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The Beatles

The impact of the Beatles upon popular music cannot be overstated; they revolutionized the music industry and touched the lives of all who heard them in deep and fundamental ways. Landing on these shores on February 7, 1964, they literally stood the world of pop culture on its head, setting the musical agenda for the remainder of the decade. The Beatles' buoyant melodies, playful personalities and mop-topped charisma were just the tonic needed by a nation left reeling by the senseless assassination of its young president, John F. Kennedy, barely two months earlier. Even adults typically given to scorning rock and roll as worthless "kid's stuff" were forced to concede that there was substance in their music and quick-witted cleverness in their repartee. Without exaggeration, they transfixed and transformed the world as we knew it, ushering in a demographic shift in which youth culture assertively took over from its stodgy Eisenhower-era forbears.

The long journey resulting in the mob scene that greeted the Beatles' arrival at Kennedy Airport began in Liverpool back in 1958. A series of groups, including the Quarrymen and the Johnny and the Moondogs, variously included Liverpool natives John Lennon, Paul McCartney and George Harrison. With a rhythm section consisting of bassist Stu Sutcliffe (an art student with great looks and scant musical ability) and drummer Pete Best, the group assumed the name "the Beatles." The group became a fixture on the rough-and-tumble bar scene in Hamburg, Germany, where their five-set-a-night marathons helped mold them into a tight performing unit. Their early repertoire consisted of well-chosen rock and roll and rhythm & blues covers, running the gamut from Chuck Berry to Little Richard. In April 1961, Sutcliffe left and McCartney switched from guitar to bass. On the local scene in their hometown of Liverpool, the group landed a lunchtime residency at a club called the Cavern, where they were discovered by a local record merchant and entrepreneur, Brian Epstein, who became their manager in December 1961.

Epstein helped polish the group's appearance, dressing them in dapper collarless gray suits and making them appear more friendly than menacing. After being rejected

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The Beatles' conquest of America early in 1964 launched the British Invasion, as a torrent of rock and roll bands from Britain overtook the pop charts. The Fab Four's first Number One single in the U.S. was "I Want to Hold Your Hand," released on Capitol Records, EMI's American counterpart. This exuberant track was followed by 45 more Top Forty hits over the next half-dozen years. During the week of April 4, 1964, the Beatles set a record that is likely never to be broken when they occupied all five of the top positions on Billboard's Top Pop Singles chart, with "Can't Buy Me Love" ensconced at Number One. Their popularity soared still further with the release of their playfully anarchic documentary film, A Hard Day's Night, in August 1964.

When all was said and done, the Beatles charted 20 Number One singles in the States - a number even greater than runner-up Elvis Presley's 17 chart-toppers. For such feats of sales and airplay alone, the Beatles can unassailably be regarded as the top group in rock and roll history. Yet their significance as a band extends beyond numbers to encompass their innovations in the recording studio. The Beatles' legacy as a concert attraction, during their harried passage from nightclubs to baseball stadiums, is distinguished primarily by the deafening screams of female fans overcome by the group's very appearance. Consequently, the Beatles began to indulge

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世界十大著名乐队排名世界最佳艺术家:猫王世界四大乐队:Thestones(滚石乐队) Thebeatles(甲壳虫乐队) eangle(老鹰乐队) BEYOND(超越乐队) 世界第一吉他手:艾力*克普敦(吉他皇帝) 世界第二吉他手:黄贯中(吉他至尊) 世界第三吉他手:桑塔那(吉他高高手) 终身金针奖:Thebeatles乐队主唱:约翰*列农 BEYOND乐队主唱:黄家驹最佳歌曲:老鹰乐队:<<加洲旅馆>> 甲壳虫乐队:<<黄色潜水艇>> BEYOND乐队:<<光辉岁月>> 猫王:<<何去何从>> 欧美十大摇滚乐队排名欧美十大摇滚乐队第1名：The Beatles（披头士乐队）上榜理由：他们用音乐改变了世界，让我们的行走不再孤单经典指数：★★★★★ 欧美十大摇滚乐队第2名：Rolling Stones（滚石乐队）上榜理由：摇滚不仅仅是音乐，也是一种生活方式经典指数：★★★★半欧美十大摇滚乐队第3名：U2乐队上榜理由：人类的灵魂囿地在U2摇滚的烘衬下澄静绽放

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The Beatles(White Album) 1968.11 DISK1 1.Back In The U.S.S.R Flew in from Miami Beach BOAC Didn't get to bed last night Oh, the way the paper bag was on my knee Man, I had a dreadful flight I'm back in the USSR You don't know how lucky you are, boy Back in the USSR, yeah Been away so long I hardly knew the place Gee, it's good to be back home Leave it till tomorrow to unpack my case Honey disconnect the phone I'm back in the USSR You don't know how lucky you are, boy Back in the US Back in the US Back in the USSR Well the Ukraine girls really knock me out They leave the west behind And Moscow girls make me sing and shout They Georgia's always on my my my my my my my my mind Oh, come on Hu Hey Hu, hey, ah, yeah yeah, yeah, yeah I'm back in the USSR You don't know how lucky you are, boys Back in the USSR Well the Ukraine girls really knock me out They leave the west behind And Moscow girls make me sing and shout They Georgia's always on my my my my my my my my mind Oh, show me round your snow peaked mountain way down south Take me to you daddy's farm Let me hear you balalaika's ringing out

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世界20支摇滚乐队及50首经典歌曲，摇滚是种精神，摇滚是种态度，摇滚是种寄托Guns N'Roses（枪炮与玫瑰）这支乐队是我最喜欢的，喜欢rose的柔情，喜欢吉他solo教父slash 1. don't cry 这首单曲曾在公告牌停留长达三年之久，rose柔情的演唱使人听了如痴如醉，成为摇滚史上最经典的歌曲之一，本人最喜欢歌曲 2.Knockin’ On Heaven’s Door 艾薇儿翻唱过的歌曲，现场版本超火爆，slash的solo简直神了 3.November Rain 又一首枪花柔情制作，经典 4.Sweet Child O Mine 看NBA的球迷应该听到过这首歌，常在中场播放，开场的吉他solo 实在太好听了 Scorpions（蝎子乐队）第二喜欢的乐队主唱Klaus的高音震撼人心，现场与交响乐的完美融合体现高贵 5.Wind Of Change 摇滚不一定是撕声呐喊，也可以铁血柔情的 6.Still Loving You 这首歌听了心情极其复杂，很多人被它压抑的情绪透不过气，但还是那么经典 7.always somewhere 丹泽华盛顿演的《鹅塘暗杀令》插曲经典电影配经典的音乐，我失恋时听这渡过 8.Hurricane2000 大气，此歌就是大气，与爱乐乐团完美融合，摇滚中的古典，经典中的经典 Linkin Park（林肯公园）第三喜欢的乐队，这只乐队不用过多介绍了吧？来中国都N次了，喜欢Chester，他们的歌其实都很好听，符合当下的潮流，选四首吧 9.Numb 跟JAY-Z合唱的版本其实也不错，真的很流行，只能这么说了 10.Somewhere I Belong 最喜欢他们的一首歌，现场总是那么火， 11.Lying From You 喜欢中间部分Chester的狂吼，现在已经飙不起来咯， 12.Leave Out All The Rest 喜欢它的前奏， Queen （皇后乐队）他们真是无人不知无人不晓啊，歌不在多，有精则灵，最成功的艺术摇滚乐队

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1956年，罗尼·多内甘（Lonnie Donegan）和克理斯·巴博爵士乐队（the Chris Barber Jazz Band）以一首胡迪·莱德巴特的《Rock Island Line》打入了排行榜的前十名。（克理斯·巴博乐队1967年录制了一首名为《Catc－－all》的歌，这是保罗·麦卡特尼在1957-1960年间写的）罗尼·多内甘随后的一系列成功的歌曲（如《CumberlandGap》、《Gambling Man》）开始了席卷英伦三岛的“Skiffle”音乐狂潮。由于它简单的乐器（有时只是日常的家庭用具，象搓衣板），和一种“谁都可以做”的态度，全国十几岁的孩子都开始组建属于自己的"Skiffle"乐队。在这些突然出现的“Skiffle Bug”中有一个16岁的利物浦男孩，名叫John Lennon。虽然他是听了一首猫王1956年录制的《伤心旅舍》，才对流行音乐产生兴趣的，但“Skiffle”音乐的兴起促使他在1957年3月组建他的第一个乐队，这个乐队叫“Black Jacks”，John弹一把央求他姨妈花17镑买的吉它，而另一位成员Pete Shotton的乐器是搓衣板。这个组合很快（一周后）改名为“Quarry Men”，这是他们两个的学校校歌中的一句，QuarryMen的人员总是不断的变化经常会有他们的朋友加入进来。他们开始在一些聚会和利物浦附近举行的“Skiffle”竞赛上演出。他们曾经参加过演出由卡洛尔·勒维斯举办的天才竞赛，但连预赛也没有通过。那次比赛失败一个月以后，Pete Shotton安排“QuarryMen”在一次沃尔顿圣彼德帕里什教堂的夏季节演出。举行的时间是1957年7月6日。 1957年7月6日，在利物浦的另一个地方，“Quarry Men”的一位成员伊万·沃汉（Ivan Vaughan）正在劝说他的朋友Paul McCartney，和他一起去看“Quarry Men”的演出，并宣称那儿是遇到女孩的好地方。总的不管怎么说，Paul还是和Ivan一起去看了演出。 Paul 对当时John的评价：“我记得去了那个地方，看了所有的节目，也听了所有的音乐，那是John