如何写英文影评
如何写英文影评
一、Task：某英文杂志的Film Reviews栏目现向中学生征稿。写一则影评，介绍《美女与野兽》（Beauty and the Beast）
二、谋篇布局：
Part 1：电影简介（故事来源、类型、导演等）
Part 2:剧情简介
Part 3:发表评论
三、组织语言
高级范文
Beauty and the Beast, directed by Bill Condon, is an amazing American fantasy film. Adapted from a cartoon film of the same name, which was created by the same company in 1991, the new version’s characters are real persons.
In order to save her father, who was trapped by an ugly beast, Belle, a brave and beautiful girl, had to live with the frightening beast in a cave. Having been a prince, the beast was changed by an evil witch. Only if he could get true love, could he become a person again. After they went through plenty of difficulties, the beast earned Belle’s love.
The film, with lovely characters, beautiful soundtrack and interesting plot, is really a success. It is worth watching.
实战演练：假如你是李华，你校英语报开设了一个介绍经典英文电影的专栏，根据所给的提示用英语为该栏目写一篇《幸福来敲门》（The Pursuit of Happiness）
Gabriele Muccino.
Chris, the hero played by Will Smith, lost his job because of financial crisis. Worse still, his wife left him, leaving their six-year-old son behind. However, facing a variety of difficulties, he was so optimistic and determined that he managed to pull through them and they finally lived happy life.
This is really a moving and inspiring film which shows us that everyone can get happiness as long as he was a positive attitude to life.
英文电影观后感100字(多篇)【精品】
第一篇：100部英文电影 100 部超级好看的英文电影 1,魔法灰姑娘〔超级推荐〕（安妮海瑟薇主演） 2,贱女孩〔超级推荐〕（林赛罗汉主演） 3,灰姑娘的玻璃手机〔超级推荐〕 4,美人鱼〔超级推荐〕（里面音乐也很好听） 5,舞出我人生〔超级推荐〕（励志的！刚出了第二部） 6,录取通知书 7,水瓶座女孩 8,倒霉爱神（林赛罗汉主演） 9,儿女一箩筐 10,冰雪公主〔超级推荐〕 11,我的朋友是明星〔超级推荐〕 12,辣妈辣妹〔超级推荐〕（林赛罗汉主演） 13,物质女孩〔超级推荐〕 14,疯狂金龟车（林赛罗汉主演） 15,平民天后〔超级推荐〕 16,公主日记(不用说勒)〔超级推荐〕（还有第二部哟！） 17,歌舞青春〔超级推荐〕[很热的电影！（ⅰ和ⅱ都喜欢） 18,律政俏佳人 19,麻辣宝贝〔超级推荐〕 20,恋爱刺客 21,美少女啦啦队〔超级推荐〕 22,12月男孩〔超级推荐〕（哈利波特演的哟）
23,足球尤物 24,魔法双星 25,超完美男人〔超级推荐〕 25,劲歌飞扬〔超级推荐〕 26,纽约时刻 27,奶牛美女 28,穿prada的恶魔〔超级推荐〕 29,天生一对 30,高校天后〔超级推荐〕 31,像乔丹一样 32,牛仔裤的夏天〔超级推荐超感人～〕 33,初恋的回忆〔超级推荐欣慰～〕 34,甜心辣舞〔超级推荐〕 35,花豹美眉 36,女兵报道 37,女生向前翻〔超级推荐很立志！〕 38,小姐好辣 39,欧洲任我行 40,留级之王 41,风云才女(希尔顿酒店继承人之一尼克?希尔顿首部主打影片！这是一部有关大学女生校园生活的喜剧，影片描述大学校园里一群正处于青春叛逆期、蠢蠢欲动的特权阶层少男少女平日里生活的点点滴滴……有点点sex)〔超级推荐i love hilton sisters〕 42,谁领风骚〔超级推荐女生的可怕和可爱〕
Journey to the Center of the Earth(地心游记)2008经典电影英文影评
Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1
英文电影影评
Titanic, "not only because it is a successful commercial film and, more importantly, it brought about the end of the century a wave of nostalgia: the Titanic sank in the early 20th century is a tragedy, the film has to The facts add up the true love story, set sail Tai Tanni will be less than 5 days of love, friendship and a disaster at the end of the century before this generation, it told us a truth: that we must cherish life. Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it -- from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie. In each of his previous outings, Cameron has pushed the special effects envelope. In Aliens, he cloned H.R. Giger's creation dozens of times, fashioning an army of nightmarish monsters. In The Abyss, he took us deep under the sea to greet a band of benevolent space travelers. In T2, he introduced the morphing terminator (perfecting an effects process that was pioneered in The Abyss). And in True Lies, he used digital technology to choreograph an in-air battle. Now, in Titanic, Cameron's flawless re-creation of the legendary ship has blurred the line between reality and illusion to such a degree that we can't be sure what's real and what isn't. To make this movie, it's as if Cameron built an all-new Titanic, let it sail, then sunk it. Of course, special effects alone don't make for a successful film, and Titanic would have been nothing more than an expensive piece of eye candy without a gripping story featuring interesting characters. In his previous outings, Cameron has always placed people above the technological marvels that surround them. Unlike film makers such as Roland Emmerich and Dean Devlin, Cameron has used visual effects to serve his plot, not the other way around. That hasn't changed with Titanic. The picture's spectacle is the ship's sinking, but its core is the affair between a pair of mismatched, star-crossed lovers. Titanic is a romance, an adventure, and a thriller all rolled into one. It contains moments of exuberance, humor, pathos, and tragedy. In their own way, the characters are all larger-than- life, but they're human enough (with all of the attendant frailties) to capture our
《返老还童》电影英文观后感
返老还童（The Curious Case of Benjamin Button）貌似是一个荒诞的科幻片，讲的是男主角本杰明出生时是一个老头，生命从耄耋之年开始，随着时间的流逝越来越年轻，最后以婴儿结束，他的生命就像放倒过来放的录影带，讲述着他的生命历程和感悟。 The movie The Curious Case of Benjamin Button sounds to be a grotesque fiction which tells that the Hero Benjamin was aged when he was born; life began from an old age; with time flying he became younger and younger; in the end his life ended with a baby; his life looks like a reversing vedeo-tape which narrates his life journey and restrospection. 影片的背景跨度一战二战到当代，以女主角黛西在生命的最后一刻的回忆的方式向观众细细道来。他们的经历似乎能给人生命的安慰，人生的思考和爱情的哲理。 The movie,with its background lasting from the 1st world war to the 2nd world war to modern,reflects its theme toward audience by recalling in the last life moment of the heroine Daisy in details. Their experience appears to give us the comfort of life, the consideration of life journey and the philosophy of love. 生命的安慰：the comfort of life 生命来自于偶然，偶然中男主角出现在中产阶级家里，偶然间他是出生来就让人害怕的小家伙，天生就是满脸皱纹，严重的关节炎，皮肤松弛，患有白内障，简直满身都是老年病。在被其父亲抛弃后本杰明被一黑人夫妇收养，这位象征母爱的黑人妇女将每个生命都看做是上帝的儿女，生命生而平等。自本杰明站起来的那一刻她就认为认为本的生命就是个奇迹并鼓励着奇迹变成现实。的确，每个生命都是奇迹，每个人的道路都有各自的特别，平淡的生命呈现不同的存在形式，“有人唱歌，有人跳舞，有人是艺术家，有人被雷击7次依然好好生活……”每个的存在就是奇迹，只愿我们能好好好珍惜我们的天赋和使命！ Life originates from accident. It is by accident that the hero falls down to a middle-class family. It is by accident that he is born of being feared. It is by nature that he is harrassed by many illnesses chararterising old age such as wrinkles in full face,heavy joint inflammation,loose skin,and cataract. Benjamin,deserted by his father,is adopted by a black couple. The black woman symbolizing maternity considers every life to be the offspring of God and life is born equal. The moment Benjamin stands up ,she holds his life to be a miracle and encourages it to come true. To be sure,every life is a miracle;every one has his or her own particulars in his or her life journey;an ordinary life bringing to play of different existences like someone singing,someone dancing,someone being an artist and someone living well after seven thunder hits. 人生的思考：the consideration of life journey
Seven(七宗罪)1995经典电影英文影评
Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1
小王子电影观后感英文版
小王子电影观后感英文版 本文为小王子电影观后感英文版范文，让我们通过以下的文章来了解。 Recently, I read a fairy story book, Little Prince. This book tells the adventurous experiences of little prince from his planet to the earth. Little prince comes from the outer space and he is hurt by a rose. So he leaves there and travels into space. He comes to the earth and be the friend of a fox. The fox tells his secret to little prince and he helps a pilot in the desert. In the end, he dies under the help of a snake and his soul goes back to his planet. This book is very interesting and teaches me a lot. I like little price adventures. He teaches me to be honest and love others. All of us should never loss the pureness of childhood. This is a fairytale whose distribution volume is only second to The Bible. It’s been translated to versions of many other languages. And I gather there must be something special, something really great about it. It’s this conviction that drove me to read it at the first beginning. Well, with due respect to the author, I failed to see how this fairytale be worthy
【风雨哈佛路观后感英文】风雨哈佛路观后感100字
【风雨哈佛路观后感英文】风雨哈佛路观后感100字 前段时间从周工的空间看到二十部经典励志大片，非常好奇，特意发飞信到自己的手机上。今天出来上网，感觉内心特别的虚，对人生，对前途，对未来都充满着不确定性，不安感，不知道人生该通往何方，怀疑自己，怀疑世界。于是想到了这二十大片，于是就找到了风雨哈佛路. 其实对于这部片子，原来是不抱什么感觉的，自以为不就是和自己以前看过的一样么，通过奋斗然后获得一个好的结果。只是看了这部片子，对自己对人生，对未来又充满了斗志。 从小到大，因为父母忙于赚钱，忽略了对我们的教育，同时因为我是家里的第一个小孩，他们应该也不具备教育小孩的经验吧，所以，懵懵懂懂的长大，老让父母觉得不如他们的意，不听话，脾气强，个性强，超自尊，还老爱生病。 长大后看了很多的书才明白，那时的自己特别渴望父母的关爱，而太小的孩子是没有办法表达自己的这种情绪，父母又不明白，所以，当发现只有在自己生病的时候，父母才特别疼爱自己的时候，只要渴望父母的关爱的时候，就会没病装病，就会老是这里不舒服那里不舒服，打了很多的针，吃了很多的药，慢慢的，老是生病，父母也懒得管，于是自己照顾自己，以为自己病了，自我纠结，想着世界不公平，父母不爱自己，社会很阴暗，于是自己的世界，内心也是暗的。幸好，我是白羊的人，悲伤都是藏在笑容里，所以，越是笑得越灿烂，自己越清楚，原来自己越难过，只是羡煞旁人，不明白这孩子怎么老是一
副长不大的样子，怎么老是很开心的样子 风雨人生路的丽丝，女主人公，小小的她，在本不属于她的年龄该承担的时候，承担了太多太多的东西，相比起她来，我这算得了什么呢?我有什么理由来怨我的出身，怨我的父母??他们健康的让我成长，他们给了我一个温暖的家，他们让我拥有了一个快乐不用操心的童年，他们牺牲自己，换取我们生活的美好小丽丝她还要照顾她的母亲，她还有一个让她无法摆拖且需面对的不堪家庭，一切的一切，当故事最后一个记者问她是怎么面对这一切的时候，她回答：我为什么要觉得可怜，这就是我的生活，我甚至要感谢它，它让在任何情况下都必须往前走，我没有退路，我吸能不停地努力向前走，我为什么不能做到?说真的，我觉得我自己很幸运，因为对于我来说从来都没有任何安全感，于是我只能被迫向前走，我必须这样做，世上没有回头路，当我意识到这点我就想，那么，好吧，我要尽我的所能努力奋斗，看看究竟会怎样! 尽我所能努力奋斗! 我是不是该发挥自己的每一份潜力呢，我别无选择!我希望和别人平起平坐，不想低人一等! 有谁能和生活讨价还价，我觉得既然我们活着，我们就应该尽最大努力。 世界在转动，你只是一粒尘埃，没有你地球照样在转动，现实是不会按照你的意志去改变的，因为别人的意志会比你的更强一些!生活的残酷会让人不知所措，于是有人终日沉浸在迷茫与彷徨之中，不愿意
Tess(苔丝)1979经典电影英文影评
Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1