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美国文学诗歌赏析

美国文学诗歌赏析
美国文学诗歌赏析

1. Analyze the poem “The Wild Honey Suckle”

Understand the title: 1.The name honeysuckle comes from the sweet nectar that the flower produces to intoxicate the greedy bee. Its powerful fragrance seduces the human senses as it pervades the air. The perfume o f this passionate plant may turn a maiden?s head, hence wild honeysuckle is a symbol of inconstancy in love.2. The word “wild” implies her living place; she lives in wilderness not in paradise or house; so she will not be appreciated by others and feels sorrowful. Also it implies the nature, so we can say the writer is describing the nature.

2. Analyze Whitman’s “Song of Myself” (Over 200 words)

"Song of Myself" is all about the human experience. The human experience, here, means what men of the past, present and future have seen, touched, smelt, and heard. In this poem Whitman is explaining how all of humanity is like one living organism, and no one part is more important than the other. In section 44 of "Song of Myself" Whitman says, "We have thus far exhausted trillions of winters and summers, There are trillions ahead, and trillions ahead of them. Births have brought us richness and variety, And other births will bring us richness and variety. I do not call one greater and one smaller, That which fills its period and place is equal to any." It is clear that Whitman had a perspective of the human race and its history that escaped most writers. More specifically, Whitman speaks of equal contribution to the human experience in section 42: "Here and there with dimes on the eyes walking, To feed the greed of the belly the brains liberally spooning, Tickets buying, taking, selling, but in to the feast never once going, Many sweating, ploughing, thrashing, and then the chaff for payment receiving, A few idly owning, and they the wheat continually claiming. This is the city and I am one of the citizens, Whatever interests the rest interests me, politics, wars, markets, newspapers, schools, The mayor and councils, banks, tariffs, steamships, factories, stocks, stores, real estate and personal estate. 3. Emily’s “Because I Could Not Stop for Death” (Over 300 words)

The poem begins with a leisurely image. At first, the protagonist feels totally at ease and the usually frightening death is described as if a familiar friend, gentle and polite. Continuingly, the poem is developed upon a basic metaphor that life is a journey. It was truly rather old a comparison, but Dickinson enriched it with her creativity and imagination: "School, where Children strove" --childhood; "Fields of Gazing Grain"--maturity; and "Setting Sun"--old age. Then “the Dews drew quivering and chill-” makes the protagonist feel terribly cold, which may mean that they are getting nearer and nearer to the tomb. But at last, his companions, Immortality and Death, finally desert him and leave him alone to go toward Eternity.

So it seems that though death cheats him and at the same time deserts him, the experience of death itself is not painful. Emily Dickinson?s poems just explain this kind of essence of life, which then lead you to a world of imagination and thinking.

4. Appreciate the poem “In a Station of the Metro”.

The poem is essentially a set of images that have unexpected likeness and convey the rare emotion that Pound was experiencing at that time. Arguably the heart of the poem is not the first line, nor the second, but the mental process that links the two together. "In a poem of this sort," as Pound explained, "one is trying to record the precise instant when a thing outward and objective transforms itself, or darts into a thing inward and subjective." This darting takes place between the first and second lines. The pivotal semi-colon has stirred

debate as to whether the first line is in fact subordinate to the second or both lines are of equal, independent importance. Pound contrasts the factual, mundane image that he actually witnessed with a metaphor from nature and thus infuses this “apparition” with visual beauty. There is a quick transition from the statement of the first line to the second line?s vivid metaphor; this …super-pository? technique exemplifies the Japanese haiku style. The word “apparition” is considered crucial as it evokes a mystical and supernatural sense of imprecision which is then reinforced by the metaphor of the second line. The plosive word …Petals? conjures ideas of delicate, feminine beauty which contrasts with the bleakness of the …wet, black bough?. What the poem signifies is questionable; many critics argue that it deliberately transcends traditional form and therefore its meaning is solely found in its technique as opposed to in its content. However when Pound had the inspiration to write this poem few of these considerations came into view. He simply wished to translate his perception of beauty in the midst of ugliness into a single, perfect image in written form.

It is also worth noting that the number of words in the poem (fourteen) is the same as the number of lines in a sonnet. The words are distributed with eight in the first line and six in the second, mirroring the octet-sestet form of the Italian (or Petrarchan) sonnet.

5. Appreciate the poem “Stopping by Woods on a Snow Evening”.

“Stopping by Woods on a Snowy Evening,” like many of Frost's poems,explores the theme of the individual caught between nature and civilization. The speaker's location on the border between civilization and wilderness echoes a common theme throughout American literature. The speaker is drawn to the beauty and allure of the woods, which represent nature, but has obligations—“promises to keep”—which draw him away from nature and back to society and the world of men. The speaker is thus faced with a choice of whether to give in to the allure of nature, or remain in the realm of society. Some critics have interpreted the poem as a meditation on death—the woods represent the allure of death, perhaps suicide, which the speaker resists in order to return to the mundane tasks which order daily life.

6. Analyze the poem “The Road Not Taken”.

the poem is inspirational, a paean to individualism and non-conformism.

The poem consists of four stanzas. In the first stanza, the speaker describes his position.

He has been out walking in the woods and comes to two roads, and he stands looking as far down each one as he can see. He would like to try out both, but doubts he could do that, so therefore he continues to look down the roads for a long time trying to make his decision about which road to take. The ironic interpretation, widely held by critics, is that the poem is instead about regret and personal myth-making, rationalizing our decisions.

In this interpretation, the final two lines:

I took the one less traveled by,

And that has made all the difference.

are ironic : the choice made little or no difference at all, the speaker's protestations to the contrary. The speaker admits in the second and third stanzas that both paths may be equally worn and equally leaf-covered, and it is only in his future recollection that he will call one road "less traveled by".

The sigh, widely interpreted as a sigh of regret, might also be interpreted ironically: in a 1925 letter to Cristine Yates of Dickson, Tennessee, asking about the sigh, Frost replied: "It was my rather private jest at the expense of those who might think I would yet live to be sorry for the way I had taken in life."

7. Analyze the poem “Anecdote of the Jar”.

This famous, much-anthologized poem succinctly accommodates a remarkable number of different and plausible interpretations, as Jacqueline Brogan observes in a discussion of how she teaches it to her students.It can be approached from a New Critical perspective as a poem about writing poetry and making art generally. From a poststructuralist perspective the poem is concerned with temporal and linguistic disjunction, especially in the convoluted syntax of the last two lines. A feminist perspective reveals a poem concerned with male dominance over a traditionally feminized landscape.

A cultural critic might find a sense of industrial imperialism. Brogan concludes: "When the

debate gets particularly intense, I introduce Roy Harvey Pearce's discovery of the Dominion canning jars (a picture of which is then passed around)."

8. Analyze T. S. Eliot’s “The Love Song of J. Alfred Prufrock”. (Over 500words)

On the surface, "The Love Song of J. Alfred Prufrock" relays the thoughts of a sexually frustrated middle-aged man who wants to say something but is afraid to do so, and ultimately does not.The dispute, however, lies in to whom Prufrock is speaking, whether he is actually going anywhere, what he wants to say, and to what the various images refer.

The intended audience is not evident. Some believe that Prufrock is talking to another person or directly to the reader, while others believe Prufrock's monologue is internal.

Perrine writes "The 'you and I' of the first line are divided parts of Prufrock's own nature", while Mutlu Konuk Blasing suggests that the "you and I" refers to the relationship between the dilemmas of the character and the author. Similarly, critics dispute whether Prufrock is going somewhere during the course of the poem. In the first half of the poem, Prufrock uses various outdoor images (the sky, streets, cheap restaurants and hotels, fog), and talks about how there will be time for various things before "the taking of toast and tea", and "time to turn back and descend the stair." This has led many to believe that Prufrock is on his way to an afternoon tea, in which he is preparing to ask this "overwhelming question". Others, however, believe that Prufrock is not physically going anywhere, but rather, is playing through it in his mind.

Perhaps the most significant dispute lies over the "overwhelming question" that Prufrock is trying to ask. Many believe that Prufrock is trying to tell a woman of his romantic interest in her, pointing to the various images of women's arms and clothing and the final few lines in which Prufrock laments that the mermaids will not sing to him. Others, however, believe that Prufrock is trying to express some deeper philosophical insight or disillusionment with society, but fears rejection, pointing to statements that express a disillusionment with society such as "I have measured out my life with coffee spoons" (line 51). Many believe that the poem is a criticism of Edwardian society and Prufrock's dilemma represents the inability to live a meaningful existence in the modern world. McCoy and Harlan wrote "For many readers in the 1920s, Prufrock seemed to epitomize the frustration and impotence of the modern individual. He seemed to represent thwarted desires and modern disillusionment."

As the poem uses the stream of consciousness technique, it is often difficult to determine what is meant to be interpreted literally or symbolically. In general, Eliot uses imagery which is indicative of Prufrock's character, representing aging and decay. For example, "When the evening is spread out against the sky / Like a patient etherized upon a table"

(lines 2-3), the "sawdust restaurants" and "cheap hotels," the yellow fog, and the afternoon "Asleep...tired... or it malingers" (line 77), are reminiscent of languor and decay, while Prufrock's various concerns about his hair and teeth, as well as the mermaids "Combing the white hair of the waves blown back / When the wind blows the water white and black," show his concern over aging.

英国文学史上个大名家

1 William Shakespeare威廉?莎士比亚1564~1616 ①Historical plays: Henry VI ; Henry IV : Richard III ; Henry V ;Richard II;Henry VIII ②Four Comedies:皆大欢喜; 第十二夜; 仲夏夜之梦; 威尼 斯商人 ③Four Tragedies:哈姆莱特; 奥赛罗; 李尔王; 麦克白 ④Shakespeare Sonnet :154 Three quatrain and one couplet, ababcdcdefefgg A sonnet is a lyric consisting of 14 lines, usually in iambic pentameter restricted to a definition rhyme scheme. 2. John Milton约翰?弥尔顿1608~1674 (诗人、政论家;失明后写《失乐园》、《复乐园》、《力士参孙》。) ①Epics: 失乐园 复乐园 ②Dramatic poem: < Samson Agonistes>力士参孙 ③论出版自由 为英国人民声辩 ④我的失明 This sonnet is written in iambic pentameter rhymed in abba abba cde cde, typical of Italian sonnet. Its theme is that people use their talent for God, and they serve him best sho can endure the suffering best. 3. John Bunyan约翰?班扬1628~1688 (代表作《天路历程》,宗教寓言,被誉为“具有永恒意义的百科全书”,是英国文学史上里程碑式著作。与但丁的《神曲》、奥古斯丁的《忏悔录》并列为世界三大宗教题材文学杰作。) Puritan poet(清教徒派诗人) ①Religionary Allegory:天路历程 4. John Donne the Metaphysical poet(玄学派诗人). Metaphysical Poetry(玄学诗):(用语)the diction is simple, the imagery is from the actual, (形式)the form is frequently an argument with the poet’s beloved, with god, or with himself.(主题:love, religious, thought) Artistic features: 1.conceits or imagery奇思妙喻 2.syllogism三段论 ①Meditations 沉思录 The Flea 虱子 ②Songs And Sonnets Holy Sonnets ③Valediction:

英国诗歌欣赏期末考试题(附答案)

I.Multiple Choice 1.To commerate the death of his young wife, __________wrote the poem Annabel Lee. a. D.H. Lawrence b. John Milton c. Philip Phreneau d. Edgar Allan Poe 2. In Leisure, ____________ thinks that it is a poor life if “we have no time to stand and stare” a. John Keats b. William Henry Davies c. Alexander Pope d. John Donne 3.. In Amy Lowell’s Falling Snow, the poet says that “When the temple bell rings again/ they will be covered and gone”. “They” here refers to ______ a. the wooden clogs b. footprints c. the pilgrims d. none of the above 4. The “busy archer”in Philip Sydney’s To the Moon refers to____ a. the poet himself b. Cupid c. a comrade-in-arms of the poet d. none of the above 5. “Act____act in the glorious present”is perphaps the most soul-stirring line in _________’s poem A Psalm of Life. a. Henry Wadsworth Longfellow b. Percy Bissy Shelly c. Walt Whitman d. Carl Sandburg 6. In Song of the Rain, _________ paints a rosy picture of happy family life where the poet is “Safe in the House with my boyhood love/ And our children are asleep in the attic above”. a. Kenneth Mackenzie b. Carl Sandburg c. Hugh MacCrae d. Jerard Manley Hopkins 7. “Day brought back my night”is a well-praised phrase from __________’s On His Deceased Wife. a. Edgar Allan Poe b. Robert Frost c. John Milton d. Philip Sydney 8. In James Shirley’s poem Death the Leveller, the word “leveller” means a. something that reduces everything to nothing b. something that brings equality to all c. something that levels the ground d. none of the abov e. 9. What does “Fire” in Robert Frost’s poem Fire and Ice symbolize? a. war b. anger c. love d. desire 10. In John Keat’s poem The Terror of Death, the phrase “unreflecting love” means a. love without calculation b. love without preparation c. love never thought of d. love involving many considerations II.Blank Filling 1.One word is too often ________, For me to ________ it One feeling is too ______distained, For ______ to distain it .

美国文学赏析

Ezra Pound (埃兹拉?庞德) In a Station of the Metro The apparition of these faces in the crowd;人群中这些面孔幽灵般闪现Petals on a wet,black bough.湿漉漉的黑色枝条上的众多花瓣 1. Why does the poet call the faces of pedestrians "apparition"? These pedestrians are all walking in a hurry amidst the drizzling rain. 2.What do "petals" and "bough" stand for? Petals refer to the faces while the bough stands for the floating crowd. Robert Frost (1)Fire and Ice Some say the world will end in fire,有人说世界将终结于火, Some say in ice.有人说是冰。 From what I’ve tasted of desire,从我尝过的欲望之果 I hold with those who favor fire.我赞同倾向于火之说。 But if it had to perish twice,但若它非得两度沉沦 I think I know enough of hate.我想我对仇恨了解也够多 To know that for destruction ice可以说要是去毁灭,

大三_英国文学史(绝对标准中文版)

英国文学源远流长,经历了长期、复杂的发展演变过程。在这个过程中,文学本体以外的各种现实的、历史的、政治的、文化的力量对文学发生着影响,文学内部遵循自身规律,历经盎格鲁-撒克逊、文艺复兴、新古典主义、浪漫主义、现实主义、现代主义等不同历史阶段。下面对英国文学的发展过程作一概述。 一、中世纪文学(约5世纪-1485) 英国最初的文学同其他国家最初的文学一样,不是书面的,而是口头的。故事与传说口头流传,并在讲述中不断得到加工、扩展,最后才有写本。公元5世纪中叶,盎格鲁、撒克逊、朱特三个日耳曼部落开始从丹麦以及现在的荷兰一带地区迁入不列颠。盎格鲁-撒克逊时代给我们留下的古英语文学作品中,最重要的一部是《贝奥武甫》(Beowulf),它被认为是英国的民族史诗。《贝奥武甫》讲述主人公贝尔武甫斩妖除魔、与火龙搏斗的故事,具有神话传奇色彩。这部作品取材于日耳曼民间传说,随盎格鲁-撒克逊人入侵传入今天的英国,现在我们所看到的诗是8世纪初由英格兰诗人写定的,当时,不列颠正处于从中世纪异教社会向以基督教文化为主导的新型社会过渡的时期。因此,《贝奥武甫》也反映了7、8世纪不列颠的生活风貌,呈现出新旧生活方式的混合,兼有氏族时期的英雄主义和封建时期的理想,体现了非基督教日耳曼文化和基督教文化两种不同的传统。 公元1066年,居住在法国北部的诺曼底人在威廉公爵率领下越过英吉利海峡,征服英格兰。诺曼底人占领英格兰后,封建等级制度得以加强和完备,法国文化占据主导地位,法语成为宫廷和上层贵族社会的语言。这一时期风行一时的文学形式是浪漫传奇,流传最广的是关于亚瑟王和圆桌骑士的故事。《高文爵士和绿衣骑士》(Sir Gawain and the Green Knight,1375-1400)以亚瑟王和他的骑士为题材,歌颂勇敢、忠贞、美德,是中古英语传奇最精美的作品之一。传奇文学专门描写高贵的骑士所经历的冒险生活和浪漫爱情,是英国封建社会发展到成熟阶段一种社会理想的体现。 14世纪以后,英国资本主义工商业发展较快,市民阶级兴起,英语逐渐恢复了它的声誉,社会各阶层普遍使用英语,为优秀英语文学作品的产生提供了条件。杰弗利·乔叟(Geoffrey Chaucer, 1343-1400)的出现标志着以本土文学为主流的英国书面文学历史的开始。《坎特伯雷故事》(The Canterbury Tales)以一群香客从伦敦出发去坎特伯雷朝圣为线索,通过对香客的生动描绘和他们沿途讲述的故事,勾勒出一幅中世纪英国社会千姿百态生活风貌的图画。乔叟首创英雄诗行,即五步抑扬格双韵体,对英诗韵律作出了很大贡献,被誉为"英国诗歌之父".乔叟的文笔精练优美,流畅自然,他的创作实践将英语提升到一个较高的文学水平,推动了英语作为英国统一的民族语言的进程。 二、文艺复兴时期文学(15世纪后期-17世纪初) 相对于欧洲其他国家来说,英国的文艺复兴起始较晚,通常认为是在15世纪末。文艺复兴时期形成的思想体系被称为人文主义,它主张以人为本,反对中世纪以神为中心的世界观,提倡积极进取、享受现世欢乐的生活理想。托马斯·莫尔(Thomas More, 1478-1535)是英国最主要的早期人文主义者,他的《乌托邦》(Utopia)批评了当时的英国和欧洲社会,设计了一个社会平等、财产公有、人们和谐相处的理想国。Utopia现已成为空想主义的代名词,但乌托邦是作者对当时社会状况进行严肃思考的结果。《乌托邦》开创了英国哲理幻想小说传统的先河,这一传统从培根的《新大西岛》(The New Atlantis)、斯威夫特的《格列佛游记》(Gulliver's Travels)、勃特勒的《埃瑞璜》(Erewhon)一直延续到20世纪

英国诗歌赏析1(本科)

Sonnet 18 William Shakespeare S hall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And of ten is his gold complexion dimm’d; And every fair from fair sometime declines, By chance, or n ature’s changing course untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st; N or shall Death brag thou wander’st in his shade, When in eternal lines to time thou grow’st: So long as men can breathe, or eyes can see, So long lives this and this gives life to thee Selected Metaphysical poems by John Donne I. THE FLEA Mark but this flea, and mark in this, How little that which thou deniest me is ; It suck'd me first, and now sucks thee, And in this flea our two bloods mingled be. Thou know'st that this cannot be said A sin, nor shame, nor loss of maidenhead; Yet this enjoys before it woo, And pamper'd swells with one blood made of two ; And this, alas ! is more than we would do. O stay, three lives in one flea spare, Where we almost, yea, more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is. Though parents grudge, and you, we're met, And cloister'd in these living walls of jet. Though use make you apt to kill me, Let not to that self-murder added be, And sacrilege, three sins in killing three.

美国文学赏析整理

一 I heard the merry grasshopper then sing, The black-clad cricket bear a second part, They kept one tune, and played on the same string, Seeming to glory in their little art. Shall creatures abject thus their voices raise? And in their kind resound their maker’s praise, Whilst I, as mute, can warble forth no higher lays? “Under the cooling shadow of a stately Elm, Close state I by a goodly River’s side, Where gliding streams the Rocks did overwhelm; A lonely place with pleasures dignifi’d. I once that lov’d the shady woods so well, Now thought the rivers did the trees excel, And if the sun would ever shine there would I dwell. “While musing thus with contemplation fed, And thousand fancies buzzing in my brain, The sweet tongu’d Philomel percht o’er my head, And chanted forth a most melodious strain, Which rapt me so with wonder and delight, I judg’d my hearing better than my sight. 题目:the 9th of Contemplations 作者:Anne Bradstreet 赏析: 1. Rhyme royal: sevenline iambic petametre 七行五步抑扬格 2. Rhyme: ababccc 3. Theme: religion 4. 象征:black-clad=death; abject=admitting defeat; maker= god 5. A genuine expression of poetic feeling in the presence of nature. The poem offers the reader an insight into the mentality of the early Puritan pioneering in a new world. The poet heard the grasshopper and the cricket sing, and she searched for her own soul accordingly. 6. She saw sth metaphysical inhering in the physical, a mode of perception which was singularly Puritan 二 It was about this time I conceived the bold and arduous project of arriving at moral perfection. I wished to live without committing any fault at any time; I would conquer all that either natural inclination, custom, or company might lead me into. As I knew, or thought I knew, what was right and wrong, I did not see why I might not always do the one and avoid the other. But I soon found I had undertaken a task of more difficulty than I had imagined. While my care was employed in guarding against one fault, I was often surprised by another; habit took the advantage of inattention; inclination was sometimes too strong for reason. I concluded, at length, that the mere speculative conviction that it was our interest to be completely virtuous was not sufficient to prevent our slipping and that the contrary habits must be broken, and good ones acquired and established, before we can have any dependence on a steady, uniform rectitude of conduct. For this purpose I therefore contrived the following method. In the various enumerations of the moral virtues I had met with in my reading, I found the catalog more or less numerous, as different writers included more or fewer ideas under the same name. Temperance, for example, was by some confined to eating and drinking, while by others it was extended to mean the moderating every other pleasure, appetite, inclination, or

英国文学选读一考试大题必备 重点题目分析(人物分析 诗歌分析 三大主义)

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