人教版高中英语选修6各单元课文原文

选修 6 Un it 1 Art -Readi ng

A SHORT HISTORY OF WESTERN PAINTING

Art is in flue need by the customs and faith of a people. Styles in Western art have eha nged many times. As there are so many differe nt styles of Western art, it would be impossible to describe all of them in such a short text. Con seque ntly, this text will describe only the most important ones, starting from the sixth century AD.

The Middle Ages (5th to the 15th cen tury AD)

During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created feeling of respect and love for God. But it was evident that ideas were cha nging in the 13th cen tury whe n pain ters like Giotto di Bondone bega n to paint religious sce nes in a more realistic way.

The Ren aissa nee (15th to 16th cen tury)

During the Ren aissa nee, new ideas and values graduallv replaced those held in the Middle Ages.People began to concentrate less on religious themes and adopt a more huma ni stic attitude to life. At the same time pain ters returned to classical Roma n and Greek ideas about art. They tried to paint people and n ature as they really were. Rich people wan ted to possesstheir own pain ti ngs, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessi ons as well as their activities and achieveme nts.

One of the most importa nt discoveries duri ng this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his pain ti ngs, they were convin ced that they were look ing through a hole in a wall at a real sce ne. If the roles of perspective had not bee n discovered, no one would have bee n able to paint such realistic pictures. By coin cide nee, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new tech niq ue, we would not be able to see the many great masterpieces for which this period is famous.

Impressio nism (late 19th to early 20th een tury)

In the late 19th century, Europe changed a great deal. from a mostly agricultural society to a mostly in dustrial one. Many people moved from the eoun tryside to the new cities. There were many new inven ti ons and social cha nges. Naturally, these changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and

worked in Paris.

The Impressio nists were the first pain ters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier pain ters. At first, many people disliked this style of painting and became very angr about it. They said that the pain ters were careless and their paintings were ridiculous.

Modern Art (20th cen tury to today)

At the time they were created, the Impressi onist paintings were con troversial, but today they are accepted as the beg inning of what we call "modem art". This is becausethe Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles, but without the Impressionists, many of these painting styles might not exist. On the one hand, some modem art is abstract; that is, the pain ter does not attempt to paint objects as we see them with our eyes, but in stead concen trates on certa in qualities of the object, using colour, li ne and shape to represent them. On the other hand, some paintings of modern art are so realistic that they look like photographs. These styles are so different. Who can predict what painting styles there will be in the future?

THE BEST OF MANHATTANS ART GALLERIES

The Frick Collectio n (5th Ave nue and E.70th Street)

Many art lovers would rather visit this small art gallery than any other in New York. Henry Clay Frick, a rich New Yorker, died in 1919, leav ing his house, furniture and art collection to the American people. Frick had a preference for pre-twentieth century Western paintings, and these are well -represented in this excelle nt collect ion. You can also explore Frick's beautiful home and garde n which are well worth a Visit.

Gugge nheim Museum(5th Ave nue and 88th Street)

This museum owns 5,000 superb modern paintings, sculptures and draw in gs. These art works are not all displayed at the same time. The exhibiti on is always changing. It will appeal to those who love Impressionist and Post-Impressionist paintings. The Guggenheim Museum building is also world-famous. When you walk into gallery, you feel as if you were in side a fragile, white seashell. The best way to see the paintings is to start from the top floor and walk down to the bottom. There are no stairs

just a circular path. The

museum also has an excelle nt restaura nt.

Metropolita n Museum of Art (5th Ave nue and 82nd Street)

The reputation of this museum lies in the variety of its art collection. This covers more than 5,000 years of civilization from many parts of the world, including America, Europe, China, Egypt, other African countries and South America. The museum displays more tha n just the visual delights of art. It in troduces you to ancient ways of living. You can visit an Egyptian temple, a fragrant Ming garden, a typical room in an 18th cen tury French house and many other special exhibiti ons.

Museum of Modern Art (53 rd Street, between 5th and 6th Ave nues)

It is amazing that so many great works of art from the late 19th century to the 21st century are housed in the same museum. The collection of Western art includes paintings by such famous artists as Monet, Van Gogh, Picasso and Matisse. A few words of warning: the admissi on price is not cheap and the museum is ofte n very crowded.

Whit ney Museum of America n Art (945 Madis on Ave nue, n ear 75th Street) The Whit ney holds an excelle nt collecti on of con temporary America n painting and sculpture. There are no permanent displays in this museum and exhibitions change all the time. Every two years, the Whitney holds a special exhibiti on of new art by liv ing artists. The museum also shows videos and films by con temporary video artists.

选修 6 Unit 2 Poems-Reading

A FEW SIMPLE FORMS OF ENGLISH POEMS

There are various reas ons why people write poetry. Some poems tell a story or describe somethi ng in a way that will give the reader a strong impressi on. Others try to con vey certa in emoti ons. Poets use many differe nt forms of poetry to express themselves. In this text, however, we will look at a few of the simpler forms.

Some of the first poetry a young child lear ns in En glish is nu rsery rhymes. These rhymes like the one on the right (A) are still a com mon type of childre n's poetry. The Ian guage is con crete but imag in ative, and they delight small childre n because they rhyme, have strong rhythm and a lot of repetition. The poems may not make sense and eve n seem con tradictory, but they are easy to lear n and recite. By play ing with

the words in nu rsery rhymes, childre n lear n about la nguage.

A Hush, little baby, don't say a word, Papa's going to buy you a mock in gbird. If that mockingbird won't sing, Papa's going to buy you a diamond ring. If that diamond ring turns to brass, Papa's going to buy you a looking-glass. If that looking -glass gets broke, Papa's going to buy you a billy-goat. If that billy -goat runs away, Papa's going to buy you another today.

One of the simplest kinds of poems are those like B and C that list things. List poems have a flexible line length and repeated phrases which give both a pattern and a rhythm to the poem. Some rhyme (like B) while others do not (like C). B I saw a fish-portal all on fire

I saw a fish-pond all on fire,

I saw a house bow to a squire,

I saw a person twelve-feet high,

I saw a cottage in the sky,

I saw a balloon made of lead,

I saw a coffin drop down dead,

I saw two sparrows run a race, I saw two horses making lace, I saw g girl just

like a cat, I saw a kitten wear a hat, I saw a man who saw these too,

And said though strange they all were true.

C Our first football match We would have won ...

if Jack had scored that goal,

if we'd had just a few more minutes,

if we had trained harder,

if Ben had passed the ball to Joe,

if we'd had thousands of fans screaming,

if I hadn't taken my eye off the ball,

if we hadn't stayed up so late the night before,

if we hadn't taken it easy, if we hadn't run out of energy.

We would have won ... if we'd been better!

Another simple form of poem that students can easily write is the cinquain, a poem made up of five lines. With these, students can convey a strong picture in just a few words. Look at the examples (D and E) on the top of the next page.

D Brother Beautiful, athletic Teasing, shouting, laughing Friend and enemy too Mine

E Summer Sleepy, salty Drying, drooping, dreading Week in, week out Endless

F A fallen blossom Is coming back to the branch. Look, a butterfly!

( by Moritake) G Snow having melted, The whole village is brimful Of happy children.

(by Issa)

Haiku is a Japa nese form of poetry that is made up of 17 syllables. It is not a traditional form of English poetry, but is very popular with English writers. It is easy to write and, like the cinquain , can give a clear picture and create a special feeling using the minimum of words. The two haiku poems (F and G) above are tran slatio ns from the Japa nese.

H Where she awaits her husband On and on the river flows. Never looking back,Tra nsformed in to ston e.Day by day upon the moun tai n top,wi nd and rain revolve.Should the traveller return,this stone would utter speech.,

(by Wang Jia n)

Did you know that English speakers also enjoy other forms of Asian poetry -Tang poems from Chi na in particular? A lot of Tang poetry has bee n tran slated into English. This Tang poem (H) is a translation from the Chinese.

With so many different forms of poetry to choose from, students may eventually want to write poems of their own. It is easier than you might think and certa inly worth a try!

I'VE SAVED THE SUMMER

rve saved the summer

And I give it all to you

To hold on win ter mornings

Whe n the snow is n ew.

rve saved some sun light

If you should ever n eed

A place away from dark ness Where your mind can feed.

And for myself「ve kept your smile Whe n you were but nin etee n, Till you're older

you'll not know What brave young smiles can mean.

I know no an swers

To help you on your way

The an swers lie somewhere

At the bottom of the day.

But if you've a n eed for love ril give you all l own

It might help you dow n the road

Till you've found your own.

(by Rod McKue n)

选修 6 Unit 3 A healthy life -Reading

ADVICE FROM GRANDAD

Dear James,

It is a beautiful day here and I am sitting under the big tree at the end of the garden. I have just returned from a long bike ride to an old castle. It seems amazing that at my age I am still fit eno ugh to cycle 20 kilometres in an after noon. It's my birthday in two weeks time and I'll be 82 years old! I think my long and active life must be due to the healthy life I live.

This brings me to the real reason for my letter, my dear grandson. Your mother tells me that you started smoking some time ago and now you are finding it difficult to give it up. Believe me, I know how easy it is to begin smoking and how tough it is to stop. You see, duri ng adolesce nee I also smoked and became addicted to cigarettes. By the way, did you know that this is because you become addicted in three different ways? First, you can become physically addicted to nicotine, which is one of the hundreds of chemicals in cigarettes. This means that after a while your body becomes accustomed to having nicotine in it. So when the drug leaves your body, you get withdrawal symptoms. I remember feeling bad-tempered and sometimes even in pain. Secon dly, you become addicted through habit. As you kno w, if you do the same thing over and over aga in, you beg in to do it automatically. Lastly, you can become men tally addicted. I believed I was happier and more relaxed after hav ing a cigarette, so I bega n to think that I could only feel good whe n I smoked. I was addicted in all three ways, so it was very difficult to quit. But I did fin ally man age.

Whe n I was youn g, I did n't know much about the harmful effects of smok in g. I did n't know, for example, that it could do terrible damage to your heart and lungs or that it was more difficult for smok ing couples to become preg nan t. I certa inly did n't know their babies may have a smaller birth weight or even be abnormal in some way. Neither did I know that my cigarette smoke could affect the health of non -smokers. However, what I did know was that my girlfriend thought I smelt terrible. She said my breath and clothes smelt, and that the ends of my fin gers were tur ning yellow. She told me that she would n't go out with me aga in uni ess I stopped! I also no ticed that I became breathless quickly, and that I wasn't enjoying sport as much. Whe n I was taken off the school football team becauseI was unfit, I knew it was time to quit smok ing.

I am sending you some advice I found on the Intern et. It might help you to stop and stre ngthe n your resolve. I do hope so because I want you to live as long and healthy a life as I have.

Love from

Gran dad

Readi ng and discuss ing

Before you read the poster below, discuss what you know about HIV/AIDS with your classmates. Make a list of words that you might come across in this poster.

HIV/AIDS:ARE YOU AT RISK?

HIV is a virus. A virus is a very small living thing that causes disease. There are many different viruses, for example, the flu virus or the SARS virus. HIV weakens a person's immune system; that is, the part of the body that fights disease. You can have HIV in your blood for a long time, but eventually HIV will damage your immune system so much that you body can no Ion ger fight disease. This stage of the illness is called AIDS. If you develop AIDS, your chances of survival are very small.

HIV is spread through blood or the fluid that the body makes duri ng sex. For a person to become infected, blood or sexual fluid that carries the virus, has to get in side the body through broke n ski n or by in jecti on. One day scie ntists will find a cure for HIV/AIDS.

Un til that happe ns, you n eed to protect yourself. Here are some thi ngs you can do to make sure you stay safe.

If you inject drugs: do not share your n eedle with anyone else. Blood from ano ther pers on can stay on or in the needle. If a person has HIV and you use the same needle, you could inject the virus into your own blood.

do not share anything else that a pers on has used while inject ing drugs.Blood could have spilt on it.

If you have sex with a male or a female:

use a con dom. This will preve nt sexual fluid pass ing from one pers on to ano ther. The followi ng stateme nts are NOT true.

A person cannot get HIV the first time they have sex.WRONG. If one sexual partner has HIV the other part ner could become in fected.

You can tell by look ing at some one whether or not they have HIV.WRONG. Many people carrying HIV look perfectly healthy. It is only when the disease has progressed to AIDS that a pers on beg ins to look sick.

Only homosexuals get AIDS.WRONG. Anyone who has sex with a pers on in fected with H1V/AIDS risks getting the virus. Women are slightly more likely to become in fected tha n men.

If you hug, touch or kiss some one with AIDS or visit them in their home, you will get HIV/AIDS.WRONG.You can only get the disease from blood or sexual

fluid.Unfortunately, people with HIV sometimes lose their friends because of prejudice.Many people are afraid that they will get HIV/AIDS from those infected with HIV!AIDS. For the same reason, some AIDS patients cannot find anyone to look after them whe n they are sick.

You can get HIV/AIDS from mosquitoes.WRONG. There is no evidenee of this.

(完整版)新课标人教版高中英语选修6单词-中文

选修六 Unit 1 1.adj. 现实主义的；逼真的；现实的 2.adj. 抽象的；深奥的n. 摘要 3.n. 雕塑 4.n. 雕刻家；雕塑家 5.n. 美术陈列室；画廊 6.n. 信任；信心；信念 7.adv. 忠实地 8.adv. 所以；因而 9.n. 目标；目的vi. & vt. 瞄准；（向某方向）努力 10.adj. 常规的；传统的；因循守旧的 11.adj. 典型的；有代表性的 12.adj. 明显的；明白的 13.n. 新生；复兴；复活 14.vt. 采用；采纳；收养 15.adj. 人道主义的 16.vt. 拥有；具有；支配 17.n. （尤作复数）所有；财产 18.adj. 卓越的；杰出的；极好的 19.n. 透视画法；透视图；观点 20.n. 技术；方法；技能 21.n. 巧合（的事）；（事情、口味、故事等）相合 22.巧合地 23.n. 杰作；名著 24.n. 印象主义；印象派 25.adj. 印象派的 n.印象派艺术家 26.adj. 后印象派的n. 后印象派艺术家 27.大量28.n. 阴影；影子 29.adj. 荒谬的；可笑的 30.adj. 争论的；争议的 31.n. 努力；尝试；企图vt. 尝试；企图 32.（可是）另一方面 33.vt. 预言；预告；预测 34.n. 风景；景色 35.adj. 确切的；特定的 36.n. 画像；身材；数字 37.n. 黏土 38.n. 评论家；批评者 39.n. 青铜；青铜色；青铜制艺术品 40.n. 大理石 41.vt. 雕刻；刻记 42.adj. 脆弱的；容易生病的；精致的 43.n. 帆布；画布 44.n. 咖啡馆；小餐馆 45.adj. 过敏性的；对……过敏的 46.adv. 有效地 47.n. 展览；陈列；展览会 48.adj.敢做敢为的;侵略的；好斗的 49.n. 学者 50.n. 肉；肌肉；肉体 51.活着的；本人 52.n. 几何学 53.n. 束；串 54.n. 林荫道；道路；大街 55.n. 喜爱；偏爱

人教版高中英语选修6各单元课文原文

选修6 Unit 1 Art-Reading A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones, starting from the sixth century AD. The Middle Ages (5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance (15th to 16th century) During the Renaissance, new ideas and values graduallv replaced those held in the Middle Ages.People began to concentrate less on religious themes and adopt a more humanistic attitude to life. At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess t heir own paintings, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the roles of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism (late 19th to early 20th century) In the late 19th century, Europe changed a great deal. from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes. Naturally, these changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worked in Paris.

(vip专享)【人教版】高中英语选修6课文逐句翻译【Word版,15页】

1.选修六Unit1 A SHORT HISTORY OF WESTERN PAINTING 西方绘画艺术简史 Art is influenced by the customs and faith of a people. 艺术是受着人民生活习俗和信仰的影响的. Styles in Western art have changed many times. 西方的艺术风格经历了多次变革. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. 由于西方的艺术风格多种多样, 在短短的一篇课文里不可能进行全面的描述. Consequently, this text will describe only the most important ones, starting from the sixth century AD. 因此,本文只谈及从公元6世纪以来最主要的几种艺术风格. The Middle Ages (5th to the 15th century AD) 中世纪(公元5世纪到15世纪) During the Middle Ages, the main aim of painters was to represent religious themes. 在中世纪,画家的主要任务是把宗教的主题表现出来. A conventional artist of this period was not interested in showing nature and people as they really were. 一个传统的艺术家无意于如实地展现自然和人物. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. 那个时期的典型的绘画充满了宗教的(象)特征,体现出了对上帝的爱戴与敬重. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way.但是,很显然到了13世纪时,观念发生变化,像乔托這样的画家开始以一种比较现实的风格来画宗教场景. The Renaissance (15th to 16th century) 文艺复兴时期( 15世纪到16世纪) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages.

英语选修六课文翻译

人教版英语选修六课文翻译 Unit 1 A Short History Western Painting 西方绘画艺术简史 西方艺术风格变化较大，而中国艺术风格变化较小。人们的生活方式和信仰影响了艺术。中国和欧洲不同，生活方式在长时间里相似。西方艺术丰富多彩，仅凭一篇短短的课文难以描述全面。所以，本篇课文仅描述了从公元5世纪开始的几种主要风格。 中世纪（公元5 世纪到15 世纪） 在中世纪，画家的主要任务是表现宗教主题。艺术家们并没有把兴趣放在呈现人和自然的真实面貌上，而是着力于体现对上帝的爱戴和敬重。因此，这段时期的绘画充满着宗教的信条。到13 世纪时，情况已经开始发生变化，像乔托这样的画家以比较现实的风格来画宗教场景。 文艺复兴时期(15 世纪到16 世纪) 在文艺复兴时期，新的思想和价值观取代了中世纪的那一套，人们开始更关心人而不是宗教。画家们回到了罗马、希腊的艺术理论上。他们尽力地画出人和自然的真实面貌。富人们想为自己的宫殿和豪宅收藏艺术品，他们高价聘请著名艺术家来为自己画画，画自己的房屋和其他财物，画他们的活动，画他们的成就。在这个阶段，最重要的发现之一是如何用透视法来画出事物的形象。在1428 年，马萨乔成为第一个在绘画中使用透视方法的人，当人们第一次看到他的画

时，还以为是透过墙上的小孔，来观看真实的情景，并对此深信不疑。如果没有透视法，人们就不可能画出如此逼真的画，在文艺复兴时期，油画也得到了发展，它使得色彩看上去更丰富，更深沉。 印象派时期(19 世纪后期到20世纪初期) 19 世纪后期，欧洲发生了巨大的变化，从以农业为主的社会变成了以工业为主的社会。许多人从农村迁入城市。有着大量的新发明，还有许多社会变革。这些变革也自然而然地导致了绘画风格上的变化。那些打破传统画法的人有在巴黎生活和工作的印象派画家。 印象派画家是第一批室外写生的艺术家。他们想把一天中不同时间投射到物体上的光线和阴影画出来。由于自然光的变化很快，所以，印象派画家必须很快地作画。因此，他们的画就不像以前那些画家的画那样细致了，起初，多数人都看不惯这种新式画法，甚至还非常生气。他们说这些画家作画时心不在焉，粗枝大叶，他们的作品更是荒唐。 现代艺术(20 世纪至今) 在印象派作品的创建初期，他们存在争议。但是，现在已经被人们接受，并且成为现在所说的“现代艺术”的始祖。如今，现代艺术已有几十多种，如果没有印象派艺术，也就没有那么多不同的风格，印象派画家帮助艺术家们用新的方法来观察环境和艺术。有些现代艺术是抽象的，也就是说，画家并不打算把我们的眼睛看到的东西如实地画出来，而是集中体现某些物体的某些品质和特征，用色彩、线条和形状把它们呈现出来。另一方面，有些现代派的艺术作品太逼真了，

新课标高中英语选修6课文-第一单元reading翻译

西方绘画艺术简史 艺术是受一个民族的风俗和信仰影响。西方艺术风格经历了多次变革。因为西方艺术多种多样，在短短的一篇课文里不可能进行全面的描述。因此，本书只谈及从公元六世纪开始以来最重要的几种艺术风格。 中世纪(5到15世纪) 在中世纪时期,画家的主要目的是把宗教主题表现出来。这一时期传统的艺术家无意于如实地展现自然和人物。这时的典型绘画充满了宗教的特征，体现出了对上帝的爱戴和敬重。但是，13世纪时绘画观念在改变是显而易见的，像乔托这样的画家开始以一种更现实的方式来画宗教场景。 文艺复兴时期（15世纪到16世纪） 在文艺复兴时期,新的思想和价值观逐渐取代了中世纪的思想和价值观。人们开始较少关注宗教主题而采取一种更人性化的生活态度。同时画家们回到罗马、希腊的古典艺术理念上。他们力争如实画出人物和自然。富人们想拥有自己的艺术品，这样就可以装饰自己的高级宫殿和豪宅。他们出价聘请著名艺术家不仅让他们画他们的活动和成就，还要他们画自己的肖像、房子和所有物。 在此期间，最重要的发现之一就是如何用透视法来画出事务。这一手法是1428年由马萨乔第一次使用的。当人们第一次看到他的画时，还以为是透过墙上的小洞来观看真实的场景，并对此深信不疑。如果没有发现透视法，就没有人能画出如此逼真的画。巧合的是，这一时期油画颜料也得到了发展，使得绘画的色彩看上去更丰富、更深沉。没有新的颜料和新的手法，我们就不能看到很多使这一时期著名的杰作。 印象派(19世纪后期到20世纪初期) 19世纪后期，欧洲发生了巨大的变化，从以农业为主的社会转变成了以工业为主的社会。许多人从农村迁入到新城市。有许多新发明和社会变革。这些变革也自然地促成了新的绘画风格。在那些突破传统画法的画家中有生活和工作在法国巴黎的印象派画家。 印象派画家是第一批室外写景的画家。他们急切地想把一天中不同时间投射到物体上的光线和阴影呈现出来。然而由于自然光的变化很快，印象派画家们必须很快地作画，因此，他们的画就不像以前那些画家们的画那样细致了。起初，很多人不喜欢这种画法，甚至还怒不可遏。他们说这些画家作画时漫不经心，粗枝大叶，而他们的作品更是荒谬可笑。 现代艺术(20世纪到今天) 在印象派作品的创建初期，他们是存在着争议的，但是如今已经被人们接受而成为我们现在所说的“现代艺术”的始祖了。这是因为印象派鼓励画家用一种崭新的视角看待他们的环境。如今，现代艺术风格有好几十种，然而如果没有印象派，那么这许多不同的风格也许就不可能存在。一方面，有些现代艺术是抽象的，也就是说，画家并不打算把我们眼睛看到的东西如实地画出来，而是集中展现物体的某些品质特征，用色彩、线条和形状把它们呈现出来。而另一方面，有些现代派的艺术作品却是那么真实，看上去就像是照片。这些风格如此不同。谁能预言将来会有什么样的绘画风格？

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高中英语选修6 Unit 1 A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life. At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal, from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worked in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepted as the beginning of what we call "modern art". This is because the

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人教版英语选修6课文原文及课文译文 Unit 1 Art 第一单元艺术 Reading A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on

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选修六 Unit 1 △realistic adj. 现实主义的；逼真的；现实的abstract adj. 抽象的；深奥的n. 摘要 sculpture n. 雕塑 △sculptor n. 雕刻家；雕塑家 gallery n. 美术陈列室；画廊 faith n. 信任；信心；信念 faithfully adv. 忠实地 △consequently adv. 所以；因而 aim n. 目标；目的vi. & vt. 瞄准；（向某方向）努力 conventional adj. 常规的；传统的；因循守旧的typical adj. 典型的；有代表性的 evident adj. 明显的；明白的 △Giotto di Bondone 乔托（意大利画家、雕刻家、建 筑师） △renaissance n. 新生；复兴；复活 △the Renaissance 文艺复兴（时期） adopt vt. 采用；采纳；收养 △humanistic adj. 人道主义的 possess vt. 拥有；具有；支配 possession n. （尤作复数）所有；财产 superb adj. 卓越的；杰出的；极好的 △perspective n. 透视画法；透视图；观点technique n. 技术；方法；技能 △Masaccio 马萨乔（意大利画家） coincidence n. 巧合（的事）；（事情、口味、故事 等）相合 by coincidence 巧合地 △masterpiece n. 杰作；名著 △impressionism n. 印象主义； 印象派△impressionist adj. 印象派的n. 印象派艺术家 △post-impressionist adj. 后印象派的n. 后印象派 艺术家 a great deal 大量 shadow n. 阴影；影子 ridiculous adj. 荒谬的；可笑的 controversial adj. 争论的；争议的 attempt n. 努力；尝试；企图vt. 尝试；企图 on the other hand (可是)另一方面 predict vt. 预言；预告；预测 △landscape n. 风景；景色 specific adj. 确切的；特定的 figure n. 画像；身材；数字 clay n. 黏土 △critic n. 评论家；批评者 △bronze n. 青铜；青铜色；青铜制艺术品 marble n. 大理石 △Mona Lisa 蒙娜丽莎（达芬奇所作的一幅著名肖像 画） △Leonardo da Vinc i 列奥纳多?达?芬奇（意大利著名 画家） carve vt. 雕刻；刻记 delicate adj. 脆弱的；容易生病的；精致的 △Michelangelo 米开朗基罗（意大利文艺复兴雕刻家、 画家、建筑师和诗人） △canvas n. 帆布；画布 △Picasso 毕加索（西班牙画家） cafén. 咖啡馆；小餐馆 allergic adj. 过敏性的；对……过敏的 △effectively adv. 有效地 exhibition n. 展览；陈列；展览会 aggressive adj. 敢作敢为的；侵略的；好斗的 scholar n. 学者 flesh n. 肉；肌肉；肉体 in the flesh 活着的；本人 △Matisse 马蒂斯（法国画家） geometry n. 几何学 bunch n. 束；串 △ Manhattan n. 曼哈顿岛；曼哈顿区（纽约市中心） avenue n. 林荫道；道路；大街 preference n. 喜爱；偏爱 △Guggenheim Museum 古根海姆博物馆 △display vt. 展示；陈列；显露 appeal vi. 有感染力；呼吁；求助vt. 将……上诉 n. 呼吁；恳求 appeal to （对某人）有吸引力；（使某人）感兴趣 fragile adj. 精细的；易碎的；脆弱的 △circular adj. 圆形的；环形的；循环的 △metropolitan adj. 主要都市的；大城市的 reputation n. 名声；名誉 civilization n. 文明；文化；文明社会 Egypt n. 埃及（东北非国家） Egyptian adj. 埃及的；埃及人的 visual adj. 视觉的；看得见的 fragrant adj. 香的；令人愉快的 △Monet 莫奈（法国画家） △Whitney 惠特尼 △Madison n. 麦迪逊 contemporary adj. 当代的； 同时代的 permanent adj. 永久的；持久的 district n. 区；区域；行政区 committee n. 委员会 signature n. 署名；签字 Unit 2 △poetry n. 诗（总称）；诗意 tick vt. 给……标记号

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人教版英语选修六课 文原文

Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is