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The English Renaissance英国文艺复兴

The English Renaissance英国文艺复兴
The English Renaissance英国文艺复兴

The English Renaissance

Britain experienced Renaissance in between 16th and early 17th centry. Renaissance in England reached its peak during the reign of Queen Elisabeth.

Humanism is the essence of the Renaissance which was based on such a conception that man is the measure of all things. Certainly, writers during this period are humanist. They found sufficient evidence from classics to exalt human nature and started to see that human beings could develop themselves in the direction of perfection and that “the world they inhabitated was theirs not to despise but to question, explore and enjoy.” “They hold their chief interest in bravely fought for the emancipation of man from the tyranny of the church and religious dogmas.”(from History and Anthology of English and American Literature)

Humanists'demonstrate their ideas in their works. Especially, they contributed a lot to the prose, poetry and drama. About prose, the pioneer of prose writers is Francis Bacon. Bacon as a humanist “shows the new empirical attitudes towards truth about nature and bravely challenges the medieval scholasticist.” His works are famous for their brevity, compactness and powerfulness. All in all, except drama and poetry, prose was fully developed during this period.Poetry became widespread in England in the second half of the 16th centry. Famous poets of that time were Philip Sidney, Thomas Campion and Edmund Spenser. It is necessary to referred Faerie Queene when mentioned Spenser. Faerie Queene was written for eloigning Queen Elisabeth. The theme of this poem is about romantic “Fierce wars and faithful loves”. It is Spenser's idealism, his love of beauty, and his exquisite melody that make him known as “the poet's poet”. Except Spenser, Wyatt devoted his enthusiasm in poetry as well. He introduced the Petrarchan sonnet into England. In a word, because of the Renaissance, poetry in England step into a new filed. The age of Renaissance witnessed a particular development of English drama. The most famous dramatists in this time are Christopher Marlowe, William Shakespeare, and Ben Jonson. The reformation in England, the language perfection and the version of dramatic worhs ought to attribute to Christopher Marlowe. What is more, it is Marlowe who made

blank verse the principal vehicle of expression in drama. Among all the dramatists in England, Shakespeare is the greatest one. Generally, he is regarded as the greatest writer in the English language. His four famous tragedies Hamlet, Othello, King Lear and Macbeth were highly appreciated all over the world. He holds that literature should be a combination of beauty, kindness, nature and reality. In short, drama is a shining part of English Renaissance.

Above all, the whole England was profoundly stirred by the Renaissance, especially by literature at that time. Humanism plays a leading role in Renaissance period and encourages progressive writers in England to pursue individual emotion and happiness. English Renaissance becomes a milestone of England history.

自考英美文学选读 第一章 文艺复兴时期(英国)(课文翻译)

英美文学选读翻译(英语专业自考) 第一部分:英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。

第三章 文艺复兴时期文学

第三章文艺复兴时期文学一、单项选择题 1.欧洲资产阶级文学的真正开端是()。 A.浪漫主义文学B.人文主义文学 C.古典主义文学D.启蒙运动文学 2.人文主义思想的核心是()。 A.基督教精神B.理性主义 C.对“人”的肯定D.平等、博爱思想 3.人文主义文学的基本主题是()。 A.歌颂现世生活B.讲究理性、学习知识 C.追求爱情幸福D.反封建反教会 4.意大利的人文主义文学先驱是()。 A.彼特拉克B.但丁 C.薄伽丘D.拉伯雷 5.法国近代第一位抒情诗人是()。 A.拉伯雷B.斯宾塞 C.蒙田D.龙沙 6.蒙田的《随笔集》是法国近代第一部()。 A.短篇小说集B.抒情诗集 C.散文集D.文学评论集 7.被称为西班牙“民族戏剧之父”的是()。 A.斯宾塞B.维伽 C.马洛D.本·琼生 8.薄伽丘在其《十日谈》等作品中宣扬的是()。 A.大自然的奇迹B.幸福在人间 C.人权高于一切D.科学、理性 9.被称为“英国诗歌之父”的是()。 A.托马斯·莫尔B.斯宾塞 C.乔叟D.莎士比亚 10.标志文艺复兴时期英国非戏剧文学高峰的是()。 A.《仙后》B.《乌托邦》 C.《坎特伯雷故事集》D.《随笔集》 11.塞万提斯的“在监狱里诞生的孩子”指的是()。 A.《伽拉苔亚》B.《奴曼西亚》 C.《惩恶扬善故事集》D.《堂·吉诃德》 12.维伽的《羊泉村》直接描写的是()。 A.男女间的爱情B.农民对领主的反抗 C.婚姻和家庭问题D.对开明君主的歌颂 13.文艺复兴时期欧洲文学的主题是()。 A.封建文学B.教会文学 C.民间文学D.人文主义文学 14.文艺复兴运动的发源地是()。 A.英国B.西班牙 C.意大利D.法国

文艺复兴时期的英国文学简介

第二讲英国“文艺复兴”文学 2.1 文艺复兴 “文艺复兴”作为一场席卷欧洲的文化运动标志着欧洲从中世纪走向现代的转折。始于14世纪的意大利,以美术、雕塑、文学艺术等的繁荣为标志,经由中欧、法国,最后传到不列颠。“复兴”在这里指对欧洲古典即古希腊古罗马时期的艺术的重新挖掘和张扬,是指欧洲的文艺经过漫长中世纪基督教神学一统天下的黑暗时代后又重新恢复了古典时代的辉煌。在英国,“文艺复兴”运动主要表现为都铎王朝时期文学的繁荣。代表人物莎士比亚。 欧洲文艺复兴运动的历史背景包括政治、经济、宗教、科技、文化等诸多方面,这些因素互相推动,它们根植于中世纪,却又共同从成了一种与中世纪决裂的历史局面。 首先是对古希腊古罗马文化的重新发现。 地理和科学的新发现。哥伦布达伽马 16世纪德意志神学家马丁路德发起宗教改革 文艺复兴主要体现在2个方面:人文主义的张扬;基督教神学的改革。 2.2 英国文艺复兴 根据文坛和文学创作所呈现出的不同特点,英国文艺复兴可以分为3个主要阶段: 第一,15世纪末---16世纪前半叶,复兴初期,研究古希腊罗马哲学,印刷术传入英国推动了人文主义文化的传播。 代表:托马斯莫尔《乌托邦》 第二,伊丽莎白时代,英国文艺复兴的鼎盛时代。 代表:莎士比亚的戏剧和斯宾塞的诗歌 第三,从莎士比亚去世到17世纪中期。英国文艺复兴的晚期,运动逐渐走向低落。 代表:哲学家及散文家弗兰西斯培根 文艺复兴时期英国文学的主要特征是诗歌和戏剧成为英国文坛的主流。 2.3代表作家及作品 2.3.1 托马斯莫尔(Thomas More) 出生于中产阶级家庭,其父为皇家法官。希望其成为律师 1504,26岁成为下院议员。反对亨利七世,退出政坛。 15.9,亨利八世即位,恢复政治生涯,次年被委派位伦敦助理行政官,官至财政部长,下议院议长和帝国大法官。 因反对亨利八世与教会对抗被斩首。

文艺复兴时期英国文学概述

文艺复兴时期英国文学概述 文艺复兴时期文学(15世纪后期-17世纪初) 相对于欧洲其他国家来说,英国的文艺复兴起始较晚,通常认为是在15世纪末。文艺复兴时期形成的思想体系被称为人文主义,它主张以人为本,反对中世纪以神为中心的世界观,提倡积极进取、享受现世欢乐的生活理想。托马斯·莫尔(Thomas More, 1478-1535)是英国最主要的早期人文主义者,他的《乌托邦》(Utopia)批评了当时的英国和欧洲社会,设计了一个社会平等、财产公有、人们和谐相处的理想国。Utopia现已成为空想主义的代名词,但乌托邦是作者对当时社会状况进行严肃思考的结果。《乌托邦》开创了英国哲理幻想小说传统的先河,这一传统从培根的《新大西岛》(The New Atlantis)、斯威夫特的《格列佛游记》(Gulliver's Travels)、勃特勒的《埃瑞璜》(Erewhon)一直延续到20世纪的科幻小说。文艺复兴时期诗歌创作繁荣,埃德蒙·斯宾塞(Edmund Spenser, 1552-1599)的长诗《仙后》(The Faerie Queene)歌颂女王,宣扬人文主义思想。他创造的"斯宾塞诗体"每节诗有九行,韵律复杂,具有柔和动听、萦绕耳际的音乐性。弗兰西斯·培根(Francis Bacon, 1561-1626)是这一时期最重要的散文家,他对文学的主要贡献是《论说文集》(Essays),共58篇。这些文章题材广泛,内容涉及哲学、宗教、政治制度以及婚姻、爱情、友谊、园艺、读书等,文笔典雅,略带古风而又明白畅达。英国戏剧起源于中世纪教堂的宗教仪式,取材于圣经故事的神秘剧和奇迹剧在14、15世纪英国舞台上占有主导地位,随后出现了以抽象概念作为剧中人物的道德剧。到了16世纪末,戏剧进入全盛时期。克里斯托弗·马洛(Christopher Marlowe, 1564-1593)冲破旧的戏剧形式的束缚,创作了一种新戏剧。《帖木儿大帝》(Tamburlaine)、《浮士德博士的悲剧》(The Tragical History of the Life and Death of Dr. Faustus)、《马耳他岛的犹太人》(The Jew of Malta)等剧作反映了文艺复兴时期那种永无止境的探索精神和极端的个人主义精神。马洛将戏剧情节集中于一个主要角色的做法、他对人物性格的分析以及他的素体诗戏剧对白,对英国戏剧的发展做出了不可磨灭的贡献。 英国文艺复兴时期最杰出的作家是威廉·莎士比亚(William Shakespeare, 1564-1616),他的全部作品包括两首长诗,154首十四行诗和38部(一说39部)戏剧。莎士比亚的主要剧作有喜剧《仲夏夜之梦》(A Midsummer Night's Dream)、《威尼斯商人》(The Merchant of Venice),悲剧《罗密欧与朱丽叶》(Romeo and Juliet)、《哈

英国文艺复兴时期

Chapter I The Renaissance Period (一) 文艺复兴时期概述 1. 识记:(1)文艺复兴时期的界定 (2)历史文化背景 2. 领会: (1)文艺复兴运动的意义与影响 (2)文艺复兴时期的文学特点 (3)人文主义的主张及对文学的影响 3. 应用:文艺复兴,人文主义及玄学诗等名词的解释 I. 应用 Definitions of the Literary Terms: 1. The Renaissance: The Renaissance marks a transition from the medieval to the modern world. Generally, it refers to the period between the 14th & 17th centuries. It first started in Italy, with the flowering of painting, sculpture & literature. From Italy the movement went to embrace the rest of Europe. The Renaissance, which means "rebirth" or "revival," is actually a movement stimulated by a series of historical events, such as the re-discovery of ancient Roman & Greek culture, the new discoveries in geography & astrology, the religious reformation & the economic expansion. The Renaissance, therefore, in essence is a historical period in which the European humanist thinkers & scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that expressed the interests of the rising bourgeoisie, & to recover the purity of the early church from the corruption of the Roman Catholic Church. 2. Humanism: Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the ancient authors and is frequently taken as the beginning of the Renaissance on its conscious, intellectual side, for the Greek and Roman civilization was based on such a conception that man is the measure of all things. Through the new learning, humanists not only saw the arts of splendor and enlightenment, but the human values represented in the works. Renaissance humanists came to see that human beings were glorious creatures capable of individual development in the direction of perfections, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy. Thus, by emphasizing the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders. 3. Spenserian stanza: Spenserian stanza was invented by Edmund Spenser. It is a stanza of nine lines, with the first eight lines in iambic pentameter & the last line in iambic hexameter, rhyming ababbcbcc. ? 4. Metaphysical poetry: The term "metaphysical poetry" is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne. With a rebellious spirit, the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech. The imagery in drawn from the actual life. The form is frequently that of an argument with the poet's beloved, with God, or with himself. 5. The Renaissance hero: A Renaissance hero refers to one created by Christopher Marlowe in his drama. Such a hero is always individualistic and full of ambition, facing bravely the challenge from both gods and men. He embodies Marlowe's humanistic ideas of human dignity and capacity. Different from the tragic hero in medieval plays, who seeks the way to heaven through salvation and god's will,

文艺复兴时期英国文学

文艺复兴时期英国文学 1. What is Renaissance? How and why did it come about? 2. What is the development of drama? What were the original forms and content and practice of drama? 3. Why did drama flourish in Elizabethan age? Who are the major playwrights of the time? 4. Who is Marlowe? What contributions did he make to English drama? 5. Who is Shakespeare? What famous and great plays (history, comedy, tragedy)? What features? 6. What did Ben Jonson write about? What representative work? 7. Prepare the excerpt from Hamlet (31-32). What is it mainly about? What humanist idea can you find in the soliloquy? 8. What was the most important translation of the time? Reference questions on Shakespeare and Hamlet 1. Why is Shakespeare an eternal subject of study? Where lies his greatness? 2. What are the themes of Hamlet? 3. What is the significance of Hamlet as a character? 4. What is blank verse? 5. What is soliloquy? Text study 1 Hamlet’s soliloquy “To be or not to be” 1. What is the main idea of Hamlet’s soliloquy? Summarize in one or two sentences the main idea of the soliloquy? 2. How does the soliloquy reflect the spirit of the time or the idea of humanism? 3. How do you analyze Hamlet’s argument in terms of structure? Text study 2 The Merchant of Venice / The Trial Scene Pre-reading The most interesting character in this play is Shylock. Some people think him as a cruel miser, deserving his punishment while others consider him a victim of discrimination. From what you know of the play, what do you think of this character? To what extent does this character deserves our sympathy? Discuss with your classmates. Discussion 1. After reading the “trial scene”, have you changed your idea about Shylock? Refer to the questions in Pre-reading, and try to defend your position with evidence from the text. 2. Portia gives an eloquent speech on mercy when she tries to persuade Shylock to give up his bond. Consider the punishment received by Shylock, do you think the Christians are being merciful to Shylock?

英美文学选读-英国-文艺复兴时期-练习题汇总

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The Renaissance英国文学文艺复兴时期总结

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