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英语选修六

英语选修六
英语选修六

英语选修六

unit1

影响某人/某物influence sb./sth. = have influence on/over sb./sth.

丢某人有良好的/恶劣的/有害的影响have a good/bad/harmful influence on sb. 因此;所以consequently = in consequence = as a consequence = as a result

由于as a consequence of = in consequence of = as a result of

承担......的后果take the consequences (of) ...

这无关紧要。It is of no consequence.

达到目的;实现目标achieve one’s aim

对准....take aim at

以....为目标;旨在....with the aim of

用某物朝向、瞄准某人/某物aim sth. at sb./sth.

意欲、企图、力求做某事aim at doing sth./aim to do sth.

瞄准,以....为目标aim for

目的是;旨在be aimed at

具有....的特征be typical of...

只有某人才会....;某人的特点是...It is typical of sb. to do...

一条建议a piece of advice

拥有某物possess sth. = take/have possession of sth.

个人财产personal possessions

拥有某物come into possession of sth.

某人拥有,持有in sb. ‘s possesssion

拥有某物in possession of sth.

试图做...attempt to do

对...的尝试an attempt at (doing) sth.

谋杀未遂an attempted murder

试图做...make an attempt to do

第一次尝试at the first attempt

试图做某事in an attempt to do sth.

保持体形keep one’s figure

身材好have a good figure

历史上的大人物a great figure in history

理解(某人);弄明白;计算出figure out

料想;估计figure on

不出所料!That figure!

一方面...另一方面...on (the) one hand....on the other (hand)....

一则...再则...for one thing ... for another (thing)....

对...提出上诉appeal against ....

恳求援助an appeal for aid

Unit2

表达某人的感情/意思convey one’s feelings/meanings

向某人表达/传递某物convey sth. to sb

把某人/某物从A地运送到B地convey sb./sth. form A to B

使...变成... transform...into...

由...变成...;由...迁到... be transformed form ... into ...

许多loads of = a load of

打消某人的顾虑take a load off one’s mind

用...装载...;使...负担load sth./sb with sth.

把...装入(到)...;使...负担load sth. into/onto sb./sth.

装载货物于load up

同某人交换某物exchange sth. With sd.

把A换成exchange A for B

关于...交换意见have an exchange of views on...

交换... in exchange for

恰如其分的反应/恰当的措施/方法an appropriate response / measure / method 对...合适be appropriate for/to ...

适合某人做某事it is appropriate for sb. to do sth

...是合适的It is appropriate that ...

(1)某人用完某物

花完...,用完... run out of ...

用光... use up ...

吃光,吃完... eat up ...

喝光... drink up ...

烧光... burn up ...

卖完... sell out of ...

(2)某物被用光

用完sth.+run out = sth.+be used up

(耐心、力气等)耗尽sth.+give out

被卖完sth.+be sold out

编故事/借口make up a story/an excuse

凑足,补齐数目或金额make up sth.

(为某人)化妆make (sb.) up

A和B组成/构成C A and B make up C

某物由...组成sth. be made up of ...

准备床铺make up (=prepare) a bed

弥补make up for

和...和解make up with

请稍等。Hold on , please.

紧紧抓住;保留或持有某物hold on to

组止;抑制(感情等)hold back

保持距离;不接近;拖延hold off

维持;守住;伸出hold out

滔滔不绝地说hold forth

举起;拦截;阻碍;延误hold up

使失望;放下;降下let down

更不用提;更别说let alone

解雇;放开;释放let go

松手,放开let go of

由它去吧!别管它!Let it be!

测试;试验try out

参加...选拔或试演try out for ...

试穿(衣物)try sth. on

尽力try one’s best

试试运气try one’s luck

...的原因the reason for sth. /doing sth. Is/was that ...

the reason why/for which ... Is/was that ...

the reason that/which ... is/was that ...

Unit3

强调...的重要性stress the importance of

强调...的必要性stress the necessity of

在...的压力之下under the stress of

重视;着重;给...以压力put/lay stress on/upon

对...产生影响have an effect on

生效take/come into effect

实施;使生效bring/put ... Into effect

没有效果的;没有影响的of no effect

实际上,事实上in effect

副作用side effects

保持健康keep fit

大小非常适合某人sth. fit sb. well/perfectly ...

使某人/自己胜任谋职位或任务fit sb./oneself for sth.

使某人称职fit sb. for the job/office/position

使某人适合做某事fit sb. To do sth.

找到见某人或做某事的时间fit sb./sth. in

(与...)合得来,适应fit in(with sb./sth.)

对...上瘾be/get/become addicted to+n./pron./doing

某事让某人对...上瘾sth. addict sb. To (doing) sth.

克制酒瘾overcome one’s addiction to alcohol

冒险做某事take/run a risk/risks doing sth.= risk doing sth.

冒...的危险take/run the risk of/that ...

冒生命危险去做某事risk one’s life to do sth. = do sth. at the risk of one’s life 自担风险,出了危险自己负责at one’s own risk

处于危险中at risk

冒...的危险at the risk of ...

无论冒什么风险at the risks = at any risk

禁止某人(做)某事ban sb. From (doing) sth.

宣布禁止... declare a ban on ...

禁止... put a ban on ...

解除对...的禁令remove the ban on

受禁止;被查禁under a ban

被禁止做某事be banned from doing sth.

禁止;禁令there be a ban on ...

应支付给某人;应给予某人;欠下某人be due to sb.

应该得到某物be due for sth.

预计做... be due to do

由于/因为某事be due to sth.

习惯于(做)某事become/get/be accustomed to (doing) sth. = become/get/be used to (doing) sth. 使自己/某人习惯于(做)某事accustom oneself/sb. to (doing) sth.

伸手去拿某物reach for sth

向需要帮助的人伸出援助之手reach out to those in need

与某人取得联系reach sb.

某人伸手可及的/力所能及的within one’s reach =within the reach of sb.

某人力所不能及的beyond/out of one’s reach =beyond/out of the reach of sb.

河的上游地区the upper reaches of the river

从句尽管...in spite of/despite+sth./doing/what

不管...的事实in spite of the fact that ...

不管regardless of

Unit4

大量;许多quantities of

大量的/少量的a large/small quantity of

反对(做)某事/某人做某事oppose (doing) sth./sb. doing sth.

反对;与对立be opposed to ...

在...情况下in a state of ...

状况良好/不好in a good/bad state

心态a state of mind

据称... It be stated that ...

在...到...的范围内变化range from ... To ...

在...和...之间变动range between ... and ...

一排/系列a range of

在射程以内/以外in/within/out of/beyond firing range

超出...的范围beyond the range of ...

找7和9的平均值average 7 and 9

平均看来;一般来说on average

平均数之上;在一般水平之上above average

平均数之下;在一般水平之下below average

拥护/主张/提倡(做)某事advocate (doing) sth.

某事的支持者/提倡者/辩护者an advocate of sth.

发生come about

....是怎么发生的?How does it come about that ...?

导致(结果)result in

因...而产生,起因于result from

结果as a result

由于...的结果as a result of

毫无结果,徒劳without result

忍受...

bear/stand/tolerate/endure/put up with sth.

bear/stand/tolerate/endure doing sth.

bear to do sth.

bear/stand/tolerate sb. doing sth.

节省;储蓄;储存put aside

收起来put away

提出建议;把...向前拨put forward

延期;推迟put off

熄灭;扑灭put out

接通电话put through

赞同,订阅,捐赠subscribe to

大体上;基本上on the whole

作为一个整体;总体上as a whole

大体上;通常in general

一般来说generally speaking

把...比作...;把...和...相比compare ... to ...

把...与...进行比较compare ... with ...

交换意见compare notes

无与伦比beyond/without compare

与...比起来;相比之下by/in comparison with ...

只要so/as long as

如果不...;除非unless (=if...not)

假如supposing (that)/provided/providing (that)

在...的条件下on condition that

假使in case

Unit5

适合某人suit sb.

适合某人的需要suit one’s needs

适合于某人/某物be suitable for.sb./sth.

适合做某事be suitable to do sth.

为...担心/担忧be anxious for/about

急于做某事be anxious to do sth.

希望... be anxious that ...

焦虑地with anxiety = anxiously

冻得/气得打哆嗦tremble with cold/anger

一想到...就担心/害怕tremble at the thought of ...

用颤抖的声音in a trembling voice

处于恐慌状态in a state of panic

对...慌恐panic about/over

陷入恐慌get into a panic

慌乱中作出的决定a panic decision

使某人惊慌panic sb.

某人惊慌/仓促地做某事sb.be panicked into doing sth.

保证...guarantee sth./that...=give a guarantee of sth./that... 向某人保证某事guarantee sb. sth./guarantee sth. to sb.

保证做某事guarantee to do sth.

一定会/保准会做...Tt’s guaranteed to do... 保证某事/物(是)guarantee sth. (to be) ... 保证某人免受... guarantee sb. against

在保修期内under guarantee

随...变化;改变vary with

由...到...不等vary form ... to ...

(大小、形状等)不同;有别vary in sth. 从...到...转变vary between ... and ...

种种a variety of = varieties of

摸索着前进feel one’s way

挤着前进push one’s way

找到...的路find one’s way to

蜿蜒前行wind one’s way

杀出一条路fight one’s way

改过mend one’s ways

特地,不怕麻烦地go out of one’s way

迷路lose one’s way

让路;让位make way for

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高中英语选修6 Unit 1 A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new

高中英语选修六单词表

Unit 1 realistic adj.现实主义的;逼真的;现实的abstract adj.抽象的;深奥的n.摘要sculpture n. 雕塑sculptor n.雕刻家;雕塑家gallery n.美术陈列室;画廊faith n.信任;信心;信念faithfully adv.忠实地consequently adv.所以;因而aim n.目标;目的 vi. & vt.瞄准;(向某方向)努力 con ve ntio nal adj.常规的;传统的;因循 守旧的 typical adj.典型的;有代表性的evide nt adj.明显的;明白的ren aissa nee n.新生;复兴;复活adopt vt.采用;采纳;收养huma ni stic adj.人道主义的possess vt.拥有;具有;支配possession n.(尤作复数)所有;财产superb adj.卓越的;杰出的;极好的perspective n.透视画法;透视图;观点technique n.技术;方法;技能coincidenee n.巧合(的事);by coin cide nee 巧合地masterpiece n.杰作;名著impressionism n.印象主义;印象派impressionist adj.印象派的 n.印象派艺术家 post-impressi oni stadj. 后印象派的n. 后印象派艺术家 a great deal 大量shadow n.阴影;影子ridiculous adj.荒谬的;可笑的con troversial adj.争论的;争议的attempt n.努力;尝试;企图 vt.尝试;企图 on the other hand (可是)另一方面predict vt.预言;预告;预测 Iandscape n.风景;景色specific adj.确切的;特定的figure n.画像;身材;数字clay n.黏土critic n.评论家;批评者bronze n.青铜;青铜色;青铜制艺术品marble n.大理石carve vt. 雕刻;刻记 delicate adj.脆弱的;容易生病的;精致的canvas n. 帆布;画布 caf e n.咖啡馆;小餐馆allergic adj.过敏性的;对...... 过敏的effectively adv.有效地exhibition n.展览;陈列;展览会aggressive adj.敢作敢为的;侵略的;好斗的 scholar n.学者flesh n.肉;肌肉;肉体in the flesh 活着的;本人geometry n.几何学bunch n.束;串ave nue n.林荫道;道路;大街 prefere nee n.喜爱;偏爱 display vt.展示;陈列;显露appeal vi.有感染力;呼吁;求助 vt.将.... 上诉n.呼吁;恳求appeal to (对某人)有吸引力;(使某人)感兴趣;呼吁 fragile adj.精细的;易碎的;脆弱的circular adj.圆形的;环形的;循环的metropolita n adj.主要都市的;大城市的reputatio n n.名声;名誉civilizati on n.文明;文化;文明社会 visual adj.视觉的;看得见的fragra nt adj.香的;令人愉快的con temporary adj.当代的;同时代的 perma nent adj.永久的;持久的 district n.区;区域;行政区committee n.委员会sig nature n.署名;签字

人教版《英语选修6》(普通高中课程标准实验教科书)

人教版《英语选修6》(普通高中课程标准实验教科书) 单元词汇、音标、词义。Unit 1 realistic/ri?'listik/ a.现实主义的;逼真的;现实的 abstract/'?bstr?kt/ a.抽象的;深奥的n.摘要 sculpture/'sk?lpt??/n.雕塑 sculptor/'sk?lpt?/n.雕刻家;雕塑家 gallery/'g?l?ri/n.美术陈列室;画廊 faith/feiθ/n.信任;信心;信念 faithfully/'feiθfuli/ad.忠实地 consequently/'k?nsikw?ntli/ad.所以;因而 aim/eim/n.目标;目的vi.vi.瞄准;(向某方向)努力 conventional/k?n'ven??nl/ a.常规的;传统的;因循守旧的 typical/'tipik?l/ a.典型的;有代表性的 evident/'evid?nt/ a.明显的;明白的 Giotto di Bondone乔托 renaissance/r?'neis?ns/n.新生;复兴;复活 the Renaissance文艺复兴(时期) adopt/?'d?pt/vt.采用;采纳;收养 humanistic/hju:m?'nistik/ a.人道主义的 possess/'p?'zes/vt.拥有;具有;支配 possession/p?'ze??n/n.所有;财产 superb/sju:'p?:b/ a.卓越的;杰出的;极好的 perspective/p?:'spektiv/n.透视画法;透视图;观点 technique/tek'ni:k/n.技术;方法;技能 Masaccio/mɑ:'zɑ:tt?ou/马萨乔 coincidence/'k?uin'sid?ns/n.巧合(的事);相合 by coincidence巧合地 masterpiece/'mɑ:st?pi:s/n.杰作;名著 impressionism/im'pr???n'iz?m/n.印象主义;印象派 impressionist/im'pre??nist/ a.印象派的n.印象派艺术家 post-impressionist a.后印象派的n.后印象派艺术家 a great deal n.大量 shadow/'??d?u/n.阴影;影子 ridiculous/ri'dikjul?s/ a.荒谬的;可笑的 controversial/'k?ntr?'v?:??l/ a.争论的;争议的 attempt/?'tempt/n.努力;尝试;企图vt.尝试;企图 on the other hand adv.(可是)另一方面

新课标高一英语选修6单词表完整版

选修六 Unit 1 △realistic adj. 现实主义的;逼真的;现实的abstract adj. 抽象的;深奥的n. 摘要 sculpture n. 雕塑 △sculptor n. 雕刻家;雕塑家 gallery n. 美术陈列室;画廊 faith n. 信任;信心;信念 faithfully adv. 忠实地 △consequently adv. 所以;因而 aim n. 目标;目的vi. & vt. 瞄准;(向某方向)努力 conventional adj. 常规的;传统的;因循守旧的typical adj. 典型的;有代表性的 evident adj. 明显的;明白的 △Giotto di Bondone 乔托(意大利画家、雕刻家、建 筑师) △renaissance n. 新生;复兴;复活 △the Renaissance 文艺复兴(时期) adopt vt. 采用;采纳;收养 △humanistic adj. 人道主义的 possess vt. 拥有;具有;支配 possession n. (尤作复数)所有;财产 superb adj. 卓越的;杰出的;极好的 △perspective n. 透视画法;透视图;观点technique n. 技术;方法;技能 △Masaccio 马萨乔(意大利画家) coincidence n. 巧合(的事);(事情、口味、故事 等)相合 by coincidence 巧合地 △masterpiece n. 杰作;名著 △impressionism n. 印象主义; 印象派△impressionist adj. 印象派的n. 印象派艺术家 △post-impressionist adj. 后印象派的n. 后印象派 艺术家 a great deal 大量 shadow n. 阴影;影子 ridiculous adj. 荒谬的;可笑的 controversial adj. 争论的;争议的 attempt n. 努力;尝试;企图vt. 尝试;企图 on the other hand (可是)另一方面 predict vt. 预言;预告;预测 △landscape n. 风景;景色 specific adj. 确切的;特定的 figure n. 画像;身材;数字 clay n. 黏土 △critic n. 评论家;批评者 △bronze n. 青铜;青铜色;青铜制艺术品 marble n. 大理石 △Mona Lisa 蒙娜丽莎(达芬奇所作的一幅著名肖像 画) △Leonardo da Vinc i 列奥纳多?达?芬奇(意大利著名 画家) carve vt. 雕刻;刻记 delicate adj. 脆弱的;容易生病的;精致的 △Michelangelo 米开朗基罗(意大利文艺复兴雕刻家、 画家、建筑师和诗人) △canvas n. 帆布;画布 △Picasso 毕加索(西班牙画家) cafén. 咖啡馆;小餐馆 allergic adj. 过敏性的;对……过敏的 △effectively adv. 有效地 exhibition n. 展览;陈列;展览会 aggressive adj. 敢作敢为的;侵略的;好斗的 scholar n. 学者 flesh n. 肉;肌肉;肉体 in the flesh 活着的;本人 △Matisse 马蒂斯(法国画家) geometry n. 几何学 bunch n. 束;串 △ Manhattan n. 曼哈顿岛;曼哈顿区(纽约市中心) avenue n. 林荫道;道路;大街 preference n. 喜爱;偏爱 △Guggenheim Museum 古根海姆博物馆 △display vt. 展示;陈列;显露 appeal vi. 有感染力;呼吁;求助vt. 将……上诉 n. 呼吁;恳求 appeal to (对某人)有吸引力;(使某人)感兴趣 fragile adj. 精细的;易碎的;脆弱的 △circular adj. 圆形的;环形的;循环的 △metropolitan adj. 主要都市的;大城市的 reputation n. 名声;名誉 civilization n. 文明;文化;文明社会 Egypt n. 埃及(东北非国家) Egyptian adj. 埃及的;埃及人的 visual adj. 视觉的;看得见的 fragrant adj. 香的;令人愉快的 △Monet 莫奈(法国画家) △Whitney 惠特尼 △Madison n. 麦迪逊 contemporary adj. 当代的; 同时代的 permanent adj. 永久的;持久的 district n. 区;区域;行政区 committee n. 委员会 signature n. 署名;签字 Unit 2 △poetry n. 诗(总称);诗意 tick vt. 给……标记号

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人教版英语选修六课 文原文

Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is

选修6英语课本原文文档

高中英语选修 6 Unit 1 A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on

人教版英语选修六课文原文.doc

Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is because the Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles,but without the Impressionists, many of these painting styles might not exsist. On the one hand, some modern art is abstract; that is, the painter does not attempt to paint objects as we see them with our eyes, but instead concentrates n certain qualities of the object,

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