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有关公共标识的英文及中文翻译的文献综述

有关公共标识的英文及中文翻译的文献综述
有关公共标识的英文及中文翻译的文献综述

人文学院

毕业设计(论文)

文献综述

中文题目:谈公共标语的汉译英

英文题目:On C-E Translation of Public Signs

系别:外语系

班级:英语082

学号: 3444085667655

学生姓名:文某

指导教师:欧阳

2008年 3 月10 日

文献综述

01-文献综述范文-翻译-当前零翻译研究问题与对策

外国语学院2018届毕业论文文献综述(示范) 一、研究背景 近来多篇论文中出现零翻译的提法(杜争鸣,2000;邱懋如,2001;刘明东,2002;袁斌业,2002a,2002b,2002c,2002d;石琳,2003;余清萍,2003;余清萍,秦傲松,2004;肖耀田,2004),但国内学者所编三本译学词典(林煌天,1997;孙迎春,1999;方梦之,2004)均未出现零翻译这一词条,国外三本词典/术语著作(Shuttleworth & Cowie,1997;Baker,1998;Delisle,2004)亦未收入这一条目,只有国内孙迎春(2001)编著的《汉英双向翻译学语林》收进了“零翻译(音译、形译之一种)zero translation”(58页)及“zero translation零翻译(音译、形译之一种)”(268页)两个条目,同时又有贾影(2002)反对零翻译提法,并认为承认不可译有“积极作用”。但零翻译现象确实存在,如DIY(自己动手),IQ(智商),EQ(情商),这些零翻译词汇经常在汉语中出现。英语中也有类似情况,如美国《时代》周刊中报道中国特色事物时经常使用拼音,如aizi(矮子),pizi(痞子),shiganjia(实干家),yuan(缘)(王祥兵,2002),shuangying(双赢),guanxi(关系)(顾静,2005)。 这些研究成果揭示了零翻译现象的存在,引进了零翻译的概念,促进了翻译理论概念的扩大,但是从发表的论文及孙迎春(2001)的这两个条目来看,各自运用的名称虽同(也有不同,如杜争鸣称为不译),但概念的内涵及外延均有出入,因此有必要探讨当前零翻译研究的问题并提出相应研究对策。 二、研究现状及不足 1. 定义不统一、模糊不清 传统翻译理论多把零翻译归结为“音译法”、“移译法”,只看到技巧层面的意义,如秦建栋(1999)讨论“英汉词汇空缺现象刍议”列举“音译法”、“移译法”,袁斌业(2001)论及“英语本族人音译汉语词汇的语用分析”,虽然看到“音译在我国只能用来翻译名词,而在国外则可以用来翻译包括名词在内的各种词语”,但未能从中提炼出零翻译的概念,实际上这里已包含有零翻译与音译的某些区别。 国内最早使用zero translation这一术语的是杜争鸣(2000),但他称之为“不译”,并分析了直译、意译与不译三种翻译策略。他不停留于策略本身,从跨文化交际的视角分析了三种策略的社会语言学与跨文化交际涵义,并看到了不译的三层文化含义。不译背后体现译者对于翻译目的的认识,“而翻译的目的必然直接或间接地反映反映译者本人对翻译的文化含义的意识与潜意识,反映他翻译时所采取的文化姿态与立场。”即翻译观的问题。但从术语的精确性来说

英文文献综述样本 威尼斯商人

毕业论文 (或毕业设计) 文献综述 文献综述题目 (中文小二号黑体居中或英文Times New Roman小二号加粗居中或日文明朝体小二号加粗) 学生姓名指导教师 二级学院专业名称 班级学号 年月日

(标题Times New Roman三号加粗) The Literature Review of The Mystery of Antonio’s Sadness in The Merchant of Venice (正文用Times New Roman小四,1.5倍行距,各段首行空4个字符,书名用斜体加粗) Written sometime between 1596 and 1598, The Merchant of Venice is classified as both an early Shakespearean comedy (more specifically, as a "Christian comedy") and as one of the Bard's problem plays; it is a work in which good triumphs over evil, but serious themes are examined and some issues remain unresolved. In The Merchant of Venice , Shakespeare wove together two ancient folk tales, one involving a vengeful, greedy creditor trying to exact a pound of flesh, the other involving a marriage suitor's choice among three chests and thereby winning his (or her) mate. Shakespeare's treatment of the first standard plot scheme centers around the villain of Merchant, the Jewish moneylender Shylock, who seeks a literal pound of flesh from his Christian opposite, the generous, faithful Antonio. Shakespeare's version of the chest-choosing device revolves around the play's Christian heroine Portia, who steers her lover Bassanio toward the correct humble casket and then successfully defends his bosom friend Antonio from Shylock's horrid legal suit. Antonio, as the title character, is sad from the beginning to the end of the play but never names the cause of his melancholy even when his friends ask him. Antonio plays the role as an outcast in the play. Shakespeare uses Antonio’s sadness simply as the device to set the tragic tone in the comedy or make Antonio be one of his melancholic characters in his works? Or Antonio is the representative of the complicated human nature? Antonio's unexplained melancholy is a significant element in understanding the play. 1. Studies on The Merchant of V enice(Times New Roman + 四号+首缩进4字符,下同) Karl Marx once cited that Shakespeare is the greatest playwright in the world.

关于力的外文文献翻译、中英文翻译、外文翻译

五、外文资料翻译 Stress and Strain 1.Introduction to Mechanics of Materials Mechanics of materials is a branch of applied mechanics that deals with the behavior of solid bodies subjected to various types of loading. It is a field of study that i s known by a variety of names, including “strength of materials” and “mechanics of deformable bodies”. The solid bodies considered in this book include axially-loaded bars, shafts, beams, and columns, as well as structures that are assemblies of these components. Usually the objective of our analysis will be the determination of the stresses, strains, and deformations produced by the loads; if these quantities can be found for all values of load up to the failure load, then we will have obtained a complete picture of the mechanics behavior of the body. Theoretical analyses and experimental results have equally important roles in the study of mechanics of materials . On many occasion we will make logical derivations to obtain formulas and equations for predicting mechanics behavior, but at the same time we must recognize that these formulas cannot be used in a realistic way unless certain properties of the been made in the laboratory. Also , many problems of importance in engineering cannot be handled efficiently by theoretical means, and experimental measurements become a practical necessity. The historical development of mechanics of materials is a fascinating blend of both theory and experiment, with experiments pointing the way to useful results in some instances and with theory doing so in others①. Such famous men as Leonardo da Vinci(1452-1519) and Galileo Galilei (1564-1642) made experiments to adequate to determine the strength of wires , bars , and beams , although they did not develop any adequate theo ries (by today’s standards ) to explain their test results . By contrast , the famous mathematician Leonhard Euler(1707-1783) developed the mathematical theory any of columns and calculated the critical load of a column in 1744 , long before any experimental evidence existed to show the significance of his results ②. Thus , Euler’s theoretical results remained unused for many years, although today they form the basis of column theory. The importance of combining theoretical derivations with experimentally determined properties of materials will be evident theoretical derivations with experimentally determined properties of materials will be evident as we proceed with

文献综述 英文

文献综述 大学生时间管理研究——以郑州大学西亚斯国际学院为例 姓名:代永寒学号:20091211205 专业:工商管理班级:工本2班 史蒂芬?柯维的《要事第一》 “要事第一”,顾名思义是指重要的主要的事情要放在第一时间去完成。而在实际工作中我们往往是将认为急迫的紧要的事情放在第一时间完成; 本书通过四个象限来告诉我们如何区分事情的紧急性与重要性,从而告诉我们在平常的工作中应怎样去区分事情属轻属重,以及造成事情紧急性的原因,在平常工作中要注意哪些方面以避免出现紧急事件的情况。 第一象限包括四点:A危机 B 急迫的问题C最后期限迫近的项目 D 会议准备工作等。第一象限显得紧迫与重要,但我们要知道形成第一象限的紧迫与重要主要是因被延误及没有进行计划与预测及计划所致。第二象限包含准备工作、预防、价值、筹划、建立关系、真正的再创造与赋予能力。第二象限属于质量象限,属于重要但不紧迫的事情,但我们必须要去做,因只有这样才能避免出现第一象限包含的情况。第三象限包含干扰、电话;邮件、报告;某些会议;很多临近、急迫的事情及很多流行的活动。第三象限包括“紧急但不重要的事情”,而事实上它易给人造成假象,从而形成第一象限情况。第四象限包含琐事、打发时间的工作、某些电话,解闷,“逃避”行为、无关紧要的邮件及过多地看电视;第四象限属于既不紧急也不重要的事情,它是浪费象限,第四象限中的行为是堕落行为。这四个象限告诉我们如果在办事过程中不是以重要性而是以紧要性为出发点,就会出现第一第三甚至第四象限的情况,在平常的工作中,我们要加以区分,日常工作生活中往往事情越是紧迫,反而说明事情越不重要!像最近存货系统因急着想能早日上线,在运作过程中被卡住,故一心想着去解决软件中存在的问题,而忽略了与其他人员的沟通协调,存货上软件固然重要,但与公司整体运作相比就稍显其次,没合理分配其他人员手头事项,这样会导致其他问题的增多,从而会出现第一第三象限甚至于第四象限的浪费情况。 “要事第一”,告诉我们在日常的工作与生活中要从以下方面着手加以区分、

3000字英文参考文献及其翻译范例

3000字英文参考文献及其翻译 【注意:选用的英文一定要与自己的论文题目相关。 如果文章太长,可以节选(用省略号省略一些段略)。如果字数不够,可以选2至3篇,但要逐一注明详细出处。英文集中在一起放前面,对应的中文翻译放后面。中文翻译也要将出处翻译,除非是网页。 对文献的翻译一定要认真!对英文文献及其翻译的排版也要和论文正文一样! 特别注意:英文文献应该放在你的参考文献中。】 TOY RECALLS——IS CHINA THE PROBLEM Hari. Bapuji Paul W. Beamish China exports about 20 billion toys per year and they are the second most commonly imported item by U.S. and Canada. It is estimated that about 10,000 factories in China manufacture toys for export. Considering this mutual dependence, it is important that the problems resulting in recalls are addressed carefully. Although the largest portion of recalls by Mattel involved design flaws, the CEO of Mattel blamed the Chinese manufacturers by saying that the problem resulted ‘in this case (because) one of our manufacturers did not follow the rules’. Several analysts too blamed the Chinese manufacturers. By placing blame where it did not belong, there is a danger of losing the opportunity to learn from the errors that have occurred. The first step to learn from errors is to know why and where the error occurred. Further, the most critical step in preventing the recurrence of errors is to find out what and who can prevent it. ……

平面设计中英文对照外文翻译文献

(文档含英文原文和中文翻译) 中英文翻译 平面设计 任何时期平面设计可以参照一些艺术和专业学科侧重于视觉传达和介绍。采用多种方式相结合,创造和符号,图像和语句创建一个代表性的想法和信息。平面设计师可以使用印刷,视觉艺术和排版技术产生的最终结果。平面设计常常提到的进程,其中沟通是创造和产品设计。 共同使用的平面设计包括杂志,广告,产品包装和网页设计。例如,可能包括产品包装的标志或其他艺术作品,举办文字和纯粹的设计元素,如形状和颜色统一件。组成的一个最重要的特点,尤其是平面设计在使用前现有材料或不同的元素。 平面设计涵盖了人类历史上诸多领域,在此漫长的历史和在相对最近爆炸视觉传达中的第20和21世纪,人们有时是模糊的区别和重叠的广告艺术,平面设计和美术。毕竟,他们有着许多相同的内容,理论,原则,做法和语言,有时同样的客人或客户。广告艺术的最终目标是出售的商品和服务。在平面

设计,“其实质是使以信息,形成以思想,言论和感觉的经验”。 在唐朝( 618-906 )之间的第4和第7世纪的木块被切断打印纺织品和后重现佛典。阿藏印在868是已知最早的印刷书籍。 在19世纪后期欧洲,尤其是在英国,平面设计开始以独立的运动从美术中分离出来。蒙德里安称为父亲的图形设计。他是一个很好的艺术家,但是他在现代广告中利用现代电网系统在广告、印刷和网络布局网格。 于1849年,在大不列颠亨利科尔成为的主要力量之一在设计教育界,该国政府通告设计在杂志设计和制造的重要性。他组织了大型的展览作为庆祝现代工业技术和维多利亚式的设计。 从1892年至1896年威廉?莫里斯凯尔姆斯科特出版社出版的书籍的一些最重要的平面设计产品和工艺美术运动,并提出了一个非常赚钱的商机就是出版伟大文本论的图书并以高价出售给富人。莫里斯证明了市场的存在使平面设计在他们自己拥有的权利,并帮助开拓者从生产和美术分离设计。这历史相对论是,然而,重要的,因为它为第一次重大的反应对于十九世纪的陈旧的平面设计。莫里斯的工作,以及与其他私营新闻运动,直接影响新艺术风格和间接负责20世纪初非专业性平面设计的事态发展。 谁创造了最初的“平面设计”似乎存在争议。这被归因于英国的设计师和大学教授Richard Guyatt,但另一消息来源于20世纪初美国图书设计师William Addison Dwiggins。 伦敦地铁的标志设计是爱德华约翰斯顿于1916年设计的一个经典的现代而且使用了系统字体设计。 在20世纪20年代,苏联的建构主义应用于“智能生产”在不同领域的生产。个性化的运动艺术在俄罗斯大革命是没有价值的,从而走向以创造物体的功利为目的。他们设计的建筑、剧院集、海报、面料、服装、家具、徽标、菜单等。 Jan Tschichold 在他的1928年书中编纂了新的现代印刷原则,他后来否认他在这本书的法西斯主义哲学主张,但它仍然是非常有影响力。 Tschichold ,包豪斯印刷专家如赫伯特拜耳和拉斯洛莫霍伊一纳吉,和El Lissitzky 是平面设计之父都被我们今天所知。 他们首创的生产技术和文体设备,主要用于整个二十世纪。随后的几年看到平面设计在现代风格获得广泛的接受和应用。第二次世界大战结束后,美国经济的建立更需要平面设计,主要是广告和包装等。移居国外的德国包豪斯设计学院于1937年到芝加哥带来了“大规模生产”极简到美国;引发野火的“现代”建筑和设计。值得注意的名称世纪中叶现代设计包括阿德里安Frutiger ,设计师和Frutiger字体大学;保兰德,从20世纪30年代后期,直到他去世于1996年,采取的原则和适用包豪斯他们受欢迎的广告和标志设计,帮助创造一个独特的办法,美国的欧洲简约而成为一个主要的先驱。平面设计称为企业形象;约瑟夫米勒,罗克曼,设计的海报严重尚未获取1950年代和1960年代时代典型。 从道路标志到技术图表,从备忘录到参考手册,增强了平面设计的知识转让。可读性增强了文字的视觉效果。 设计还可以通过理念或有效的视觉传播帮助销售产品。将它应用到产品和公司识别系统的要素像标志、颜色和文字。连同这些被定义为品牌。品牌已日益成为重要的提供的服务范围,许多平面设计师,企业形象和条件往往是同时交替使用。

10kV小区供配电英文文献及中文翻译

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图像科学综述 外文翻译 外文文献 英文文献

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