

2.

Muzhiks (peasants) gather wood, carry water to the house. A

cart arrives loaded down with mail bags.

5 INT. YASNAYA POLYANA. SOFYA?S BEDROOM. DAY. 5

A handsome room, walls covered with generations of family photographs. Religious icons are given pride of place, a

testament, not to piety, but to an ingrained social

conservatism, a certain position in the world.

Countess Sofya mumbles her morning prayers before a make

shift altar. Wiping away tears, she leaves the room.

5A INT. YASNAYA POLYANA. ENTRY/STAIR. DAY. 5A

Sofya walks down the stairs and through the entry passed an

old servant asleep in a chair. She continues to the

basement.

6 INT. YASNAYA POLYANA. TOLSTOY?S BEDROOM/STUDY. DAY. 6 Tolstoy has moved himself out of the refined upper floors

into a simple vaulted room he uses as both bedroom and

study. The walls are bare except for a portrait of his

daughter. The furniture is simple, some of it hand made: a

small bed against the wall, a little writing desk in one

corner stacked with books, littered with papers, more mail,

opened and unopened. Pairs of rude homemade shoes line a

work bench.

Tolstoy sleeps in his bed. Though it?s late March and

still cold, the window is open. Sofya closes it. She

stands very still, watching Tolstoy sleep. Sitting on the

bed, she gently touches his hand, whispers.

SOFYA

Darling.

She lies next to him, something girlish, hopeful in her

face, as if waiting for him to wake up and adore her, but

he sleeps on. She carefully takes his arm, positions it

under her neck, and rolling toward him, wraps it around

her. The image of love?s intimacy, of wedded bliss.

His hand slips off her shoulder, once, twice. She moves

awkwardly to replace it. He moves a little toward her. She

kisses his neck, his cheek. We don?t know if he?s awake,

but even this shadow of intimacy penetrates her soul.

7 OMITTED 7

3.

8 INT. MOSCOW. STUDY. DAY. 8

A handsome study in the Moscow townhouse of VLADIMIR GRIGOREVICH CHERTKOV, Tolstoy?s most articulate and dedicated disciple. He?s interviewing Tolstoy?s newly

appointed secretary, VALENTIN BULGAKOV, the young man we met near the train, who, at the mention of sex, blushes a

little.

CHERTKOV

But sex... You are twenty three.

Not an easy age for abstinence,

is it?

VALENTIN

Tolstoy does not approve of

sexual relations. I know this.

CHERTKOV

He despises them, in fact...

Chertkov reaches for a small tin of moustache wax. CHERTKOV

I don't want to belabor the

point, but I arranged for a

manservant last year who

proceeded to ruin two housemaids

just like that. He was very

upset.

VALENTIN

Thi s would not be a problem. I?m

celibate. I?m also a strict

vegetarian.

Chertkov nods his approval, begins to worry his moustache. CHERTKOV

Yes, I?ve heard many good things

about you. I?ve even read what

you…ve written. So has he.

Valentin?s face flushes wit h pride. Chertkov steals a

glance at his reflection in the glass bookcase. One side of

his moustache droops a little. He tugs awkwardly at it. CHERTKOV

My dear boy, if you were to

become Tolstoy?s private

secretary, you would be given a

great gift. You?ll be with him

every day, eat together, walk in

the forest by his side.

It?s difficult to contain himself.

4.

VALENTIN

Believe me, since becoming a

Tolstoyan, I have become so eager

to learn, so comitted to

discussing ideas, improving my

very soul.

CHERTKOV

(smiling)

Well, we have a lot to do if we

are to get his work to the

people.

VALENTIN

We?

They both laugh.

CHERTKOV

Yes, we. If we can encourage the

spread of passive

resistance...just think of it

Valentin thousands of ordinary

Russians casting off centuries of

spiritual and political

oppression-

VALENTIN

In the name of truth and freedom.

CHERTKOV

Truth and freedom, yes but still,

my boy, there are so many enemies-

VALENTIN

Enemies?

Chertkov walks to the window, signals Valentin to follow him. He points to

TWO MEN IN PLAINCLOTHES standing in the street below. CHERTKOV

The Czar?s police...You?ll be

followed when you leave

here...and the church will stop

at nothing to bring him back into

the fold. His children can?t be

trusted... only Sasha... and then

of course there is the

Countess...

(beat)

Well, one doesn?t like to come

between married people whatever

the circumstances, but her dogged

attachment to private property,

her public criticism of our

movement...

5.

(MORE)

(beat)

The point is, he needs a man of

your intellectual gifts around

him. Someone who can help him

with the new work. Someone who

understands his goals.

Chertkov returns to the desk.

CHERTKOV

And although they?ve allowed me

to return to Russia, I can?t see

him. They keep me under house

arrest... They might as well keep

me in a cage.

Clearly upset, Chertkov pauses to get control of himself. He picks up a package, hands it to Valentin. CHERTKOV

So, I need you to put these

letters directly into his hands.

One can't be sure what gets

through to him.

Valentin looks at him, quizzical.

CHERTKOV

Sofya Andreyevna does not respect

his privacy.

VALENTIN

She wouldn?t open his private

correspondence...

Chertkov raises an eyebrow. An ominous silence. CHERTKOV

I have another task for you, my

dear.

VALENTIN

Please.

CHERTKOV

You?ll keep a diary for me.

He hands Valentin a notebook.

CHERTKOV

I need to know everything that

goes on at Yasnaya Polyana. Let

me know who visits the house, any

talk of the copyright to his

work, any contact with the

church, what letters come and go.

(beat)

Anything Sofya Andreyevna says.

6.

CHERTKOV (cont'd)

VALENTIN

Anything?

CHERTKOV

She?s very, very dangerous.

9 EXT. MOSCOW. DOORWAY/STREET. EVENING. 9

Chertkov kisses Valentin delicately on both cheeks and

ushers him into the dying light.

CHERTKOV

Godspeed, my boy.

Valentin makes his way to the droshky that awaits him.

CHERTKOV

And remember what I said.

He turns back to the dark figure in the doorway.

CHERTKOV

Write everything down! Go!

10 EXT. YASNAYA POLYANA. GROUNDS. MORNING. 10

SOFYA. Black and white film of her being handed the

newspapers at the step. She looks up at the camera,

irritated by its presence.

CUTTING OUT TO COLOR we see a cinematographer on the lawn cranking away at his camera. She goes into the house.

11 INT. YASNAYA POLYANA. TOLSTOY?S BEDROOM/STUDY. MORNING.

11

Where Tolstoy, awake and dressed, sits on his bed, pen in

hand, writing in his diary. Dushan sits next to him, taking

his pulse.

TOLSTOY

Nothing?s working... Hand me my

other boot, my friend, will you?

DUSHAN

Let me finish.

TOLSTOY

It doesn?t matter. If my heart

had stopped beating, I?d still go

riding today.

DUSHAN

Your pulse is my

responsibility...

7.

(MORE)

and if you must ride, I insist

you wear a coat. Even the sun is

cold today.

He puts Tolstoy?s arm down and han ds him his riding boot. Sofya comes ranting into the room carrying several Russian and international dailies.

SOFYA

This is impossible! It really is!

These people are parasites!

Look...

(reading)

“Countess Tolstoy has become

estranged from her husband. They

barely speak.”

She throws the paper on the floor.

SOFYA

You know who spreads all this

rubbish....

She opens another paper, a French daily.

SOFYA

C?est la meme en France. They

gossip about us in Paris... “They

do not share a similar view of

either religio n or politics.”

Incroyable!

TOLSTOY

(smiling)

Peut-etre. You think that?s

inaccurate?

SOFYA

I think it?s none of the world?s

business.

She looks at Dushan who is transcribing every word into his diary. He does it with all the master?s conversations. SOFYA

What are you doing? Don?t do

that.

TOLSTOY

(smiling)

Dushan Petrovich, you?re

scribbling again?

Tolstoy moves with energy and purpose toward the door. SOFYA

Darling, where are you going?

8.

DUSHAN (cont'd)

TOLSTOY

Riding with Sasha. Don?t expect

us for lunch.

Something strikes him. He walks to his desk, picks up his pen and quickly writes a sentence on a scrap of paper. SOFYA

Leovochka, why do you insist on

dressing like that.

TOLSTOY

What do you mean?

SOFYA

Like the man who looks after the

sheep.

TOLSTOY

I t?s not meant to offend you.

SOFYA

But it does offend me, because it

offends reason. You?re a Count,

for God?s sake.

He puts his pen down, goes to her, kisses her gently on the forehead and leaves the room.

SOFYA

Oh darling, I have something else

to say.

TOLSTOY (O.S.)

I doubt it not, my dear.

DUSHAN

He?s forgotten his coat.

He runs after him, tripping over the long fur garment. DUSHAN (O.S.)

Count Tolstoy, you?ve forgotten

your coat.

Meanwhile Sofya notices a photographic portrait of Chertkov on the wall. She takes it down and tosses it in the

corner.

12 EXT. YASNAYA POLYANA. GROUNDS. DAY. 12

As Tolstoy appears on the porch, we hear the WHIR of

cameras. A crowd of photographers, film cameramen, journalists, and disciples try to catch a glimpse of the master. Dushan steps in front of him.

9.

DUSHAN

Let him walk. Let him walk.

JOURNALIST

Count Tolstoy, you?re no doubt

distressed by the Czar?s

treatment of your secretary

Nikolai Gusev ?

TOLSTOY

These people are bandits.

DUSHAN

I said, let him walk.

TOLSTOY

They come into my house and

arrest a man whose only crime is

to express a view of life saner

than that which prevails.

JOURNALIST

So Gusev is innocent?

TOLSTOY

(nods)

Of course, I?m the guilty one. I

reject the Orthodox church. I

condemn the established order and

I make no secret of it.

A young peasant shouts from the crowd.

PEASANT

God bless you, Tolstoy. Thank

you.

DUSHAN

Let him walk. Let him walk.

(to Tolstoy)

But you don?t banish these people

very much to your credit...I wish

I had your largeness of spirit.

A photographer?s flash goes off. An old Muzhik touches Tolstoy?s sleeve, as if expecting a miracle.

Sasha, her father?s soulmate, leads two horses toward them, her mount and her father?s black gelding, Delire.

SASHA

Papa.

TOLSTOY

Sasha!

10.

SASHA

Did you ride this morning?

A small crowd collects to watch father and daughter

embrace, kiss.

A WIDE SHOT of the riders- cutting around we are

13 INT. YASNAYA POLYANA. ENTRY/STAIR. CONTINUOUS. 13 Sofya watches her husband and daughter ride away.

14 EXT. RIVER VALLEY. DAY 14

A steam train snakes through a broad valley.

15 INT. TRAIN CARRIAGE. DAY. 15

Valentin in his buttoned up suit looks a little out of

place in the overcrowded third class carriage. He writes in

the diary given him by Chertkov. He glances up to see, on

the bench across, a young mother taking out her breast to

nurse her baby. He blushes, doesn?t know where to look. An

old peasant catches his eye, winks at him, laughs.

16 EXT. TELYATINKI. DUSK. 16

Seven miles from Tolstoy?s estate, this is Telyatinki, a

communal center created by Chertkov dedicated to the study

and practice of Tolstoyism.

SERGEYENKO

Telyatinki was created by

Vladimir Grigorevich as a center

for the movement. Just last week

we had a visitor from India. We

talked to the group about the

healing properties of cobra

venum.

VALENTIN

Oh, goodness..It?s a beautiful

day.

SERGEYENKO

Yes, but we will pay for it.

Sergeyenko, Chertkov?s joyless secretary, and Valentin

stand on a second storey porch looking out across the

central lawn where a number of young Tolstoyans tend the garden, work to put up a chicken coop.

11.

SERGEYENKO

The meeting room is behind us.

This is the tool shed. The

dormitory ahead.

He points out a larger building across the way.

17 INT. TELYATINKI. SLEEPING AREA. NIGHT. 17 They enter the building.

SERGEYENKO

Telyatinki is a place of freedom.

Nothing is forbidden here.

Except everything.

SERGEYENKO

Each man is alone with his

conscience and his God.

(beat)

The kitchen is below. You?ll be

expected to assist with meals at

least twice a week ...and to give

a hand in the garden. We?re all

equals here, you know...as

Tolstoy teaches us.

They start up the stairs.

INT. SLEEPING PORCH. TELYATINKI. DAY SERGEYENKO

You are expected at Yasnaya

Polyana in the morning, first

thing.

VALENTIN

I look forward to it.

SERGEYENKO

Yes... you?re lucky....We?re all

envious.

12.

18 INT. TELYATINKI. VALENTIN?S ROOM: NIGHT 18 Small, sparse, perfect for the novice ascetic. Valentin nods his approval.

SERGEYENKO

Vladimir Grigorevich is anxious

that you begin your reports as

soon as possible. You have the

notebook he gave you?

VALENTIN

Of course.

SERGEYENKO

You understand we must keep the

existence of the diary a secret.

Valentin smiles.

SERGEYENKO

What is it?

VALENTIN

Just that...secrecy doesn?t seem

to me the es sence of Tolstoy?s

thought.

SERGEYENKO

But you?ll admit, you?re no

expert.

VALENTIN

Yes, I...I?ll see you in the

morning.

SERGEYENKO

If we?re spared.

Sergeyenko leaves Valentin to his bare, little room.

19 EXT. TELYATINKI COMPOUND. MORNING. 19

The sun rising. Already, disciples are at work the gardens.

20 INT. TELYATINKI. VALENTIN?S ROOM. MORNING. 20 Valentin sleeps in his tiny room. A knock on the door. VALENTIN

Come in.

A lovely girl at his door. She?s tall, twenties, high cheek bones, short blonde hair. This is MASHA.

13.

MASHA

I?ve brought you a glass of tea.

VALENTIN

That?s very kind of you.

MASHA

It?s your first day. Enjoy it.

She sits on the bed. He?s a little taken aback, not used to this degree of familiarity. It makes no impression on Masha.

MASHA

You met Sergeyenko?

VALENTIN

Last night.

MASHA

Ad what do you think?

VALENTIN

He seems very sincere.

Masha hands him his tea.

VALENTIN

Thank you. Why are you laughing?

MASHA

Say that again.

VALENTIN

I said he seems very... Why?

MASHA

Is that what you think?

VALENTIN

I just arrived...What?s your

name?

MASHA

Masha. But you should still say

what you think. Not just about

him. We all should.

VALENTIN

Thank you for the tea.

Their eyes meet, hold. Valentin?s discomfort increases. MASHA

Tomorrow you can make your own.

She walks to the door, turns to see him still watching her.

14.

MASHA

He?s a sorry old tight-assed

stick in the mud...but yes, he?s

sincere.

21 EXT. ROAD TO YASNAYA POLYANA. DAY. 21

A modest horse drawn cart. Valentin sits beside the driver, contemplates the birch trees that line the road, the long shadows they cast. Above, crows make lazy circles in the sky.

22 OMITTED 22

23 INT. YASNAYA POLYANA. ENTRY WAY/STAIRS. DAY. 23 Valentin stands in the entry way, waiting. He looks lost. VALENTIN

Hello...hello...

VOICE (O.S.)

You?re the new secretary.

He looks up to see Sasha examining him from the landing above.

SASHA

Papa?s out. You can wait in the

library. Ivan will show you up.

She disappears. He hears a door close. He notices a surly house servant, IVAN, who, inexplicably, leads a goat

through the house. He points upstairs and walks away.

24 INT. YASNAYA POLYANA. LIBRARY. DAY. 24

Alone now among Tolstoy?s books, Valentin makes his way slowly to a writing table, the holy of holies, on which War

and Peace and Anna Karenina were written. He runs his hand along the old wood top. Emboldened by a backward glance, he sits in Tolstoy?s chair. Before him are stacks of letters,

pens and pencils, a pot of India ink. There?s a notebook

lying open. He leans forward to read it. A noise in the

hall stops him.

Tolstoy enters from the dining room, red cheeked, beard dripping wet, the energy of a man ten years younger than he is. Valentin stands.

TOLSTOY

I?m glad you?re here. So glad.

15.

He tromps across the room, kisses the boy enthusiastically

on both cheeks. Valentin is overcome by the great man?s warmth.

VALENTIN

I?m... I?m... Here is-

Valentin interrupts himself with a sneeze.

TOLSTOY

God bless you.

VALENTIN

I?m sorry. Sometimes I...

Valentin pulls out a letter of introduction. Tolstoy takes

it out and puts it down without a glance.

TOLSTOY

Vladimir Grigorevich has already

written about you at length. I

need your help badly. The

manifesto against the government

is hard work. They commit their

idiotic abuses faster than I can

catalogue them...and the new

book...

VALENTIN

He told me about it...It?s very

exciting.

Tolstoy nods.

TOLSTOY

I?ve become convinced that all

the world?s religions have a

single organizing principle. Can

you guess what it is? Love!

Love! Simple... Now, I want to

talk about you. How are you? How

was your journey? Come, sit

down.

Tolstoy sits on the old sofa. Valentin follows suit.

TOLSTOY

You know, I was born on this

sofa...

Valentin gets right back up. Tolstoy laughs, pats the sofa. TOLSTOY

Sit. Sit.

Valentin sits down.

16.

TOLSTOY

Myself, my brother, my children,

at least five or six of them,

right here.

(beat)

Now, I?ve read your essays. How…s

your work progressing?

Valentin looks into the great man?s kind old face. He tries

to speak but he?s overcome wi th emotion and begins to weep. TOLSTOY

My boy, what is it?

(beat)

I upset you in some way. Was it

the sofa? It?s only a sofa.

Valentin shakes his head, smiling through his tears. VALENTIN

I?m very happy. You are very

kind. I?m no one and you are...

you are Leo Tolstoy and you ask

me about my work.

Tolstoy takes Valentin?s hand, sits him back on sofa. TOLSTOY

You rest for a moment and I?ll

fetch you a glass of tea. Rest,

because there?s work for both of

us together.

He smiles and goes, leaving Valentin to contemplate his fortune.

25 OMITTED 25

26 OMITTED 26

27 OMITTED 27

28 EXT. YASNAYA POLYANA. GROUNDS. DAY. 28 Sofya, Sasha, Valentin, ANDREY, Tolstoy?s son, and Tolstoy all clustered around a table taking tea. Dushan stands near the group fiddling with a gramophone that sits on a small table.

SOFYA

These people have nothing.

17.

DUSHAN

It really is the most

extraordinary thing.

Absolutely ignoring him.

SOFYA

It?s not for lack of land that

the muzhiks live in poverty.

They have no will power and they

drink too much.

TOLSTOY

I?m not suggesting they be given

land. Private property is the

root of the problem... We should

be giving ours away.

ANDREY

Give it to whom?

SOFYA

It?s all ridiculous. You think

that poverty makes the peasants

somehow morally superior.

TOLSTOY

I believe that wealth corrupts us

all, yes I do.

A pause. Valentin fills the silence.

VALENTIN

It?s a keystone of the movement.

SOFYA

Oh, I know all about the

movement.

A pause. Valentin notices that people from the front lawn have moved up to watch all this. Life in the fishbowl, the Tolstoys seem neither to notice nor care.

TOLSTOY

If the peasants had money, they

wouldn?t surround themselves, as

we do, with footmen costing ten

rubles a month.

SOFYA

No, they?d spend it on drink and

whores.

TOLSTOY

Valentin Fedorovich, do you think

fifty years from now, people will

eat while grown men walk around

and wait on them hand and foot?

18.

Valentin doesn?t know what to say. A giggle from Dushan. DUSHAN

Oh, that?s good...that?s good.

Dushan, having sat at table, tries surreptitiously to get down Tolstoy?s words in the diary he holds below the table. Sofya flushes with anger.

VALENTIN

I think...(sneeze)

SOFYA

Stop scribbling!

(points to her husband)

You all think he?s Christ, don?t

you? He thinks he?s Christ.

There is an awkward pause.

DUSHAN

(flustered)

I?m not...I don?t believe Leo

Nikolayevich is Christ. Christ is

Christ but...

SOFYA

But what?

DUSHAN

I believe he?s one of the

prophets. God speaks through him.

I recognize the cadence in his

voice.

SOFYA

This is unbearable. No wonder I

feel lonely. I?m surrounded by

morrons.

SASHA

Mama, you're being ridiculous.

SOFYA

Am I? I sit here and listen to

this talk of love and God and

equality, knowing full well that

Count Generosity here is fully

prepared to give away everything

we have.

TOLSTOY

(exhausted)

You keep going on like that...Why

do you think we should profit

from the work I′m doing which is

only meant for the sake of the

people.

19.

She turns to see Dushan scribbling again.

SOFYA

STOP IT! STOP WRITING NOW!

Valentin glances at Sasha, uncomfortable at these outbursts. A long pause. Dushan tries to relieve the tension.

DUSHAN

In defense of my gift, let me

demonstrate. It?s quite

remarkable, really.

He gets up, places a record on the gramophone, needle on the record. W hat comes forth is not music, but Tolstoy?s voice.

It is a recording of a recent speech against capital punishment. His voice booms, tinny and distorted. Dushan walks to the machine, stares at it in awe. Valentin is completely caught up in the technology.

VALENTIN

It?s your voice. It?s wonderful.

They all listen for a moment, look to Tolstoy for a response.

TOLSTOY

It?s tiresome. Another

remarkable invention will

supercede it.

Valentin blushes and looks at the table. Dushan tries to hide his disappointment.

TOLSTOY

Please excuse me.

Tolstoy rises, leaves the table, walks out onto the lawn.

Dushan gets up quickly, bumping the table as he goes. Tea spills. Valentin moves to wipe it up, sneezes, a barrage of irritable blessings.

DUSHAN

Leo Nikolayevich is something of

a Luddite, I fear.

Sofya crosses to the machine, removes the record from the gramophone, replaces it with another Dushan has brought. Suddenly, the air is filled with the final duet from

Mozart?s Il Nozze di Figaro. She returns to her place. There is a long moment where all take in the sublimity of it. Tolstoy walks slowly back to the table. He stands completely still. Tears fill his eyes and roll down his cheeks.

20.

TOLSTOY

Oh, that′s better. That′s nice.

Very nice indeed.

Sofya crosses to her husband, wipes the tears off his face. Valentin watches as they embrace.

VALENTIN (O.S.)

Do your parents often speak to

each other so...bluntly?

29 INT. YASNAYA POLYANA. LIBRARY. EVENING. 29 Across from Tolstoy?s writing desk is Sasha?s world, a makeshift office lined with more bookcases where she does her work, sending cables, editing manuscripts, answering endless stacks of mail. Valentin sits near her, learning

the ropes.

SASHA

My mother doesn?t understand my

father?s goals, not since his

work as a novelist became

secondary. His commitment to

the spiritual life offends her.

They?ve fought about it for

years.

VALENTIN

I?m sure she means well.

Sasha just looks at him.

VALENTIN

Your father is the greatest

writer in the world.

SASHA

英语爱情电影经典台词

英语爱情电影经典台词

英语爱情电影经典台词 【篇一:英语爱情电影经典台词】 ():20部外国爱情电影经典台词中英对译 1.《剪刀手爱德华》 我爱你不是因为你是谁,而是我在你面前可以是谁。 i love you not for who you are, but for who i am with you. 2.《泰坦尼克号》 一个人一生可以爱上很多的人,等你获得真正属于你的幸福之后,你就会明白一起的伤痛其实是一种财富,它让你学会更好地去把握和珍惜你爱的人。 one may fall in love with many people during the lifetime. when youfinally get your own happiness, you will understand the previoussadness is kind of treasure, which makes you better to hold and cherish the people you love. 3.《廊桥遗梦》 我们每个人都在各自的过去中,人们会用一分钟的时间去认识一个人,用一小时的时间去喜欢一个人,再用一天的时间去爱上一个人,到最后呢,却要用一辈子的时间去忘记一个人。 we all live in the past. we take a minute to know someone, one hour to like someone, and one day to love someone, but the whole life to forget someone. 4.《蓝莓之夜》

英文电影中的经典对白

英文电影中的经典对白 有一种鸟是永远也关不住的,因为它的每片羽翼上都沾满了自由的光辉! these walls arekind of funny like that. first you hate them, then you get used to them. enoughtime passed, get so you depend on them. that s institutionalizing. 刚入狱的时候,你痛恨周围的高墙;慢慢的,你习惯生活在其中;最终你会发现自己不得不依靠它而生存.那就是体制化.every man s got a breaking point. 每个人的忍耐都会有限度的.fear can hold you prisoner,hope can set youfree. 怯懦囚禁灵魂,希望还你自由.red: there s not a day goes by i don t feelregret. not because i m in here, or because you think i should. i look back onthe way i was then, a young, stupid kid who committed that terrible crime. iwant to talk to him. i want to try and talk some sense to him, tell him the waythings are. but i can t. that kid s long gone and this old man is all that sleft. i got to live with that. rehabilitated? it s just a bullshit word. so yougo on and stump your form, sonny, and stop wasting my time. because to tell youthe truth,i don t give a shit. red:我无时无刻不对自己的所作所为深感内疚,这不是因为我在这里(监狱),也不是讨好你们(假释官).回首曾经走过的弯路,我多么想对那个犯下重罪的愚蠢的年轻人说些什么,告诉他我现在的感受,告诉他还可以有其他的方式解决问题.可是,我做不到了.那个年轻人早已淹没在岁月的长河里,只留下一个老人孤独地面对过去.重新做人?骗人罢了!小子,别再浪费我的时间了,盖你的章吧,说实话,我不在乎.prison life consists of routine, and then moreroutine. 监狱生活充满了一段又一段的例行公事. 10.i find i m so excited. i can barely sit stillor hold a thought in my head. i think it the excitement only a free man canfeel, a free man at the start of a long journey whose conclusion is uncertain.i hope i can make it across the border. i hope to see my friend, and shake hishand. i hope the pacific is as blue as it has been in my dreams. i hope. 我发现自己是如此的激动,以至于不能安坐或思考.我想只有那些重获自由即将踏上新征程的人们才能感受到这种即将揭开未来神秘面纱 的激动心情.我希望跨越边境,与朋友相见握手.我希望太平洋的海水如同梦中一样的蓝.我希望.

根据真实案例改编的欧美经典电影

根据真实案例改编的欧美经典电影 根据美国华人真实故事改编的《决胜21点》 美国证券经纪人真实故事改编的电影《当幸福来敲门》主演威尔史密斯 莱昂纳多迪卡普里奥和汤姆汉克斯主演的猫鼠游戏也是一部根据真实故事改编的电影 《刺杀肯尼迪》《费城故事》 《杀戮时刻》,讲述白人律师为激情杀人的黑人被告辩护的故事 《民事诉讼》,Civil Action,也是根据真事改编,律师为居民起诉化工厂污染的故事。 《一级谋杀》,同样根据美国四十年代真实事件改编,讲一个初出茅庐的律师为一个由于被政府囚禁在地牢里三年而精神失常愤而杀人的被告辩护。电影的结局比较悲情,胜诉之后被告却在狱中死去,但美国因之废除了不人道的solitary confinement制度。 《造雨人》,这个要赞一下。为贫苦人起诉保险公司的的故事,也是真事改编,拍教父的大卫·科波拉导演,马克·达蒙小sg以及friends里那个很著名的那个矮子主演,后者的表演非常到位,结局设计得也很不俗,推荐! 《永不妥协》,也是为因污染而导致白血病的居民起诉化工厂的故事,茱莉亚罗伯茨主演,很值得一看,仅仅是黄色画面的西部风情就很赏心悦目 《难忘泰坦》又名:《热血强人》/《光辉岁月》/《冲锋陷阵》(Remember the Titans 主演:丹泽尔·华盛顿。根据真人真事改编,讲述1971年黑人橄榄球教练赫尔曼·布恩冲破种族歧视,带领黑白球员组成的队伍打开胜利之门。因为中国队冲击2002 年世界杯时,米卢指定球员观看此片而在中国声名大躁。 《真情电波》主演:小古巴·古丁题材源于1996年美国《体育画报》杂志上的专栏文章,作者加里·史密斯报道了这宗发生在上世纪60年代的发人深省的真实故事。描述智障黑人少年与白人橄榄球教练间真挚友谊的力作。细腻的情感主线、种族矛盾的时代背景、实力派明星的倾情演绎,使之成为橄榄球电影的佳作 《The great raid》说的是二战时期美军与菲律宾游击队共同营救美国战俘的真实故事 《卢旺达饭店》1994年4月6日,一架载着卢旺达胡图族总统哈比亚利马纳和布隆迪总统的座机在卢旺达首都基加利上空被火箭击落,两国元首同时罹难。这引发了卢旺达胡图族与图西族一场规模空前的武装冲突和部族大屠杀,100天的大屠杀里有近100万卢旺达人死在弯刀,锄头,棍棒和火器之下,一半多的图西族人口被灭绝。米勒?科林斯饭店经理保罗?鲁塞萨巴吉那用金钱和智慧,在大屠杀中艰难挽救了近千名同胞的生命 《黑影坠落》摩加迪沙之战是美国自越南战争以来持续时间最长、伤亡也最惨重的一次地面战争。1993年,非洲索马里,美国政府决定派兵到索马里首都摩加迪沙协助提供大饥荒下的援助物资,以及捉拿索马里军事政府的两名高级将领。按原定计划,这只是由陆军三角洲部队150人于1小时内执行完毕的小任务,不料遭到当地军队的偷袭,竟演变成一场长达15小时的困兽之斗。两架运送美军的“黑鹰直升机”被击落,其中一架飞机的官兵全部死亡,另一架的驾驶员落入敌人之手。美军在此役打了一场惨烈的败仗,共战死十八人,受伤七十多人,此役后不久,美军退出索马里。

20世纪世界经典电影100部

20世纪世界经典电影100部 1、《教父》The Godfather 1972年8.9 分 科波拉黑帮经典《教父》的首部,派拉蒙公司最成功的影片之一,坐稳IMDB头把交椅应属众望所归。虽然评论界一致对《教父》系列的第2集推崇有佳,但大多数影迷似乎还是对《教父》情有独钟,这可能与马龙·白兰度极具个人魅力的表演有关,直到今天他那种含糊沙哑的声音与神秘莫测的表情都依然叫人着迷。 2、《肖申克的救赎》The Shawshank Redemption 1994年8.9 分 这部被称为《刺激1995》的影片在中国影迷间也有极好的口碑,可见电影超越国界的神奇之处。 3、《辛德勒的名单》Schindler[]s List 1993年8.8 斯皮尔伯格在《大白鲨》、《夺宝奇兵》、《外星人》、《紫色》四次与奥斯卡失之交臂后,终于在辛德勒和无数犹太难民的帮助下捧得金像。 4、《公民凯恩》Citizen Kane 1941年8.8 无需多言的电影里程碑,神童奥逊·威尔斯可一不可再的惊世之作。 5、《卡萨布兰卡》Casablanca 1942年8.7 永远的《北非谍影》,永远的英格丽·褒曼。 6、《教父续集》The Godfather Part II 1974年8.7 《教父续集》中科里昂尼家族兴起的历史与麦克血腥的奋斗形成了完美的对仗,这种平行蒙太奇的运用深得评论界的赏识,此片的成功也巩固了艾尔·帕西诺和罗伯特·德尼罗两位意裔影帝的地位。 7、《七武士》Shichinin no samurai 1954年8.7 这可能不是大师黑泽明最出色的作品,但确实是他最好看的作品,它对世界电影的影响早已不是一个简单的东方武侠故事。 8、《星球大战》Star Wars 1977年8.7 对每个出生于50到70年代的美国人而言,他们几乎都喜欢被人被称作“Star Wars Generation”(《星球大战》的一代),星战系列应该是拥有影迷人数最多的系列电影了,还记得99年推出《星战前传》时掀起的狂潮么? 9、《美国美人》American Beauty 1999年8.6 这部电影能入选到TOP10有点叫人惊讶,美国特有的中产阶级影片。 10、《飞跃疯人院》One Flew Over the Cuckoo[]s Nest 1975年8.6 米洛斯·福尔曼和杰克·尼克尔森两人共同的颠峰,一堂影视表演的必修课。 11、《奇爱博士》Dr. Strangelove 1964年8.6 库布里克讽刺冷战的黑色幽默经典,“未来三部曲”的首部,对一个没有那段历史经历的中国观众而言,此片未必会得到这样的高分。 12、《卧虎藏龙》Crouching Tiger,Hidden Dragon 2000年8.6 李安真的拍了部了不起的电影。 13、《后窗》Rear Window 1954年8.6 希区柯克的经典,詹姆斯·斯图尔特和格蕾丝·凯莉的搭配就如同现今布拉德·彼特和朱丽娅·罗伯茨合作一样抢眼。 14、《夺宝奇兵》Raiders of the Lost Ark 1981年8.6

(完整word版)经典电影台词(英文带带翻译)

㈠《Shawshank Redemption肖申克的救赎》 1.You know some birds are not meant to be caged, their feathers are just too bright. 你知道,有些鸟儿是注定不会被关在牢笼里的,它们的每一片羽毛都闪耀着自由的光辉。 2.There is something inside ,that they can't get to , that they can't touch. That's yours. 那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。 3.Hope is a good thing and maybe the best of things. And no good thing ever dies. 希望是一个好东西,也许是最好的,好东西是不会消亡的。 4.Fear can hold you prisoner. Hope can set you free.恐惧让你沦为囚犯。希望可以感受自由。 5.Get busy living or get busy dieing. 要么忙于活着,要么忙于死去。 6.It takes a strong man to save himself, and a great man to save another. 坚强的人只能救赎自己,伟大的人才能拯救他人。 7.forget that there are … place … in the world that are not made out of stone, there is something … inside … that they can not get to … that is hope . 不要忘了,这个世界穿透一切高墙的东西,它就在我们的内心深处,他们无法达到,也接触不到,那就是希望. ㈡《Forrest Gump 阿甘正传》 1.Life was like a box of chocolates, you never know what you're gonna get. 生命就像一盒巧克力,结果往往出人意料。 2.Stupid is as stupid does. 蠢人做蠢事,也可理解为傻人有傻福。 3.Miracles happen every day. 奇迹每天都在发生。 4.Jenny and I was like peas and carrots. 我和珍妮形影不离。 5.Have you given any thought to your future? 你有没有为将来打算过呢。 6.You just stay away from me please. 求你离开我。 7.If you are ever in trouble, don't try to be brave, just run, just run away. 你若遇上麻烦,不要逞强,你就跑,远远跑开。 8.It made me look like a duck in water. 它让我如鱼得水。 9.Death is just a part of life, something we're all destined to do. 死亡是生命的一部分,是我们注定要做的一件事。 10.I was messed up for a long time. 这些年我一塌糊涂。 11.I don't know if we each have a destiny, or if we're all just floating around accidentally―like on a breeze. 我不懂我们是否有着各自的命运,还是只是到处随风飘荡 12.To make each day count. 让每一天都有所值。 ㈢《The Lion King狮子王》 1. Everything you see exists together in a delicate balance. 世界上所有的生命都在微妙的平衡中生存。 2. I laugh in the face of danger. 越危险就越合我心意。 3. I'm only brave when I have to be. Being brave doesn't mean you go looking for trouble. 我只是在必要的时候才会勇敢,勇敢并不代表你要到处闯祸。 4. When the world turns its back on you, you turn your back on the world. 如果这个世界对你不理不睬,你也可以这样对待它。

高考素材(电影经典语录大全)

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1、《教父》The Godfather 1972年8.9 分 科波拉黑帮经典《教父》的首部,派拉蒙公司最成功的影片之一,坐稳IMDB头把交椅应属 众望所归。虽然评论界一致对《教父》系列的第2集推崇有佳,但大多数影迷似乎还是对《教父》情有独钟,这可能与马龙·白兰度极具个人魅力的表演有关,直到今天他那种含糊沙哑的声音与神秘莫测的表情都依然叫人着迷。 2、《肖申克的救赎》The Shawshank Redemption 1994年8.9 分 这部被称为《刺激1995》的影片在中国影迷间也有极好的口碑,可见电影超越国界的神奇之处。 3、《辛德勒的名单》Schindler[]s List 1993年8.8 斯皮尔伯格在《大白鲨》、《夺宝奇兵》、《外星人》、《紫色》四次与奥斯卡失之交臂 后,终于在辛德勒和无数犹太难民的帮助下捧得金像。 4、《公民凯恩》Citizen Kane 1941年8.8 无需多言的电影里程碑,神童奥逊·威尔斯可一不可再的惊世之作。 5、《卡萨布兰卡》Casablanca 1942年8.7 永远的《北非谍影》,永远的英格丽·褒曼。 6、《教父续集》The Godfather Part II 1974年8.7 《教父续集》中科里昂尼家族兴起的历史与麦克血腥的奋斗形成了完美的对仗,这种平行蒙太奇的运用深得评论界的赏识,此片的成功也巩固了艾尔·帕西诺和罗伯特·德尼罗两位意裔影帝的地位。 7、《七武士》Shichinin no samurai 1954年8.7 这可能不是大师黑泽明最出色的作品,但确实是他最好看的作品,它对世界电影的影响早已不是一个简单的东方武侠故事。 8、《星球大战》Star Wars 1977年8.7 对每个出生于50到70年代的美国人而言,他们几乎都喜欢被人被称作“Star Wars Gener ation”(《星球大战》的一代),星战系列应该是拥有影迷人数最多的系列电影了,还 记得99年推出《星战前传》时掀起的狂潮么? 9、《美国美人》American Beauty 1999年8.6 这部电影能入选到TOP10有点叫人惊讶,美国特有的中产阶级影片。 10、《飞跃疯人院》One Flew Over the Cuckoo[]s Nest 1975年8.6 米洛斯·福尔曼和杰克·尼克尔森两人共同的颠峰,一堂影视表演的必修课。 11、《奇爱博士》Dr. Strangelove 1964年8.6 库布里克讽刺冷战的黑色幽默经典,“未来三部曲”的首部,对一个没有那段历史经历的中国观众而言,此片未必会得到这样的高分。 12、《卧虎藏龙》Crouching Tiger,Hidden Dragon 2000年8.6 李安真的拍了部了不起的电影。 13、《后窗》Rear Window 1954年8.6 希区柯克的经典,詹姆斯·斯图尔特和格蕾丝·凯莉的搭配就如同现今布拉德·彼特和朱丽娅·罗伯茨合作一样抢眼。 14、《夺宝奇兵》Raiders of the Lost Ark 1981年8.6 在英国《完全电影》(Total Film)杂志评选的最伟大的50个银幕英雄(又是个TOP一族)中,哈里森·福特饰演的印第安纳·琼斯雄居榜首,斯皮尔伯格还是拍这样的东西比较划算。 15、《非常嫌疑犯》The Usual Suspects 1995年8.5

电影名言经典台词大全

电影名言经典台词大全 1)我拼命读书为了将来,谁知道没有将来!——《后天》 2)不是子弹,而是美女杀死了野兽。——《金刚》 3)不记得也好,忘却也是一种幸福……——《功夫》 4)生活不是电影,生活比电影苦。——《天堂电影院》 5)你打我可以,只是不要弄乱我的头发!——《东京攻略》 6)我说了不要动手,你当我放屁吗?——《侠盗高飞》 7)我们现在是谈生意,不是谈恋爱。——《喜剧之王》 8)对有信仰的人,死是永生之门。——《失乐园》 9)心里有就有,心里没有就没有。—《周渔的火车》 10)去,给我烙两张糖饼!——《青松岭》 1)这世上只有两种人:骗人的和被骗的。——《不夜城》 2)不要相信漂亮女人,尤其是不穿衣服的裸体女人。——《偷天陷阱》 3)如果我知道怎么舍弃你,那该有多好。——《断臂山》 4)往往都是事情改变人,人却改变不了事情。——《无间道》 5)世界上总有一半人不理解另一半人的快乐——《爱玛》 6)如果,我多一张船票,你会不会跟我一起走?——《花样年华》 7)因为感受别人对你的感觉,是很痛苦的。——《都市情缘》 8)敬仰天上的神明,热爱自己的女人,保护自己的祖国。《特洛伊》

9)恐惧让你沦为囚犯,希望让你重获自由。《肖申克的救赎》 10)拉着你的手,就像左手拉右手。——《一声叹息》 11)恐惧让你沦为囚犯,希望让你重获自由。——《肖申克的救赎》 12)朋友之间无所谓谁欠谁,不然要朋友来干什么?——《喋血双雄》 14)我不相信有天堂,因为我被困在这个地狱的时间太长了。——《亚瑟王》 15)姐姐,你千年修行,为了一个许仙值得吗?——《青蛇》 16)我不觉得我是对的,但我也觉得不是错的。——《魔女号》 17)黑夜给了我黑色的眼睛,我却用鼻孔迎接光明。——《不见 不散》 18)为什么每个人都讨厌我只有你喜欢我呢?因为我不是别人!——《绿茶》 19)我们身边最好的东西拿走,以提醒我们得到的太多!——《四根羽毛》 20)有人就有恩怨,有恩怨就有江湖。人就是江湖,你怎么退出?《东方不败》 1)生活就像一盒巧克力,你永远不知道你会得到什么。——《阿甘正传》 2)一边是平常的现实,一边是美丽的谎言,你选哪一样呢?——《大鱼老爸》 3)见过磕长头的人吗?他们的脸和手都很脏,可是心灵却很干净。——《可可西里》 4)有些人一辈子都在骗人,而有些人用一辈子去骗一个人。《开往春天的地铁》

经典电影台词对白4(中英文对照)

31、《魂断蓝桥》 Oh Roy, you're alive! 战争终于过去,活下来的Roy满心欢喜地回到家乡,在火车站遇到了已沦入风尘的恋人Mara。男的是喜出望外、讲起话来喋喋不休;女的却只重复着那一句话“你还活着”: 32、《狮子王》 Yes, the past can hurt. But I think you can either run from it or learn from it. 对,过去是痛楚的,但我认为你要么可以逃避,要么可以向它学习。 33、《落跑的新娘》 "I guarantee that we'll have tough times. I guarantee that at some point one or both of us will want to get out. But I also guarantee that if I don't ask you to be mine, I'll regret it for the rest of my life. Because I know in my heart -- you're the only one for me." “我肯定我们会分开;我肯定我们一方离另一方而去,在一个人死后。但更我肯定,我现在若不求你留下来陪我,我会后悔一辈子。” 34、Roman Holiday《罗马假日》 J: Which of the cities that you visited did your Highness enjoy the most? A: Each in its own way was unforgettable. It would be difficult to ...Rome. By all means, Rome. I will cherish my visit here in memory, as long as I live!

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