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西安旅游景点英文介绍

西安旅游景点英文介绍
西安旅游景点英文介绍

西安旅游景点英文介绍

大雁塔Great Wild Goose Pagoda

小雁塔Small Wild Goose Pagoda

秦始皇兵马俑博物馆

Museum of Emperor Qinshihuang’s Tomb Figures of Soldiers and Horses

秦始皇陵The Tomb of Emperor Qinshihuang

黄帝陵The Huangdi Tomb

鼓楼 The Drum Tower

钟楼The Bell Tower

西安城墙The Xi’an Circumvallation

华清池The Huaqing Pond

乾陵 The Qian Tomb

法门寺The Famen Temple

黄河壶口瀑布The Huanghe Hukou Waterfall

大唐芙蓉园Lotus palace of Tang Dynasty

秦始皇陵兵马俑英文导游辞

Emperor Qin Shihuang's Mausoleum and the Terra-cotta Warriors and Horses Museum

Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China's history.

In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China's dynasties had continued to call themselves Huang Di, the emperor.

After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China's 2,000 year old feudal society.

Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty's history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China's ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those

events were later called in history “the burning of books and the burying of Confucian scholars.”

Emperor Qin Shihuang, for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

Emperor Qin Shihuang's Mausoleum has not yet been excavated. What looks like inside could only be known when it is opened. However, the three pits of the terra-cotta warrior excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang's Mausoleum was.

No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.

No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep, covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.

No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters

high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirrups.

No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang's strong determination of wiping out the six states and unifying the whole country.

The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasty. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the

terra-cotta figures have been burnt and have gone through the natural process of decay, we can't see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of themes are still very sharp; analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty's metallurgical technology and weapon-manufacturing technique already reached quite a high level.

In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang's Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 pieces of gold and silvers and

decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang's soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.

No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years' careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.

大雁塔英文导游词

As the symbol of the old-line Xian, Big Wild Goose Pagoda is a well-preserved ancient building and a holy place for Buddhists. It is located in the southern suburb of Xian City, about 4 kilometers (2.49 miles) from the downtown of the city. Standing in the Da Ci'en Temple complex, it attracts numerous visitors for its fame in the Buddhist religion, its simple but appealing style of construction, and its new square in front of the temple. It is rated as a National Key Cultural Relic Preserve as well as an AAAA Tourist Attraction.

This attraction can be divided into three parts: the Big Wild Goose Pagoda, the Da Ci'en Temple, and the North Square of Big Wild Goose Pagoda.

Big Wild Goose Pagoda

Originally built in 652 during the reign of Emperor Gaozong of the Tang Dynasty (618-907), it functioned to collect Buddhist materials that were taken from India by the hierarch Xuanzang.

Xuanzang started off from Chang'an (the ancient Xian), along the Silk Road and through deserts, finally arriving in India, the cradle of Buddhism. Enduring 17 years and traversing 100 countries, he obtained Buddha figures, 657 kinds of sutras, and several Buddha relics. Having gotten the permission of Emperor Gaozong (628-683), Xuanzang, as the first abbot of Da Ci'en T emple, supervised the building of a pagoda inside it. With the support of royalty, he asked 50 hierarchs into the temple to translate Sanskrit in sutras into Chinese, totaling 1,335 volumes, which heralded a new era in the history of translation. Based on the journey to India, he also wrote a book entitled 'Pilgrimage to the West' in the Tang Dynasty, to which scholars attached great importance.

First built to a height of 60 meters (197 feet) with five stories, it is now 64.5 meters (211.6 feet) high with an additional two stories. It was said that after that addition came the saying-'Saving a life exceeds building a seven-storied pagoda'. Externally it looks like a square cone, simple but grand and it is a masterpiece of Buddhist construction. Built of

brick, its structure is very firm. Inside the pagoda, stairs twist up so that visitors can climb and overlook the panorama of Xian City from the arch-shaped doors on four sides of each storey. On the walls are engraved fine statues of Buddha by the renowned artist Yan Liben of the Tang Dynasty. Steles by noted calligraphers also grace the pagoda.

As for the reason why it is called Big Wild Goose Pagoda, there is a legend. According to ancient stories of Buddhists, there were two branches, for one of which eating meat was not a taboo. One day, they couldn't find meat to buy. Upon seeing a group of big wild geese flying by, a monk said to himself: 'Today we have no meat. I hope the merciful Bodhisattva will give us some.' At that very moment, the leading wild goose broke its wings and fell to the ground. All the monks were startled and believed that Bodhisattva showed his spirit to order them to be more pious. They established a pagoda where the wild goose fell and stopped eating meat. Hence it got the name 'Big Wild Goose Pagoda'.

Da Ci'en Temple

Da Ci'en Temple is the home of Big Wild Goose Pagoda. In 648, to commemorate the dead virtuous queen, royalty ordered the building of a temple named 'Ci'en' (Mercy and Kindness), for which the status and scale far exceeded all others. Today, with an area of 32,314 square meters (38,648.5 square yards), one seventh of the original area, it still retains its grandeur.

Before the temple, there stands a statue of hierarch Xuanzang, the meritorious hierarch. Walking on and across a small bridge, visitors will see the gates of the temple. With guarding lions, the temple seems stately for lions were said to function as talismans.

Entering the temple you will see two buildings-Bell Tower in the east and Drum T ower in the west. Inside the Bell Tower hangs an iron bell 15 tons (14.76 gross tons) in weight. It was molded in 1548 in the Ming Dynasty (1368-1644). Along the central axis are arranged the Hall of Mahavira, Sermon Hall, Big Wild Goose Pagoda, and the Hall of Xuanzang Sanzang. In the Hall of Mahavira are three carved statues of Sakyamuni, and 18 arhats as well as Xuanzang. The Sermon Hall is where Buddhist disciples would listen to a sermon.

A bronze statue of Amitabha is dedicated and a Buddha statue is collected by Xuanzang as oblation. The Hall of Xuanzang Sanzang is north of Big Wild Goose Pagoda. In this hall are Xuanzang's relic and a bronze statue of a seated Xuanzang. The inner wall is chiseled with murals depicting this hierarch's story. Renowned as the contemporary Dunhuang Buddhist storehouse praised by UNESCO, it is the biggest memorial of Xuanzang.

North Square of Big Wild Goose Pagoda

Surrounding Big Wild Goose Pagoda, the scenery is also quite charming, especially the square north of the Da Ci'en Temple. Covering about 110,000 square meters (131563 square yards) plus 20,000 square meters (23920.6 square yards) of water area, it holds many records: in Asia, it is the biggest Tang-culture square, the biggest fountain and

waterscape square, and the largest-scale sculptures area. In the world, it has the most benches, the longest light-belt, and the largest-scale acoustic complex.

The entire square is composed of waterscape fountains, a cultural square, gardens and tourist paths. There you can taste real Chinese culture and traditions and fully enjoy the truly attractive views. With reliefs on the theme of the prosperous T ang Dynasty, 200-meter-long (656-foot-long) sculpture groups, 8 groups of sculpted figures, 40 relievos on the land, and 22 styles of musical fountains, it has become a must-see when you visit Big Wild Goose

西安著名景点英文简介

西安及周边着名景点英语简介 西安几大着名旅游景点介绍(英文) 大雁塔Great Wild Goose Pagoda 小雁塔Small Wild Goose Pagoda 秦始皇兵马俑博物馆Museum of Emperor Qinshihuang’s Tomb Figures of Soldiers and Horses 秦始皇陵The Tomb of Emperor Qinshihuang 鼓楼The Drum Tower 钟楼The Bell Tower 西安城墙The Xi’an Circumvallation 华清池The Huaqing Pond 法门寺The Famen Temple 黄河壶口瀑布The Huanghe Hukou Waterfall 大唐芙蓉园Lotus palace of Tang Dynasty 大雁塔Xi'an: Big Wild Goose Pagoda (Dayanta) The Big Wild Goose Pagoda (Dayan Ta),is a Buddhistpagoda built in 652 AD during the Tang Dynasty and originally had five original construction of rammed earth with a stone exterior facade eventually collapsed five decades later but was rebuilt by Empress Wu Zetian in 704AD who added five more stories. A massive earthquake in 1556 heavily damaged the pagoda and reduced it by three stories to its current height of seven stories One of the pagoda's many functions was to hold sutras and figurines of the Buddha that were brought to China from Indiaby Xuanzang, a famous Chinese Buddhist monk, scholar, traveler, and is a prominent Buddhist figure mostly known for his seventeen year overland trip to India and back, which is recorded in detail in his autobiography and a biography, and which provided the inspiration for the epic novel “Journey to the West”. The pagoda is built on the premises of the Temple of Great Maternal Grace (Da Ci'en), originally built in 589 AD and then rebuilt 647 AD by the Tang Emperor Gaozong in memory of his mother EmpressWende. Before the gates of the temple stands a statue of Xuanzang. 大雁塔北广场North Square of Big Wild Goose Pagoda Surrounding Big Wild Goose Pagoda, the scenery is also quite charming, especially the square north of the Da Ci'en Temple. Covering about 110,000 square meters (131563 square yards) plus 20,000 square meters square yards) of water area, it holds many records: in Asia, it is the biggest Tang-culture square, the biggest fountain and waterscape square, and the largest-scale sculptures area. In the world, it has the most benches, the longest light-belt, and the largest-scale acoustic complex. The entire square is composed of waterscape fountains, a cultural square, gardens and tourist paths. There you can taste real Chinese culture and traditions and fully enjoy the truly attractive views. With reliefs on the theme of the prosperous Tang Dynasty, 200-meter-long (656-foot-long) sculpture groups, 8 groups of sculpted figures, 40 relievos on the land, and 22 styles of musical fountains, it has become a must-see when you visit Big Wild Goose 秦始皇兵马俑The Museum of Qin Terra-cotta Warriors and Horses One of the most significant archaeological finds in the world, this 16,300-square-meter excavation reveals more than 7,000 life-size terracotta figures of warriors and horses arranged in battle formations. (3 pits) The terracotta warriors and horses, created about 2,200 years ago, were found in 1974 on the east side of the tomb of the First Emperor Qin Shihuang (259 BC - 210 BC) near Xi'an. Emperor Qin Shihuang had Ying as his surname and Zheng as his given name. In 221 ., when he unified the whole country, named himself Shihuang Di and carried on the

西安旅游景点英文介绍

大雁塔Great Wild Goose Pagoda 小雁塔Small Wild Goose Pagoda 秦始皇兵马俑博物馆 Museum of Emperor Qinshihuang’s Tomb Figures of Soldiers and Horses 秦始皇陵The Tomb of Emperor Qinshihuang 黄帝陵The Huangdi Tomb 鼓楼 The Drum Tower 钟楼The Bell Tower 西安城墙The Xi’an Circumvallation 华清池The Huaqing Pond 乾陵 The Qian Tomb 法门寺The Famen Temple 黄河壶口瀑布The Huanghe Hukou Waterfall 大唐芙蓉园Lotus palace of Tang Dynasty Terra-cotta warriors -- Qin Dynasty 秦始皇兵马俑 The Silk Road 丝绸之路 Big and Little Goose Pagodas 大小雁塔 Shaanxi is one of civilized important , all together China headstream, as far back as having

Lantian Man to grow work here right away in the front for 1000000 years, starting from the 11th century B.C., successively have 13 in history dynasty found a capital here. Shaanxi Province field of being that our country cultural relics and historic sites gathers together , name of having "the natural history museum ": Acient Chang An county City historical remains, are known as eighth Shaanxi not only cultural relics and historic sites is a lot of , but also natural scene is beautiful: Have precipitous West Hua Mountain and Lin Tong Mt. black horse intelligent and elegant; Huanghe River kettle mouth waterfall having rapids to surge; Still have the organism's habits tourist area giving first place to protecting a giant panda waiting for a rare animal. Not only northern Shaanxi highland be Chinese revolution base area , but also be Shaanxi folk custom local manners and feelings headstream: Shaanxi opera loud and sonorous , vehement gong and drum , consummate paper-cut and extremely rich life breath peasant painting etc. , the sight having

各国旅游景点名胜古迹的英语介绍

虽然是在网站上找的,但是还是费了不少的力,希望对你有帮助那我的辛苦也就没有白费了! 1.自由女神像介绍: Out of all of America's symbols, none has proved more enduring or evocative than the Statue of Liberty. This giant figure, torch in hand and clutching a stone tablet, has for a century acted as a figurehead for the American Dream; indeed there is probably no more immediately recognizable profile in existence. It's worth remembering that the statue is - for Americans at least - a potent reminder that the USA is a land of immigrants: it was New York Harbor where the first big waves of European immigrants arrived, their ships entering through the Verrazano Narrows to round the bend of the bay and catch a first glimpse of "Liberty Enlightening the World" - an end of their journey into the unknown, and the symbolic beginning of a new life. These days, although only the very wealthy can afford to arrive here by sea, and a would-be immigrant's first (and possibly last) view of the States is more likely to be the customs check at JFK Airport, Liberty remains a stirring sight, with Emma Lazarus's poem, The New Colossus, written originally to raise funds for the statue's base, no less quotable than when it was written……Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep ancient lands, your storied pomp!" cries she With silent lips."Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse to your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door." The statue, which depicts Liberty throwing off her shackles and holding a beacon to light the world, was the creation of the French sculptor Frédéric Auguste Bartholdi, who crafted it a hundred years after the American Revolution in recognition of solidarity between the French and American people (though it's fair to add that Bartholdi originally intended the statue for Alexandria in Egypt). Bartholdi built Liberty in Paris between 1874 and 1884, starting with a terracotta model and enlarging it through four successive versions to its present size, a construction of thin copper sheets bolted together and supported by an iron framework designed by Gustave Eiffel. The arm carrying the torch was exhibited in Madison Square Park for seven years, but the whole statue wasn't officially accepted on behalf of the American people until 1884, after which it was taken apart, crated up and shipped to New York.

中国著名旅游景点英文介绍(同名8903)

中国著名旅游景点英文介绍 1. The Great wall The Great Wall, located in northern China, is 6,700 kilometers long and thus known as the “10,000-li Great Wall”. Construction of the wall went on for more than 2,000 years, from 7th century to 14th century AD. The wall has b ecome a symbol of both China’s proud history and its present strength. 2. The Palace Museum The Palace Museum, also called the Forbidden City, is located in the center of Beijing. The imperial palace used by emperors of the Ming and Qing Dynasties is the largest and most complete ancient wooden-structure building in the world. Construction of the Forbidden City started in 1406 and lasted 14 years. 24 emperors were enthroned there. 3. Zhoukoudian: Home of the Peking Man Remains of the Peking Man (homo erectus) are located on the Dragon Bone Hill at Zhoukoudian Village, Fangshan District, Beijing. In the 1920s, archaeologists discovered the complete skull of Peking Man. Later, more skull bones as well as stone and bone instruments were unearthed. Peking Man lived 690,000 years ago,

西安旅游景点英文介绍 带图片

西安旅游景点英文介绍(带图片) 大雁塔Great Wild Goose Pagoda 小雁塔Small Wild Goose Pagoda 鼓楼The Drum Tower 钟楼The Bell Tower 西安城墙The Xi’an Circumvallation 大唐芙蓉园Lotus palace of Tang Dynasty 秦始皇兵马俑博物馆Museum of Emperor Qinshihuang ’s Tomb Figures of Soldiers and Horses 秦始皇陵The Tomb of Emperor Qinshihuang 黄帝陵The Huangdi Tomb 华清池The Huaqing Pond 乾陵The Qian Tomb 法门寺The Famen Temple 黄河壶口瀑布The Huanghe Hukou Waterfall 1. Xi'an city wall 西安城墙景区 地址:西安市南门里 Xi'an city wall is located in the center of the city---- Total perimeter 11.9 kilometers. The existing walls were built during the seven years to eleven years (1374 hongwu--- 1378 hongwu) , it’s the oldest shape in the world, the most spectacular and best-preserved ancient buildings. Ticket: 40 yuan Card discount: Open-times free admission tours, excluding Mid-Autumn Festival, Oct.1st holiday, Chinese New Year Lantern Festival Phone :029 -84057153, 87235239 By car: take the city bus to arrive at the South Gate , North Gate, West Gate, or East Gate bus stop 大雁塔Great Wild Goose Pagoda 大唐芙蓉园Lotus palace of Tang Dynasty

西安几大著名旅游景点介绍(英文)

西安几大著名旅游景点介绍(英文) 大雁塔Great Wild Goose Pagoda 小雁塔Small Wild Goose Pagoda 秦始皇兵马俑博物馆 Museum of Emperor Qinshihuang’s Tomb Figures of Soldiers and Horses 秦始皇陵The Tomb of Emperor Qinshihuang 鼓楼 The Drum Tower 钟楼The Bell Tower 西安城墙The Xi’an Circumvallation 华清池The Huaqing Pond 法门寺The Famen Temple 黄河壶口瀑布The Huanghe Hukou Waterfall 大唐芙蓉园Lotus palace of Tang Dynasty Xi'an: Big Wild Goose Pagoda (Dayanta) The Big Wild Goose Pagoda (Dayan Ta),is a Buddhistpagoda built in 652 AD during the Tang Dynasty and originally had five stories.The original construction of rammed earth with a stone exterior facade eventually collapsed five decades later but was rebuilt by Empress Wu Zetian in 704AD who added five more stories. A massive earthquake in 1556 heavily damaged the pagoda and reduced it by three stories to its current height of seven stories One of the pagoda's many functions was to hold sutras and figurines of the Buddha that were brought to China from Indiaby Xuanzang, a famous Chinese Buddhist monk, scholar, traveler, and translator.Xuanzang is a prominent Buddhist figure mostly known for his seventeen year overland trip to India and back, which is recorded in detail in his autobiography and a biography, and which provided the inspiration for the epic novel “Journey to the West”.

西安英文介绍

Shaanxi is the most important Chinese civilization, the birthplace of one of the most concentrated, as early as 100 million years ago in Lam Tin live and work here, from the 11th century BC, one after another in the history of 13 dynasties established their capitals here. Shaanxi is China's cultural relics and cultures meet, there is a "natural History": a relic of the ancient city of Chang'an, known as the Eighth Wonder of the World's Terracotta Warriors and Horses of Qin Shi Huang, the size of the grand spectacular 72 ... ... broad Mausoleum of Chinese civilization so distant Every one of the early Shaanxi consciously digging deep inside You think the tone. Shaanxi is not only the many cultural relics, natural scenery and beautiful: There are inspiring area of natural and dangerous Xiyue Huashan Lintong Lishan; there is surging white water of the Yellow River's Hukou waterfall; also for the protection of rare animals such as giant pandas-based eco-tourism area. Plateau in northern Shaanxi is China's only revolutionary base, but also in Shaanxi Province is the birthplace of customs: the resounding Shaanxi Opera, passionate percussion, exquisite paper-cut and very breath of life of farmers such as painting, and all of its heavy and unique culture at the end of rhyme The Loess style has attracted more and more attention. The full name of the Wild Goose Pagoda "En Wild Goose Pagoda Temple", located 4 kilometers away from Xi'an area of the Grace Temple, built in 652 AD, according to legend Grace Temple is the first abbot presided over the Master Xuan (Tang Sancang) from India after the return of the country, in order to Dedicated to storage and classical Sanskrit and Buddhist relics and other objects Duzao personally designed and built. Huaqing Pool is located in Xi'an Lintong district on the north side of Lishan, 30 km east of Xi'an. Huaqing Pool because of the emperor and Yang legend and reputation spread far and wide, in fact, the Huaqing Pool is a long history, legend, in the early Western Zhou Dynasty, Zhou You Wang Jian Li was in the palace; generations of the First Qin Emperor, Emperor also set up here Palace; more large-scale construction of the Tang Dynasty, in particular the emperor Tianbao years to build a more luxurious palace pavilion, and changed its name to the official "China Palace." Terracotta warriors and horses is the only imperial tombs from the mass grave, located on the eastern side of Qin Shi Huang Mausoleum of about 1 kilometer and a half, was found in 1974, is the most important archaeological discoveries of. One pit was discovered when local farmers digging, drilling after another has found that two pit on the 3rd, one of which pits the largest, covering an area of 14,260 square meters. A total of three pits excavated more than 700 pieces of pottery figurine, by more than 100 tanks, more than 400 horses Ma Tao, more than 100,000 pieces of weapons. Pottery figurine at the height of 1 meter 75-1 m 85, according to dress, look, the style, can be divided into general figurines, warrior figurines, figurines, and other vehicles with disabilities. There are also excavated pit sword, spear, halberd, bronze weapons such as machetes, although buried in the soil in more than two thousand years, the blade is still sharp, sparkling, can be seen as a miracle in the history of metallurgy in the world. Terracotta Warriors and Horses of Qin Shi Huang large-scale, powerful scenes, with high artistic value. Clock Tower is located in Xi'an city of the North and the South East and West Main Street, four of the interchange. Ming Hongwu 17 years before, the site of the Xi'an Guangji in this corner, Wanli next 10 years to move the site of the Qing Emperor Qianlong had five-year renovation. Bronze bell hanging on the clock tower to time, the clock tower named. Drum Tower in Xi'an is

云南旅游景点英文介绍

云南旅游景点英文介绍 LG GROUP system office room 【LGA16H-LGYY-LGUA8Q8-LGA162】

云南旅游景点英文介绍 本文介绍了云南景点:西双版纳(Xishuangbanna)以及香格里拉(Shingri-La)两个云南景 点,作文地带还在进一步完善当中,请关注… 云南旅游-香格里拉英文(英语)导游词(旅游景点介绍) In the year 1893, James Hilton described an eternally peaceful and quiet place among mountains in the East—— "Shangri-La" in one of his novels for the first time. In the novel "Lost Horizon", an English diplomat Conway and his brother Gorge scattered the English citizens and helped them leave the dangerous region. On their way home, their plane was hijacked and fell down into the mountain in the Tibetan region. Some lucky survivors were taken to Shangri-la where Conway found lots of fantastic things in such a state founded nearly 200 years ago, in which the local people lived up to more than one hundred years old and lived peacefully and harmoniously with the other people, animals and everything here. The place was called "Shangri-La" by the local folks. James Hilton located "Shangri-La" in a mysterious valley which was surrounded by snowcapped mountains; near where there were snow-clad peaks, blue lakes, broad grassy marshlands, and lamaseries, Buddhist nunneries, mosques, Catholic Church, the human beings and the nature were in perfect harmony, several religions and varies of nationalities exited at the same time; the temples looked splendid in green and golden; though people contacted the outer world by caravan for a long time, many foreign experts and scholars had come here t o investigate and remained much relics…… Obviously, that is not only a beautiful scenery, but also a kind of artistic conception. From Joozone_com. With the novel and the film coming out, Shangri-La became very famous in western countries. Later, a Chinese named Guo Huonian used the name of this place and set up "Shangri-La" Hotel Group which has become one of the most successful hotel group in the world. At the same time, people didn’t give up looking for the legendary Shangri-La. Up to the end of this century, they finally have found……。 After inspecting and proving on many aspects, people found that Diqing Prefecture, the only Tibetan region in Yunnan, China, has striking similarity with what’s described in the tale regarding either on natural scenery or people’s way of living. Therefore, the name of "Diqing Shangri-La" spreads worldwide. 云南景点介绍:Xishuangbanna Xishuangbanna is the southernmost prefecture of Yunnan Province. The prefecture is nicknamed Aerial Garden for its luxuriant and multi-layered primitive woods and tropical 云南景点介绍:Xishuangbanna Xishuangbanna is the southernmost prefecture of Yunnan Province. The prefecture is nicknamed " Aerial Garden " for its luxuriant and multi-layered primitive woods and tropical rain forests, which are teeming with animals and plants.

西安旅游景点英文介绍-(带图片)

旅游景点英文介绍(带图片) 大雁塔Great Wild Goose Pagoda 小雁塔Small Wild Goose Pagoda 鼓楼The Drum Tower 钟楼The Bell Tower 城墙The Xi’an Circumvallation 大唐芙蓉园Lotus palace of Tang Dynasty 始皇兵马俑博物馆Museum of Emperor Qinshihuang ’s Tomb Figures of Soldiers and Horses 始皇陵The Tomb of Emperor Qinshihuang 黄帝陵The Huangdi Tomb 华清池The Huaqing Pond 乾陵The Qian Tomb 法门寺The Famen Temple 黄河壶口瀑布The Huanghe Hukou Waterfall 1. Xi'an city wall 城墙景区 地址:市南门里 Xi'an city wall is located in the center of the city---- Total perimeter 11.9 kilometers. The existing walls were built during the seven years to eleven years (1374 hongwu--- 1378 hongwu) , it’s the oldest shape in the world, the most spectacular and best-preserved ancient buildings. Ticket: 40 yuan Card discount: Open-times free admission tours, excluding Mid-Autumn Festival, Oct.1st holiday, Chinese New Year Lantern Festival Phone :029 -84057153, 87235239 By car: take the city bus to arrive at the South Gate , North Gate, West Gate, or East Gate bus stop

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