20120309bbc

原文地址：https://www.wendangku.net/doc/f311836645.html,/listen/34533/
听写酷英文书写规范：https://www.wendangku.net/doc/f311836645.html,/group/topic/409956/

原文标题：《同流者》：当政治与情欲融为一体
内容简介：
贝托鲁奇的早期代表作《同流者》讲述了因童年阴影而疯狂崇拜法西斯的年轻人谋杀自己老师的故事。

HINTS:
Bernardo Bertolucci
The Conformist
Academy Award for Best Adaptation
Francis Ford Coppola
DVD
Marcello
Jean-Louis Trintignant
Mussolini
Fascist-->Fascism
Pasquale Iannone
Edinburgh University

主持：iamkaren
校对：z_i_y_u_n
翻译：lsy34
答疑：betty0925

正文：
Just over 40 years ago, art cinemas in Britain were showing Bernardo Bertolucci's The Conformist, a film set in 1930's Italy, lauded at international festivals and nominated for an Academy Award for Best Adaptation. It brought Bertolucci a wider international audience in the early 70s. Young American directors such as Francis Ford Coppola were influenced by it. And now it's available on DVD. At its centre is Marcello played by Jean-Louis Trintignant, a man who seeks to compensate for childhood trauma. By blending in so utterly he becomes part of the Fascist machine. He's even prepared to travel abroad to assassinate one of Mussolini's critics. Fascism itself is reflected in the architecture and the lighting even in the acting that dwarfs and distorts humanity on screen - sometimes impressive and sometimes absurd. For context, I contacted Pasquale Iannone, lecturer in film studies at Edinburgh University. What are the elements that make this arguably Bertolucci's finest work?


"It's a real virtuosity. It put into stress that the film doesn't draw on documentary or historical records of the Fascist era. But it draws on films of that era."


译文：
Just over 40 years ago, art cinemas in Britain were showing Bernardo Bertolucci's The Conformist, a film set in 1930's Italy, lauded at international festivals and nominated for an Academy Award for Best Adaptation. It brought Bertolucci a wider international audience in the early 70s. Young American directors such as Francis Ford Coppola were influenced by it. And now it's available on DVD. At its centre is Marcello played by Jean-Louis Trintignant, a man who seeks to compensate for childhood trauma. By blending in so utterly he becomes part of the Fascist machine. He's even prepared to travel abroad to assassinate one of Mussolini's critics. Fascism itself is reflected in the architecture and the lighting even in the acting that dwarfs and distorts humanity on screen - sometimes impressive and sometimes absurd. For context, I contacted Pasquale Iannone, lecturer in film studies at Edinburgh University. What are the elements that make this arguably Bertolucci's finest work?


"It's a real virtuosity. It put into stress that the film doesn't draw on documentary or historical records of the Fascist era. But it draws on films of that era."