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Analysis of The Fall of the House of Usher

Analysis of The Fall of the House of Usher
Analysis of The Fall of the House of Usher

The Fall of the House of Usher Analysis

The Fall of the House of Usher is one of the most popular short stories written by the great American writer Edgar Allan Poe, and it’s also regarded as the early and supreme example of the Gothic horror story. The whole story is written in first-person point of view.

Before we analyze this story, we’d better look into Poe’s personal life and get to know his Gothicism and literary theories. Poe’s most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. [1] Many of his works are generally considered part of the dark romanticism genre, a literary reaction to transcendentalism. [2] As in all of Poe’s short stories, “The Fall of the House of Usher” concentrates on a “single effect”—in this case, the degeneration and decay of the Usher house and family.

I will begin my “Fall of the House of Usher” analysis with the mood and atmosphere set in the s tory. The story’s beginning packs a gloomy punch:

“During the whole of a dull, dark, and soundless day in

the autumn of the year, when the clouds hung oppressively low

in the heavens, I had been passing alone, on horseback, through

a singularly dreary tract of country; and at length found myself,

as the shades of the evening drew on, within view of the

melancholy House of Usher." [3]

The house's melancholy surroundings are matched by the mansion's interior, highlighted by labyrinthine hallways, and a tomb in the basement. The paintings on the wall and books on the shelf contribute to the mansion's Gothic feel. Poe establishes the mood with specific word choice:

"There was an iciness, a sinking, a sickening of the

heart—an unredeemed dreariness of thought which no goading

of the imagination could torture into aught of the sublime.

What was it—I paused to think—what was it that so unnerved

me in the contemplation of the House of Usher?" [4]

"I felt that I breathed an atmosphere of sorrow. An air of

stern, deep, and irredeemable gloom hung over and pervaded

all." [5]

Poe carefully makes every word, every phrase, every sentence in the story contribute to the overall effect, horror, accompanied by oppressing morbidity and anxious anticipant of terrifying events. He also uses alliteration and consonance along with along with words derived from Anglo-Saxon to create harshness in the setting: dull and dark; tract of country, sinking and sickening, unredeemed dreariness, and many more.

In fact, the sickness and death of the Ushers is a result of the atmosphere surrounding the house of Usher. All the ghastly images inside the house symbolize the madness of the house’s inhab itants. Here are some main symbolization in this story. The name Usher means a doorkeeper, in this sense, Roderick Usher opens the door to a frightening world for the narrator. The tarn, small lake encircling the mansion and its reflecting image symbolize that Madeline as the twin of Roderick reflects his image and personality; the desire of the Ushers is to isolate themselves from the outside world. The bridge over the tarn implies that the narrator is Usher’s only link to the outside world.

The central th eme of “The Fall of the House of Usher” is terror that arises from the complexity and multiplicity of forces that shape human destiny. Dreadful, horrifying events result not from s single, uncomplicated circumstances. In Poe’s story, the House of Usher falls to ruin for the reasons of evil, isolation, madness and mystery.

References:

1. Kennedy, J. Gerald (1987). Poe, Death, and the Life of Writing. Yale University Press. p.3.

2. Koster, Donald N. (2002). "Influences of Transcendentalism on American Life and Literature", Literary Movements for Students Vol. 1. p.336.

3. Wu Weiren. History and Anthology of American Literature Vol. 1. Beijing: Foreign Language Teaching and Research Press 2007. p.136-141

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人教版高中语文必修必背课文精编W O R D版 IBM system office room 【A0816H-A0912AAAHH-GX8Q8-GNTHHJ8】

必修1 沁园春·长沙(全文)毛泽东 独立寒秋, 湘江北去, 橘子洲头。 看万山红遍, 层林尽染, 漫江碧透, 百舸争流。 鹰击长空, 鱼翔浅底, 万类霜天竞自由。 怅寥廓, 问苍茫大地, 谁主沉浮。 携来百侣曾游, 忆往昔峥嵘岁月稠。

恰同学少年, 风华正茂, 书生意气, 挥斥方遒。 指点江山, 激扬文字, 粪土当年万户侯。 曾记否, 到中流击水, 浪遏飞舟。 雨巷(全文)戴望舒撑着油纸伞,独自 彷徨在悠长、悠长 又寂寥的雨巷, 我希望逢着 一个丁香一样地

结着愁怨的姑娘。 她是有 丁香一样的颜色, 丁香一样的芬芳, 丁香一样的忧愁, 在雨中哀怨, 哀怨又彷徨; 她彷徨在这寂寥的雨巷,撑着油纸伞 像我一样, 像我一样地 默默彳亍着 冷漠、凄清,又惆怅。她默默地走近, 走近,又投出 太息一般的眼光

她飘过 像梦一般地, 像梦一般地凄婉迷茫。像梦中飘过 一枝丁香地, 我身旁飘过这个女郎;她默默地远了,远了,到了颓圮的篱墙, 走尽这雨巷。 在雨的哀曲里, 消了她的颜色, 散了她的芬芳, 消散了,甚至她的 太息般的眼光 丁香般的惆怅。 撑着油纸伞,独自

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