所见古诗的意思翻译

所见

清：袁枚

牧童骑黄牛，歌声振林樾。

意欲捕鸣蝉，忽然闭口立。

译文及注释

牧童骑在黄牛背上，嘹亮的歌声在树林里回荡。

忽然想要捕捉树上鸣叫的知了，于是马上停止唱歌，静悄悄地站立在树旁。

注释

牧童：指放牛的孩子。

振：振荡；回荡。说明牧童的歌声嘹亮。

林樾（yuè）：指道旁成荫的树。

欲：想要。

捕：捉。

鸣：叫。

立：站立。

创作背景

袁枚热爱生活，辞官后侨居江宁。其主张抒写性情，所写多为士大夫的闲情逸致。诗人在旅途的路上看见一个牧童骑着牛，唱着歌，忽然听到蝉的叫声，于是停住歌声跳下牛背，准备捕捉蝉。这一幕触发了诗人的诗兴，就写下了这一首“所见”。

赏析

这首诗的第一句平平而起，不着痕迹。第二句调子突然高昂，旋律突然加快，从而形成一个高潮。一二句描写了小牧童的天真活泼、悠然自得的可爱模样和他的愉快心情，“骑”字直接写出了牧童的姿势，“振”字则间接点出他的心情。通过“骑”和“振”两个动词,把牧童那种悠闲自在、无忧无虑的心情和盘托了出来。他几乎完全陶醉在大自然的美景之中，简直不知道世间还有“忧愁”二字。正因为心中欢乐，才不禁引吭高歌，甚至于遏行云，“振林樾”。

三四句仍然是继续描写神态。第三句是过渡，是作势。写牧童的心理活动，交代了他“闭口立”的原因，也是全诗的转折点。第四句，急转直下，如千尺悬瀑坠入深潭，戛然而止。“忽然”一词，把这个牧童发现树上鸣蝉时的惊喜心情和机警性格栩栩如生地表现了出来。“忽然”发生了变化：由响而静、由行而停，把小牧童闭口注目鸣蝉的瞬间神态写得

韵味十足。而“闭”和“立”两个动词，则把这个牧童天真的神态和孩子式的机智刻划得淋漓尽致。全诗纯用白描手法，紧紧抓住小牧童一刹那间的表现，逼真地写出小牧童非常机灵的特点，让人倍觉小牧童的纯真可爱。

这是一首反映儿童生活的诗篇，诗人在诗中赞美了小牧童充满童趣的生活画面。诗人先写小牧童的动态，那高坐牛背、大声唱歌的派头，何等散漫、放肆；后写小牧童的静态，那屏住呼吸，眼望鸣蝉的神情，显得特别专注。“此时无声胜有声”。这从动到静的变化，写得既突然又自然，把小牧童天真烂漫、好听多事的形象，刻画得活灵活现。这首诗正是在这种起伏变化中获得了巨大的艺术效果。诗的语言，明白如话，质朴无华，十分本色。至于下一步的动静，小牧童怎样捕蝉，捕到没有，诗人没有写，留给读者去体会、去遐想、去思考。

这首诗通过对自然环境和社会生活的描写，直接抒发生活的感受，看似闲情逸致，实则寄托情思。同时这首诗不顾及格律，活泼自由，语言浅显明了，形象自然生动。综观全诗，它所描绘的和平、宁静和优美如画的田园风光，所刻划的活泼、自在和天真无邪的牧童形象，表现了诗人的一种“真性情”。诗人曾经说过“诗人者，不失其赤子之心也。”毋庸讳言，诗所描绘、所刻划的，正是诗人毕生追求的境界，也正是他所一再强调的“真性情”。

袁枚（1716－1797）清代诗人、散文家。字子才，号简斋，晚年自号仓山居士、随园主人、随园老人。汉族，钱塘（今浙江杭州）人。乾隆四年进士，历任溧水、江宁等县知县，有政绩，四十岁即告归。在江宁小仓山下筑筑随园，吟咏其中。广收诗弟子，女弟子尤众。袁枚是乾嘉时期代表诗人之一，与赵翼、蒋士铨合称“乾隆三大家”。

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23. 旗袍:Cheongsam 24. 儒家文化:Confucian Culture 孟子:Mencius 25. 四合院:Siheyuan/Quadrangle 26. 《西游记》:The Journey to the West 27. 《红楼梦》:A Dream in Red Mansions 28. 《诗经》:The Book of 31. 《三国演义》:The Romance of the Three Kingdoms 32古装片:Costume Drama . 33. 武打片:Chinese Swordplay Movie 34. 针灸:Acupuncture 35. 唐三彩:Tri-color Pottery of the Tang Dynasty/ The Tang Tri-colored pottery 36. 刺绣:embroidery 37. 秦腔:Crying of Qin People/Qin Opera 38. 京剧:Beijing Opera/Peking Opera 39. 亭/阁:Pavilion/ Attic 40. 太极拳:Tai Chi 41. 故宫博物院:The Palace Museum 42.天坛:Temple of Heaven 43. 24节气:the 24 solar terms 43.明十三陵:The Ming Tombs 45. 相声:Cross-talk/Comic Dialogue 46. 烟花爆竹:fireworks and firecracker 47. 兵马俑:cotta Warriors/ Terracotta Army 48. 电视小品:TV Sketch/TV Skit 49. 敦煌莫高窟:Mogao Caves

中国古诗名英文翻译对照

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中国诗翻译成英文

1.The West Lake in June,when all is said and done For all the seasons never the same is the scene The lotus leaves touching the sky in boundless green The lotus flowers specially red in shining sun 毕竟西湖六月中 风光不与四时同 接天莲叶无穷碧 映日荷花别样红 2.I Left home when a mere stripling,and returned in old age. My native accents remained unchanged,but my ear-lock had grown thin. The children could not recognize me when they saw me. They asked smilingly ,"From where did you come?" 《回乡偶书》 少小离家老大回， 乡音无改鬓毛衰。 儿童相见不相识， 笑问客从何处来。 3.《枫桥夜泊》 月落乌啼霜满天， 江枫渔火对愁眠。 姑苏城外寒山寺， 夜半钟声到客船。 Maple Bridge Night The moon vanishes The crows chats As autumn struts Maples on the riverside Bring out the shine of boat lights In sorrow, I cannot sleep at night Outside of Gusu City

盘点那些年出现在美剧中的中国元素

盘点那些年出现在美剧中的中国元素 中国元素在美剧中并不少见，各剧对中国元素玩得也越发的得心应手了，下面这些情节，追剧的你在看到的时候是会心一笑还是无言以对？ 宫保鸡丁：请叫我世界名菜 看美剧学英语的同学，对Kung Pow Chicken（宫保鸡丁）一定不陌生，这道菜是美剧里出现频率最高的中国菜，没有之一，出现在餐桌上、外卖盒里的次数已经多到无法盘点，来看看跟剧情有关的吧： 《老友记》钱钱潮妈爱吃鸡丁 这可能是宫保鸡丁在美剧中最早的一次亮相了。Chandler的美女潮妈在第一季第11集做节目的时候说到自己喜欢吃宫保鸡丁。小编第一次看到这里的时候顿时倍感亲切！

《生活大爆炸》一盒鸡丁引发的离家出走 每周三是Sheldon一群人固定的"Chinese food day"，每集几乎都能看到主角们手捧外卖盒捉着筷子吃中餐的场景。而在第七季第24集，Leonard把宫保鸡丁换成了另一家餐馆的，直接成了Sheldon离家出走的导火索之一。 歪果仁的汉语萌萌哒 在不少剧中，主角们为了剧情需要都要时不时地飙一下汉语普通话(Mandarin)，作为曾经的一枚字幕组成员，小编表示，大部分的演员在说汉语的时候，我都不知道他们在缩神马！

《绿箭侠》帅哥请继续加油 这部剧里的中国元素不可谓不多：主角流落中国南海荒岛“炼狱”，功夫师承前解放军将军姚飞，回国之后又有著名中式反派“三合会”捣乱，这时候主角跟师父学的汉语就派上用场啦！虽然在第一季的时候，男主角用“流利的汉语”惊艳了中餐馆里的人（“他一口地道汉语一定是中国来的”——你在逗我？）让小编凌乱了很久，但是据演员本人说一直有在努力克服困难，在后面的剧情里，说起汉语来表现也是越来越好，有几句也是可以听懂的啦。前路尚远，仍须努力哟！ 《基本演绎法》给米福的普通话点赞！ 吐槽过后，来个值得点赞的！在《基本演绎法》第一季第4集中，Sherlock在调查线索时给

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中国古诗文翻译英语精选 导读：我根据大家的需要整理了一份关于《中国古诗文翻译英语精选》的内容，具体内容：我们不能片面地、不加分析地就此作结论，说诗歌翻译只具有艺术性。下面是我带来的中国古诗文英语翻译，欢迎阅读!中国古诗文英语翻译精选汉乐府----《蜨蝶行》蜨蝶... 我们不能片面地、不加分析地就此作结论，说诗歌翻译只具有艺术性。下面是我带来的中国古诗文英语翻译，欢迎阅读! 中国古诗文英语翻译精选 汉乐府----《蜨蝶行》 蜨蝶之遨游东园， 奈何卒逢三月养子燕， 接我苜蓿间。 持之我入紫深宫中， 行缠之傅欂护间。 雀来燕， 燕子见衔脯来， 摇头鼓翼， 何轩奴轩。 A Butterfly Caught by a Swallow A butterfly, flitting through the eastern garden,

I am caught among the clover By a swallow foraging for her young in spring! She carries me off deep into the purple palace And wheels around the captical of a pillar; Her fledging hop for joy At sight of the food in her break, Craning their needs and eargerly flapping their wings.汉乐府----《冉冉孤生竹》 冉冉孤生竹， 结根泰山阿。 与君为新婚， 菟丝附女萝。 菟丝生有时， 夫妇会有宜。 千里远结婚， 悠悠隔山陂。 思君令人老， 轩车来何迟! 复彼蕙兰花， 含英扬光辉。 过时而不采， 将随秋草萎。

英语论文-中国古典诗词的美感在英译中的体现

中国古典诗词的美感在英译中的体现 中文摘要 中国古典诗词的创作是一门艺术，是意境美、音韵美和形式美的和谐统一。这些美感在其英译中不但不能丧失，而且还要尽量体现。翻译难，译文学作品尤难，译诗更是难上加难。对中国古典诗词的英译，尤其是在再现原文“三美”这方面，其困境早已是译界的共识，尽管如此，译界依然不乏具有研究价值的古典诗词英译的上乘作品。本文就精选一些出自大家手笔的中国古典诗词的译作，并联系一些理论，从多个角度分析原作的意美、音美、形美是如何在其英译中体现的，并结合自己的启迪，将北朝民歌《木兰辞》在原译者的基础上改译，以求进一步体现原作的美感。 关键词：中国古典诗词；美感；英译；体现 Abstract The production of Chinese classic poetry is a kind of art, which contains the beauty of artistic conception, temperament and form. When the Chinese classic poetry is translated into English, the beauty of the poetry is not only to be reserved, but also to be embodied. In terms of the English translation of Chinese classic poetry, the reappearance of the “three beauties” is especially a difficult work, and there are, however, still a lot of valuable English versions of Chinese classic poetry. This paper displays some excellent English versions of Chinese classic poetry by famous translators, and expounds how the “three beauties” are embodied in English translation through deep analysis. And this paper also contains a revised English translation of the classic poem “Mu Lan Ci” to further reappear the beauty. Key words: Chinese classic poetry; beauty; English translation; reappearance 一、引言 诗歌美学认为，诗歌美是由三维组成的复合艺术系统，三维是指意象美、音乐美、绘画美[1](P65)。中国古典诗词更是如此，它形象生动，音调和谐，节奏鲜明，含蓄婉约，耐人寻味，是中华民族文学艺术宝库的精品。而在中国古典诗词的英译方面，林语堂先生在《论翻译》一文中，除了提出翻译的忠实标准和通顺标准外，还着重强调了美的标准。他认为翻译家应当将翻译视为一种艺术，必须兼顾到美感这一方面。笔者十分认同林先生的观点，因为诗的首要条件就是美感。所谓“美感”，就是原文所体现的意境之美、音韵之美和形式之美。也就是许渊冲先生所说的诗词“三美”——意美、音美、形美[2](P68)。而从文艺美学和诗美艺术的角度来看，诗词翻译就是原文审美特质和艺术魅力的再现。本文分别从意美、音美和形美三方面分析和阐述中国古典诗词的美感如何在英译中体现。 二、“三美”在英译中的体现

中国传统文化英语翻译整理新

1.香囊(scented sachet)，古代也称“香袋”，通常是用布缝制或彩色丝线编织的袋子，里面塞满香草(aromatic herbs)。香囊最初用来吸汗、驱虫和避邪。香囊不仅有用，而且可作装饰品。它们的形状和大小各异，有圆形、椭圆形和其他形状。它们通常配有精致的图案，每个图案都象征着特别的含义。例如，双鱼或成对蝴蝶图案象征男女之爱;莲花或牡丹花(peony flower)等图案象征女性;松树和仙鹤图案象征长寿;石榴(guava)图案象征很多孩子。漂亮的香囊不仅是装饰品，而且含有丰富的文化和历史内涵。 翻译：Scented sachets, also called “fragrant bags” in ancient times, are bags usually sewed with cloth or weaved with multicolor silk threads and stuffed with aromatic herbs. The fragrant bags were originally used for absorbing sweat, repelling insects and warding off evils. Scented sachets are not only useful, but also ornamental. They come in different shapes and sizes, such as round, oval and many others. And they are normally decorated with elaborate patterns, with each pattern symbolizing a special instance,a double-fish or double-butterfly pattern smybolizes the love between a man and a woman;patterns like lotus or peony flowers symbolize women;pine and crane patterns symbolize longevity and a guava pattern is the symbol of lots of nice scented sachet is not just an ornament,but more of something that contains cultural and historical richness. 2.中国民间艺术与中国哲学统一于“阴阳(yin-yang)生万物”这一理念。这一理念源于中国原始社会，是对人类的人生感悟的哲学注解。中国人祖先的哲学论断是“近看自己，远观他人”。要理解中华民族民间艺术的原始艺术，这一结论必不可少。人类的本能欲望是生存并通过繁衍(propagation)继续存在。人生来的首要本能是求生，然后是长寿。从原始社会到今天，阴阳和永生的观念始终贯穿中国的社会生活和民族文化。中国民间艺术反映了社会的所有基本哲学理念。 翻译：Chinese folk art and Chinese philosophy are unified in the belief that yin-yang produces all living things in the world. Originated in Chinese primitive society, this was the philosophical explanation of human's perception of life. Chinese ancestors philosophical conclusion was to “look at oneself up close and other creatures from afar”，which is essential to the understanding of the primitive art to the folk art of the nation. To live and to continue life through propagation are the two instinctive desires of human. From birth, a person's first instinct is to survive, and then to live a long life. From primitive society to the present day, the view of yin-yang and perpetual life has permeated in all aspects of social life and the national culture of Chinese folk art reflects all of the basic philosophical concepts. 3.象棋(Chinese chess)两人玩的棋盘游戏，源于春秋战国时期的军事战略。早期的象棋由三部分组成:棋子、骰(dice)和棋盘。现代象棋没有骰子,它在棋子和棋盘方面与古代不同。棋盘有9行宽、10行长，共90个交叉点，构成方形网格 (grid)。棋子在交叉点上落子或移动。对 弈者在棋盘进行象征性的军很战争，部署马匹、战车，根据自己对棋局和游戏规则的理解组织军队。目前，中国象棋已传至全世界，进一步传承、发扬中国传统文化。