Williams Carlos Williams

Brief Introduction on William Carlos Williams

William Carlos Williams (1883-1963),was an American writer closely associated with modernism and imagism. He was also a pediatrician for more than 40 years serving the New Jersey town of Rutherford,and excelled at both aspects.

"Background"1

While F. O. Matthiessen2 regards the "flowering of New England" in the first half of the nineteenth century as an "American Renaissance", the decade of the 1920s can be termed the second renaissance in the history of American Literature.In this period, Impressionism appeared along with Dadaism3and Expressionism. Symbolism and Surrealism became stylish and popular. High Modernism began to dominate

the world of literature and art. In America, a whole new generation of younger writers, "the Lost Generation," surfaced with their new voices.

"Life" 4

Williams was born on Sept. 17, 1883 in Rutherford, New Jersey. His grandmother, an Englishwoman had come to the United States with Williams' father，remarried and moved to Puerto Rico. His mother was a Puerto Rican woman of French Basque and Dutch Jewish descent. Being the first of two sons of the family,he received his primary and secondary education in Rutherford until 1897, when he was sent for two years to a school near Geneva and to the Lycée Condorcet in Paris. He attended the Horace Mann School upon his return to New York City and after having passed a special examination, he was admitted in 1902 to the medical school of the University of Pennsylvania, where he met poets Ezra Pound5 and Hilda Doolittle(H.D.)6,and graduated in 1906. He published his first book, Poems, in 1909.

After interning for two years in New York hospitals and studying pediatrics at the University of Leipzig, Williams began practicing pediatrics in Rutherford in 1910. He continued his medical career for more than 40 years, writing in his spare time.

Williams married Florence Herman (1891–1976) in 1912, after his first proposal to her older sister was refused.They moved into a house in Rutherford, New Jersey, which was their home for many years. Shortly afterward, his second book of poems, The Tempers, was published by a London press through the help of Ezra Pound.

Although his primary occupation was as a family doctor, Williams had a successful literary career as a poet. In addition to poetry, he occasionally wrote short stories, plays, novels, essays, and translations. He practiced medicine by day and wrote at night. Early in his career, he briefly became involved in the Imagist movement through his friendships with Pound and H.D.. But soon he began to develop opinions that differed from those of his friends.

In 1915 Williams also began to associate with a group of New York artists and writers known as "The

Others." Founded by the poet Alfred Kreymborg and the artist Man Ray. This group included Walter Conrad Arensberg, Wallace Stevens, Mina Loy, Marianne Moore and Marcel Duchamp.

In 1920, Williams was sharply criticized by many of his peers (like H.D., Pound, and Wallace Stevens) when he published one of his most experimental books, Kora in Hell: Improvisations. Pound called the work "incoherent" and H.D. thought the book was "flippant."

A few years later, Williams published one of his seminal books of poetry, Spring and All, which contained classic Williams poems like "By the road to the contagious hospital","The Red Wheelbarrow" and "To Elsie".

In his modernist epic collage of place, Paterson(published between 1946 and 1958), an account of the history, people, and essence of Paterson, New Jersey, he tried to write his own modernist epic poem, focusing on "the local" on a wider scale than he had previously attempted. He also examined the role of the poet in American society and famously summarized his poetic method in the phrase "No ideas but in things" (found in his poem "A Sort of a Song" and repeated again and again in Paterson).

In his later years, Williams took on the role of elder statesman and mentored and influenced younger poets. He had an especially significant influence on many of the American literary movements of the 1950s, including the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School.

After Williams suffered a heart attack in 1948, his health began to decline, and after 1949 a series of strokes followed. Williams died on March 4, 1963 at the age of seventy-nine at his home in Rutherford.He was buried in Hillside Cemetery in Lyndhurst, New Jersey.

"Works"7

As always, there was a tremendous gap between what Williams intended -"autotelic," "pure," aristocratic poetry exhibiting primarily metrical expertness - and what he actually wrote - Whitmanesque poetry celebrating the native and the local that affirmed the beauty and meaning of the commonplace in American democracy. Williams' best work, from Al Que Quiere(1917) on, was characterized by a tension between romantic feeling and the concern to confront the brute facts of reality.

"Gulls," one of the best early poems, suggests that the harshness of the gulls' cries makes a better hymn than those sung in the churches, which outrage true music. "By the Road to the Contagious Hospital," which Williams intended as a pure imagist poem, actually concludes with the supposedly "neutral" poet affirming the possibility of life even in the urban wasteland. The workmen in "Fine Work with Pitch and Copper" are not machines that react to stimuli but artists who shape and create their own ends.

When Williams tried to think out poetry in terms of the imagist theory of the separation between the artist and his material, he usually failed. His greatest poems, such as the late "A Unison" resemble the opposite sort of response, wherein the poem itself becomes a religious celebration of the union of man, nature, life, and reality in the Emersonian tradition. In 1934,his book Collected Poems was published,and in 1949,his Selected Letters.

Williams' major work,Paterson,begins at the head-waters of the Passaic River in the past and proceeds downstream, both geographically and temporally.Book IV,which takes place at the currently polluted mouth of the river, seems an exception to the affirmations of most of his work. But he was committed to using the actual facts of his locale and refused to ignore the decline and degeneration, the blight and perversion that characterized contemporary Paterson. The measure of his commitment to affirmation, however, can be marked in Book V and the unfinished Book VI of the poem, in which he strove to correct Book IV's impression of despair and denial. "Asphodel, That Greeny Flower" one of his last and finest poems, seems completely free of irrelevant imagist

baggage; in it Williams stands firm as a prophet of creative personality.

Other volumes of verse by Williams are Collected Later Poems(1950),Collected Earlier Poems(1951), and Desert Music(1954). His essays include the reinterpretations of American history in In the American Grain(1925),Selected Essays(1954), and I Wanted to Write a Poem(1958). His plays include A Dream of Love(1948) and Many Loves(1950). He also wrote novels:A Voyage to Pagany(1928); a triology concerning an American immigrant family,White Mule(1937);In the Money(1940); and The Build-up(1952). The William Carlos Williams Reader(1966) brings together whole poems and excerpts from his most important prose.

Literary view and style8

"Williams consciously wrote poetry that provided a counterpoint to that of Frost, Pound, and Eliot. In his work, he wished to speak like an American within an American context of small cities, immigrants, and workers. He wanted his poetic line to reflect the rhythm of everyday speech and drew his subject matter from ordinary surroundings -- a painting, a red wheelbarrow, a dish of plums."

He developed in his poetry a lucid, vital style that reproduced the characteristic rhythms of American speech. Often domestic in focus and "remarkable for its empathy, sympathy, its muscular and emotional identification with its subjects," Williams's poetry is also characteristically honest: "There is no optimistic blindness in Williams," wrote Randall Jarrell, "though there is a fresh gaiety, a stubborn or invincible joyousness."

In 1922, the year before Williams published Spring and All, T.S. Eliot published The Waste Land which became a literary sensation and overshadowed Williams' very different brand of poetic Modernism. In his Autobiography, Williams would later write, "I felt at once that [The Waste Land] had set me back twenty years and I'm sure it did. Critically, Eliot returned us to the classroom just at the moment when I felt we were on a point to escape to matters much closer to the essence of a new art form itself—rooted in the locality which should give it fruit." And although he respected the work of Eliot, Williams became openly critical of Eliot's highly intellectual style with its frequent use of foreign languages and allusions to classical and European literature. Instead, Williams preferred colloquial American English.

"Place in literary history" 9

"William Carlos Williams has always been known as an experimenter, an innovator, a revolutionary figure in American poetry."10

"He was given a posthumous Pulitzer Prize in 1963 for his 1962 collection Pictures from Brueghel and other poems. And he was United States Poet Laureate for 1952."11

William Carlos Williams' major work,Paterson(1946-1958, published entire 1963),a five-volume impressionistic poem, is an attempt to define the duties of the poet in the context of the American environment. Its appearance firmly established him as a major poet, and his work became greatly influential on the new generation of American poets.

While Williams may have felt abandoned when few came to his defense during the Library of Congress incident, little could have bolstered him the way the cult of third generation poets did when they adopted him as their father in poetry.

NOTE

1: https://www.wendangku.net/doc/d78662360.html,/wlkc/mg/view.asp?id=187

2:Francis Otto Matthiessen(February 19, 1902 - April 1, 1950) was an educator, scholar and literary critic influential in the fields of American literature and American studies.

3: Dadaism is a cultural movement that began in Zurich, Switzerland, during World War I and peaked from 1916 to 1922.The movement primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule the meaninglessness of the modern world as its participants saw it. In addition to being anti-war, Dada was also anti-bourgeois and anarchistic in nature.

4:https://www.wendangku.net/doc/d78662360.html,/wiki/William_Carlos_Williams

5:Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet, critic and a major figure of the early modernist movement

6:H.D. (born Hilda Doolittle) (September 10, 1886 – September 27, 1961) was an American poet, novelist and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington

7:任俐霖,,《东方企业文化》,2011年04期

8:https://www.wendangku.net/doc/d78662360.html,/wiki/William_Carlos_Williams

9：J.Hillis Miller,,Prentice-Hall,Inc.,1966,P27-36

10:https://www.wendangku.net/doc/d78662360.html,/bio/william-carlos-williams

11:https://www.wendangku.net/doc/d78662360.html,/wiki/Author:William_Carlos_Williams

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